It has been a very good year for perfumers to re-interpret the eau de cologne style of fragrance construction. Each new iteration has seen some of the most talented perfumers we have, take the classic architecture of eau de cologne and impose their own design on this venerable style of fragrance.
Patricia de Nicolai makes some interesting additions to make L’Eau Mixte an Eau de Cologne all her own.
There is a house in New Orleans, no it’s not the “House of the Rising Sun”, but a perfumery that has existed for over 150 years. Unlike in The Animals classic song, the House of Bourbon French Parfums, hasn’t been the ruin of many poor boys although they might have made a few perfumistas poor.
Since 1843, Bourbon French Parfums haven’t changed very much, although the name has. From the earliest days until the present whoever “le nez” has been, they were influenced by all that makes New Orleans a special American city.
When I contacted Demeter and asked for a sample to review and I told them they could send me anything I realized that anything is exactly what I could get. When my box arrived from Demeter I eagerly opened it and found waiting inside, Funeral Home. My first reaction was “Ewwww!” but then much like Bill Cosby in his famous “Chocolate Cake for Breakfast” monologue; I stopped and thought what could be in Funeral Home. Flowers…flowers would be in Funeral Home. Polished wood…..polished wood would be in Funeral Home. Clean carpet…clean carpet would be in Funeral Home. Flowers, wood and clean carpet that sounds like a fragrance, six sprays of Funeral Home coming up!
Neil had been inspired by a woman he’d met in a motorcycle shop.
One of those people whom it is easy to dismiss, perhaps-
Not as tough as she looked in her leathers, bearing a rose tattoo on her arm…
She was one of the kindest, gentlest souls he had ever met; he wanted to create a homage to her.
A testament to her very goodness.
Alfredo Dupetit-Bernardi had his own unique way of interpreting the brief Anya McCoy laid out. Hr. Dupetit-Bernardi chose to work with three of his existing compositions as the foundation upon which he would build his “woody erotizing musk”.
Botanical Musk Nr. 5 served as a primer on Hr. Dupetit-Bernardi’s style of natural perfumery.
Hr. Dupetit-Bernardi found his own solution to the “mystery”. In this case it involved taking what came before and re-interpreting it into something brand new.
