Senyokô Migration de L’Arbre (Euan McCall) Review and Interview + Oneiric Woods Draw

Senyokô Migration de L’Arbre review

Senyokô Migration de L’Arbre (Photo: Despina Veneti)©

Every now and then comes a new perfume brand that captivates mind and senses with its uncompromising quality, aesthetic coherence, and attention to every detail: that is the case of Senyokô Paris, one of the most beautiful fragrant discoveries of 2019, (thanks to Alex Musgrave’s (aka The Silver Fox) introductory piece for Çafleurebon); mightily impressed by the latter, I made it a point to get immediately familiar with the offerings of this new Fragrance House founded by Joseph and Églantine Berthion, whose creative visions are translated into scent by gifted Scottish perfumer Euan McCall (selected by Michelyn as the “2019 Rising Star in Perfumery”). Amongst the operatic grandeur of Madama Butterfly II, the intoxicating lyricism of Duo Des Fleurs and the unabashed carnality of La Tsarine, Migration de L’Arbre stands as the most reflective, soothing, deeply affecting creation in the Senyokô collection. A finalist in the 2019 Art and Olfaction Awards, Senyokô Migration de L’Arbre is a thoroughly pleasurable fragrance in which seemingly heterogeneous elements work together in divine harmony.

senyoko Migration de L’Arbre Review

Friendship I: Tree and Bird (Digital Drawing/Collage inspired by Senyokô Migration de L’Arbre: Despina Veneti)©

The source of inspiration behind the fragrance is Nankichi Niimi’s 1930s short story “Last Year’s Tree”, a tale of friendship between a bird and a tree. The bird sings for the tree every day, until it has to migrate to the South to survive winter; it does so with a promise to return in spring, and sing for the tree again. Upon its return, the bird finds only a stump in the place of its dear friend. It eventually finds out that the tree has been cut, and turned into matchsticks, which have been used to light up a lantern. The original story ends with the bird staring at the flame inside the lantern, then singing a song to it, as it used to do for the tree. The flame trembles and flickers, as if it was thanking the bird in delight. After looking at the fire in the lamp once more, the bird flies away to an unknown destination.

Senyoko Paris Migration de L’Arbre review

Friendship II: Bird and Tree (Digital Drawing/Collage inspired by Senyokô Migration de L’Arbre: Despina Veneti)©

In Senyokô’s own fashion of imagining alternative endings for well-known stories, this tale goes on: “The bird flies away with the lantern and keeps it burning. Sensing the flame, the tree starts to grow back from the stump. Many saplings sprout from the tree’s roots and begin to pullulate throughout the glade, forming a new forest. After a few years, those saplings reach the bird and bring her back to the tree with their leaves. The bird passes away in the tree’s arms with a smile on her face and some beautiful memories of her friend and the forest.” This simple, yet touching, tale of friendship, loyalty and perpetuity is not a mere background, but runs through Senyokô Migration de L’Arbre like a vital force, imprinted in the scent’s own structure, development, and chosen ingredients. Thoroughly charmed by this brilliant fragrant jewel which transported me to landscapes that feel at once familiar and oneiric, I contacted perfumer Euan McCall of Jorum Laboratories.

 Interview with Euan McCall of Jorum Laboratories

Euan McCall of Jorum Laboratories (Photo: Alex Musgrave aka The Silver Fox)©

Mr. McCall proved to be as precise and expressive with words, as he is with fragrance notes. His insights on Migration de L’Arbre, and his work for Senyokô in general, were precious:The average development for a Senyokô perfume formula is 18 months of near constant development. I send themes, and subsequent modifications, to the team, so they can assess them. I enjoy the mutual trust, the feeling that we are all working towards the same end goal – that is to create something new, possessing undisputed quality and an inherent, albeit surprising, beauty. In each Senyokô perfume we are presenting people, places, stories or ideas, trying to bring these subjects to life. In the case of Migration de L’Arbre, it was a story of a bird and a tree that needed to be presented within the perfume. To me this story was concerned with the perpetual motion of nature, beyond the mutual love and respect displayed by the two subjects.”

Senyokô Migration de L’Arbre review

Senyokô Migration de L’Arbre (Digital Drawing/Collage: Despina Veneti)©

The perfumer further elaborated on his creative process: “Migration de L’Arbre was a very instinctual project: an early modification became the final. In essence the composition could be described as revolving around molecular ambergris and patchouli, but it goes beyond this. Patchouli provides a transparent structure to the formula – it is omnipresent however almost never truly there. To convey the aforementioned perpetual motion of Nature, I chose clary sage as a central theme. The various facets of this ingredient – herbaceous, floral, tobacco – are highlighted during the different stages of the fragrance’s evolution, ending with a naturalistic ambergris note based on Ambroxan (the latter being itself derived from clary sage). There is a sort of “closed loop” aspect, where one sensation or material evaporates, another similar takes its place, moving – or migrating – the profile along its journey, whilst still possessing the core theme until we move into the final phase of the profile which technically depends on the material featured in the initial impression for its existence. Furthermore, we created a textural accord to represent the bird without the use of animalic materials (like castoreum, civet, hyraceum or natural ambergris). Using seaweed absolute, cumin and a complex blend of grasses, herbs and molecules, we produced a sensation which resembled the plumage of the bird, soft, nuzzling, mineral-like.”

 Best Senyoko Paris perfumes

Bird and Tree (Watercolor Painting: Han In Wong Art)©

Senyokô Migration de L’Arbre is a formidable showcase of the perfumer’s technical skill and artistic sensibility. The fragrance opens with a blast of clary sage – in all its green, herbal, mind-clearing glory – infused with zesty, bright citruses (grapefruit, cédrat, yuzu). The overall sensation is that of walking barefoot through a serene forest glade right after the rain: an exhilarating feeling/smell of damp grass and earth, just when the sun beams are shyly re-emerging. The floral facets of clary sage are highlighted with apricot-tinged osmanthus and touches of luscious magnolia, shaping a floral heart that provides a more urbane vibe to the fragrance. Subsequently, the increasingly musky clary sage is mellowed by a warm wave of non-sugary sweetness, resulting from the synergy of coumarinic, hay-like tobacco, delicious pomegranate, some unexpected fruity accents (lemony elemi and grape-like nigella), as well as heavenly mastic (being Greek, my connection to this wonderful, still underused in perfumery, ingredient runs deep). The base of fresh-smelling patchouli and a plethora of aromatic woods is handled in the most ethereal manner; closing my eyes, I see a fantasy landscape where all sorts of magnificent citruses, fruits, flowers and resins are magically growing onto the trunks and branches of floating fir, oak and cedar trees. The drydown is mostly defined by the aromatic tobacco, and a mineral ambergris note with a salty undertone that vaguely evokes (the bird’s?) memories of the sea…

Senyokô Migration de L’Arbre (Photo: Despina Veneti)©

Balancing between a tangible organic feeling and an otherworldly aura, the woods of Senyokô Migration de L’Arbre are as intensely realistic as they are idealized. This supremely conceptual, deeply gratifying fragrance develops as smoothly as the flow of a crystal-clear stream, the graceful gliding of a bird through the air – or artful story-telling. All that with the apparent simplicity, and the emotional richness, of a fairy tale.

Notes: Clary Sage, Juniper, Cédrat, Grapefruit, Yuzu; Elemi, Mastic, Guaiac, Magnolia, Osmanthus, Pomegranate, Nigella Damascena; Ambergris, Tobacco, Seaweed, Vetiver, Cabreuva, Patchouli, Fir Balsam, Cedar, Oakwood, Deertongue.

Disclaimer: I’d like to thank Senyokô Paris for my bottle of Senyokô Migration de L’Arbre. The opinions are my own.

– Despina Veneti, Senior Editor

Senyokô Paris Migration de L’Arbre art and olfaction award finalist

Details of Senyokô Migration de L’Arbre (Photos: Despina Veneti)©

Thanks to the generosity of Senyokô Paris we have a draw for a tester 50ml bottle of Senyokô Migration de L’Arbre (value: $215/185€) for one registered reader in EU or USA. You must register here or your comment will not count. To be eligible, please leave a comment saying what you enjoyed most about Despina’s review, what you learned from her interview with Euan McCall , if you have tried any Senyokô fragrances, and where you live. Draw closes 1/23/2020

Available in the USA @indigoperfumery and @thescentroom

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75 comments

  • Oh, WOW! I received a sample of Migration de L’Arbre a couple of weeks ago and i loved it immensely at first sniff! Despina’s review is as close as you can get from the truth of it all 🙂 I’m also appreciating my fragrances by the way they are able to transport me someplace else, and it’s exactly what happened with this one. I love it’s greenness, clear dampness and whatever it is that makes me think that some of the citruses are starting to rot. Hands down to everybody involved in creating it! Lotta love, from Romania.

  • Senyokô Migration de L’Arbre seems like an interesting perfume that goes through several evolutions, not surprising as it took 18 months to create. It def. feels like a classical composition in nature with contrasting floral and tobaccoish notes. I am in US.

  • Thank you for such a touching story. Having read Despina’s review, now I feel like I have a grasp of what Migration de L’Arbre is about. The interview is also very helpful in giving color on the creation process; I was also not aware of the fact that this was a finalist in the 2019 Art and Olfaction Awards until reading this. Have not tried any Senyoko fragrances yet but am planning to sample the line this year. Regards from the USA.

  • Thank you, Despina, for this fabulous review. Thank you to Senyokô Paris for the generous gift for the draw.

    I love reading Despina’s description of the scent with eyes closed, as well as her general description of the scent. She really does a fabulous job of bringing you into her experience of wearing this perfume.

    I always love hearing the story behind the scent and the creative process involved in making it come to fruiton. I think it really helps to further appreciate the scent to and to fully appreciate the artform that is perfumery.

    I have not had the pleasure of trying this house out, though I have been hoping to do so for a bit. It’s definitely on my list of 2020 tries.

    I’m in the USA

    Thank you.

  • Interesting story of bird and tree tied to the fragrance. Note structure sounds beautiful. Thank you for the draw! US.

  • I have sampled all 4 of the Senyoko scents. Migration de L’arbre is way above the other 3. I am totally obsessed with this scent and would love to win a bottle. USA

  • I am a writer and never heard of the author or short story. I loved learning that inspiration and have to seek it out for a read. What I liked most about the interview? That picture of that gorgeous Scotsman. I have not tried this house yet. I’m in USA.

  • Shamrock1313 says:

    Haven’t tried the house, but Despina does a remarkable job of describing what’s in store. Sounds fantastic.
    Pennsylvania USA

  • The sweet story that was the inspiration for this fragrance was indeed interesting. I enjoyed it. The notes sound wonderful. I’m most drawn to Clary Sage, Juniper, Pomegranate, Ambergris, Tobacco, Seaweed and Deertongue. Thanks for another great article and generous draw! Mich USA

  • Thank you Despina for the enjoyable and detailed review. I now know one more note to look out for – mastic. I’ve not had the chance to sample any of Senyoko’s offerings and hope to try this. I’m in USA

  • Just the headline had me anticipating this review. The perfume names and the name of the Scottish perfumer had me.
    The description of the creative process, technical skill and artistic sensibility were a beautiful read. Those two paragraphs were so descriptive and well done.
    I love how the chosen pictures help carry the narrative and lead the mind.
    The bottle is simple and attractive. Yeah, I’d jump at this one. I’m in the US

  • Despina always gives a very evocative description of the fragrances she reviews, I love the story of the bird and tree and the promise the bird makes. Migration de L’ Arbre sounds like an ethereal natural scent. I’ve not tried any Senyokô scents before. I’m in the US.

  • What the beauty of the story about the friendship of the tree and bird! I immediately felt the need to be a part of this beautiful picture “walking barefoot through a serene forest glade right after the rain”… I haven’t had the chance to try any of the Senyoko fragrances but I truly would like to!

  • This sounds like quite the technical feat. I’m interested in Mr. McCall’s idea of perpetual motion in this scent, and am particularly intrigued by his interpretation of the scent of feathers. I’ve not tried any Senyokô fragrances. I’m in the US.

  • Despina’s review certainly describes the evolution of the fragrance and many of its permutations. Euan McCall’s process is fascinating as it is descriptive. One can feel the movement of the fragrance as it comes together. Thank you for a lovely review and a most generous draw. I’m in the USA

  • I have read with a lot of interest about the source of inspiration for this fragrance (Nankichi Niimi’s 1930s short story “Last Year’s Tree”, a tale of friendship between a bird and a tree). I appreciate the stories and inspirationa behind a creation, to me this somehow adds sentimental value, because in some you may either find what moves something in your soul or what touches you as a person. This perfume to me is about connection between earth and animals, space and time, solitude, loyalty, promesse and probably eternity. It set up the standard very high for itself and from the review it lives up to it.

    In the interview the description of the “closed loop” caught my atention and the way it works (such a masterpiece): one sensation or material evaporates, another takes its place, moving along its journey until it reaches the end. Like it is a smell of nature and its aroma that hide the life itself.

    I have never tried any Senyokô fragrances.

    I live in EU.

  • Thanks for the exhaustive overview of this most interesting fragrance. I particularly enjoyed learning more about the perfumer and the “gestation” process. I haven’t tried any Senyoko fragrances yet, but they all sound fantastic. I’m in the UK, still in the EU but only just…

  • I have not tried any of the Senyôko perfumes but this really sounds like a work of art! What a great review. Reading those notes I believe this could become one of my favorite scents! Living in the EU

  • what you enjoyed most about Despina’s review, what you learned from her interview with Euan McCall , if you have tried any Senyokô fragrances, and where you live

    I learned again and again what a hard work is required in the perfume industry: 18 months of near constant development!!! Oh, my! Haven’t have the chance to try any Senyokô perfumes, but I would certainly give it a sniff. I live in Romania, EU.

  • marcopietro says:

    Great review! I enjoy Mr. Mccall interview. I know his works for Jorum Studio and I love it. It’s very interesting read about his work system and creative process. I am fascinated by his sensitivity in making the spirit of Nature palpable I never try Senyokô fragrances, but this seems to be very special, surely Despina’s words and chosen images make it so. I fell in love with the story that inspired all the work and the article.
    Thanks!
    I live in EU

  • I am really intrigued by the notes especially Tobacco, Patchouli, Fir Balsam and Cedar. Thanks a million from EU United Kingdom

  • Intrigued by the friendship between bird and tree. And the notes sound sumptuous. Thanks a lot from EU United Kingdom Cheers a lot

  • This perfume house has intrigued me since the first reviews of CaFleureBon, perfumes are the result of research and love and it shows. The extreme attention to all the details (the bottle, the beautiful photos of nature), everything recalls BEAUTY. What a pity that today I can’t enter their site to order samples, but I don’t give up because I’m very curious to try this little gem.
    THANKS CAFLEUREBON FOR THIS DISCOVERY.
    Linda – EU

  • A friend of mine loves this and strongly recommended it to me, though I still haven’t got the chance to smell it. Thank you Despina for the review, and especially for the words from the perfumer himself.
    Thanks for the draw. I live in EU.

  • Stefan Cretu says:

    I’m a visual artist, and I have to say I love the imagery used to reinforce the article. Stef, EU

  • When I first discovered Senyoko at Dens Unique in Paris- I completely fell in love with the whole concept and the perfumes were gorgeous. Migration de l’arbre is such a tender scent and Despina perfectly captured what Euan McCall tried to convey through his work. Bravo, and thank you for this draw…
    I live in France

  • What I loved most about the review was how personal yet accessible it was , also just how vast it spanned.

    It helped me not only learn more about the fragrance and house , but about Despina.

    I’ve not tried anything from the house but now I’m curious, so I’ll be researching them now.

    From Ireland, EU.

  • Van Asch Bertrand says:

    I love Euan’s work with jorum and I’d be delighted to smell this creation. The description is very beautiful and as poetic as the story behind it. Thanks for the draw, I live in France.

  • Enjoyed reading about the back story and inspirations for the creations. I learned the average development time for a perfume for is 18 months. I have not tried any from Senyoko. US

  • After reading about senyoko I bought the sample set I loved this review and now am thinking of purchasing the full bottle
    Excellent review and I live in the USA

  • If ever there was a review that made me want to try the scent, this is it. I like the idea of patchouli anchoring the scent without overwhelming it, and thereby allowing the other notes to come through. I liked Despina’s complex but clear juggling of the abstract and concrete aspects of the fragrance. And I liked McCall’s conception of a “closed-loop” fragrance. I have not tried any Senyoko products yet, but this makes me want to. I live in the US, in North Carolina.

  • ThatMulattoDude says:

    I really enjoyed the story behind this fragrance…a beautiful tale of God’s love expressed through elements of nature in my interpretation. I’ve never tried anything from this house but appreciated the brief intro. The note breakdown looks interesting and multi-faceted. Appreciate the opportunity to get a sample. -Virginia, USA

  • A fantasy landscape… the graceful gliding of a bird – all sounds beautiful. No idea what deer tongue is?! But am intrigued. I haven’t tried any Senyokô yet, would love too. I live on the USA.

  • I like how the perfume is described as migrating where one sensation ir material disappears and another takes its place. Sounds really interesting and like a journey. I havent tried any Senyoko fragrances but have certainly read about them in Cafleurebon and this one as well as Madama Butterfly II sound great. In the U.S. Thanks for the generous draw.

  • I loved your review of this fragrance Despina! Reading about what goes into each fragrance from Senyoko Paris and Euan McCall and his precise and expressive words! Would love to win this bottle of Migration de L’Arbre. The notes sound amazing. USA

  • ScentitarFragrance says:

    The sound or coumarin, hay and salt adding to this nuanced and artistically composed light, but charismatic fragrance really drew me in. I love those three notes and the inspiration of the freedom of birds and migration is lovely too. I would love to have this in my collection ! I loved that the accords were told, but also the nuances was described. A fluttery animalic accord with a mineral tone sounds fascinating, for example. I learned more that notes can work like a dance, where transitions are created by the tones and textures, within a scent. I have tried a few, but not this one. I live in the usa, ms. Thank you for this lovely article and review !

  • breakthetedium says:

    I enjoyed the imagery evoked by Despina’s beautiful review, even before her mention of the fantasy landscape she sees when wearing this fragrance and closing her eyes; her description of the fragrance alone was enough to conjure up a forest that sprouted around me, green and lush and full of birdsong.

    The interview spoke of a “textural accord” – interesting to learn that a perfumer thinks to create something that can appeal to multiple senses, palpable, a sensation that stimulates more than just the sense of smell!

    I’m lucky enough to have tried (and love!) La Tsarina from Senyoko. I live in France.

  • redwheelbarrow says:

    I love the idea of displaying the perpetual motion of nature in a fragrance as a way to let the different materials shine. And those notes!!! This one sounds like it would be an immediate love for me. Thank you for this beautiful review and for the draw. I’m in the US.

  • What I enjoyed the most about Despina’s review was the perfect weaving of the perfume’s complex composition and the story that inspired it. It made the whole thing seem simple and enjoyable. McCall’s interviewed shed light on the relationship between perfumers and a house’s creators; in this case a positive one, and one guided by creativity and beauty. Unfortunately, I have never tried any Senyokô fragrances.

    Greetings from Spain.

  • m.r.everything says:

    The friendship between the bird and the tree are immensely appealing! The changing of the story by Senyoko is what makes this fragrance stand out to me! The power of friendship… brought together in a fragrance developed around that story. How beautiful!

    I have yet to try any of Senyoko’s fragrances, but that is definitely going to change in the near future! I have the sample set in my cart at Indigo Perfumery and I will be pulling the trigger soon!

    When writing about fragrances, Despina describes them in such a vivid way, that it almost feels like I am wearing the scent with her, and picturing exactly what she is imagining! Her reviews and write-ups are just like the pictures she uses in them… so beautiful, full of soul, and artistic!

    Thank you Despina, for the admirable review on Migration de L’Arbre and the splendid photos that go along with it! Both were equally evocative for the mind! Thank you Euan, for the lovely fragrance and charming backstory! Thank you to Senyoko, as well, for this very generous opportunity! It is greatly appreciated! Thank you Michelyn, as always, for putting all of this together! Good luck to all! I hope everyone enjoys the rest of their day! I live in Delaware, US!

  • Nice almost a poetic look on Migration of L’Arbre . Green, herbal, a bit of sweetness some tobacco, the concoction I’m eager to try.
    USA most of the year, and Germany from time to time

  • BostonScentGuy says:

    Thank you for this review! What a melancholy and beautiful story, and I’m glad to now know it. The scent itself sounds wonderful–I love how all of the earthy, woody, herbal notes sound as if they might come together. I learned McCall’s approach to scent-making and the intensive singular focus on developing a scent. I have been trying to die this line, but haven’t yet. Thanks for the draw! I’m in the US.

  • Despina-
    Such a wonderful, poetic review! You captured Migration de L’Arbre’s essence with your words (not easy to do!).
    It is so distinctive from the first sniff and truly takes one on a journey through all of its notes. Its overall effect that our customers describe is one of calmness and joy.
    Best of luck to all!

  • I live in the US and have never tried Senyokô. The scent list sounds terrific! Would love to smell how they bring about animalic scents in this and the journey of the perfume sounds very interesting.

  • I loved the short story and Senyoko’s happy ending. It was fascinating to hear the inspiration behind the scent. The tobacco and woody qualities I obviously understood but how he implemented the birds plumage was a take I wasn’t expecting but I’m so interested to smell for myself. I have not tried any scent from this house, even though I live in NYC

  • Despina’s writing is like poetry and I think it truly translates the technicality of McCall description. Unfortunately, I haven’t tried any of these fragrances.
    Many thanks for the draw, I live in France.

  • I still remember the time I had read the review about all 4 releases by Senyoko, a few months back, and how this perfume’s name, description and vibe had enchanted me back then also. I was now happy to read a detailed review, find out about the artist perfumer’s choice and story in the decision of making this perfume as it is and read the exact development of this perfume. I think the gentle woody, fruity and citrus vibes combined have produced a truly touching result and I would be so happy to smell it. Never smelled any Senyoko before.
    Thanks for the chance. From the EU.

  • The tale which served as inspiration to this fragrance, its preparation and making and finally, its result sound so beautiful and melancholy. I would love to smell the clear tobacco blended with pomegranate, mastic and so many aromatic forest plants. Has to be a great result. I am in the EU and never smelled anything from this house before.

  • I loved the description of her fantasy landscape and learning that the whole process of development takes 18 months. It seems as though many commercial releases are bashed out much faster than that. I am in the UK and haven’t tried any of Senyoko’s releases before.

  • The fragrance sounds very complex and very conceptual. I am very interested, how the bird feeling is designed, as they say “we created a textural accord to represent the bird without the use of animalic materials (like castoreum, civet, hyraceum or natural ambergris). Using seaweed absolute, cumin and a complex blend of grasses, herbs and molecules, we produced a sensation which resembled the plumage of the bird, soft, nuzzling, mineral-like”. I haven’t tryed any Senyoko fragrance yet and Migration de l’arbre is the one I want to try the first.
    Thank you for the draw,
    Latvia, EU.

  • I loved learning the tale of the friendship of the bits and the free as inspiration for this fragrance. It seems so utterly beautiful.

    Ana,
    Portugal

  • bigscoundrel says:

    Migration de L’Arbre sounds incredible. The opening of clary sage blending into the fruits like pomegranate and eventually settling into the woods, patchouli, and tobacco. I learned about the “closed loop” approach to fragrances meaning you maintain the core theme while sensations or materials fade and are replaced with one another. I haven’t tried Senyoko yet. New Jersey, USA.

  • Dubaiscents says:

    The story of the bird and the tree reminded me of another classic story that I am familiar with from reading to my children – The Giving Tree by Shel Silverstein. Like the story here, the tree and the boy in this story go through the cycle of life in such a poignant way. I can just imagine how this scent brings you full circle and I love the use of the various facets of clary sage to represent the circle of life. This brand has so many I want to try and I can now add this to my list. Thank you for the wonderful review. I’m in the US.

  • Since I’ve ordered Senyokô discovery set, with the requiem I’ll share my thoughts:
    -Duo Des Fleurs Senyokô
    Extremely dirty , indolic and animalic at the same time. There’s passengers for every train I guess. Not for me.
    -La Tsarine , lustful fragrance that reminded me of sweaty women’s body.
    -Madama Butterfly II . Unusual one , a bit sweet, smoky , powdery and spicy at the same time. I like it .
    -Migration de L’Arbre . To me the best Senyokô fragrance, and also the most appealing to the masses scent . Unlike Despina saltines I don’t get, but mastic and pomegranate and woods I get, lots of it. It’s a bit boozy and sour. Bottle worthy for sure.
    Despina correctly pointed out about Senyokô conceptual nature . You need to have a special taste to appreciate the house.
    Thanks
    Virginia USA or London UK at least 97/100 times.

  • Eating upside down pomegranate cake , drinking freshly squeezed grapefruit juice is the middle of some deep lush forest. That’s what Migration de L’Arbre reminded me of.
    I’m not familiar with Senyokô fragrances.
    Appreciate the review, and the giveaway campaign.
    USA

  • Beautiful story as a source of inspiration for the fragrance – Despina makes a perfect job setting the frame for the further explanatory steps revealed in the interview (amazing work, we never really think about it).
    I’ve never tried anything from this house, but it definitely on the to test list :)). I’m in the EU.

  • Unconventional fragrance with a special story behind it. Tobacco, pomegranate, mastic and some reminiscences of the sea? Sign me up asap again.
    Thank you all for the draw.
    USA

  • This is a very compelling depiction of a fragrance, describing the unfolding of its unusual notes from opening to drydown in an almost poetic way that really sparks my curiosity. I’m intrigued to try it. The care described in the process makes me curious about other things Senyoko is doing. I’ve not previously heard of this house, but look forward to sampling. USA

  • Sounds like a great fragrance. I enjoy fragrances that can take you somewhere. Have t tried a Senyoko yet. Thank You for this Draw, Ca

  • Michael Prince says:

    Despina, great review of Senyokô Migration de L’Arbre. It sounds like a beautiful blend of citruses, florals, green notes, resins, woods, tobacco, and ambergris…a little bit of everything. I loved learning the backstory on Senyokô fragrances and how Senyokô and Euan McCall earned so many different accolades and awards. I haven’t tried anything from Senyokô fragrances, but I would to try them out. I am from the USA.

  • Extending Nankichi Niimi’s 1930s short story “Last Year’s Tree” with an alternative, fragrant happy ending Euan McCall demonstrates that he is not merely an artist in parfumery, but a litterateur too. No wonder the creation was a finalist in the 2019 Art and Olfaction Awards: the ingredients in perpetual changing, migration makes such an exquisite fragrance. Migration de L’Arbre is a must for every collector. I am from the EU.

  • This sounds gorgeous and I adore the box. A barefoot in the woods fragrance is perfect for looking to spring. I have not tried any Senyoko perfumes yet and I live in the USA.

  • i enjoyed the alt/extended ending to the charming story, but most of all the delineation of how mccall interpreted it into migration de l’arbre. alas i have no familiarity w/senyokô fragrances here in california

  • All the notes on Migration of L’Arbre are in perfect synchrony with the story of the bird , and the tree friend.

    All the greenness, fruitiness, the woods all the tobacco seems like compliments each other.

    Thank you for the draw.

    USA

  • I imagine this perfume smells like the place this friendship (or love) happens – the woods. And I am always happy to smell a forrest fragrance. The complex richness of flora and fauna living in symbiosis, like the bird and the tree in the story.
    Despina’s writing style is unique: poetic, but precise. Like this description. “This supremely conceptual, deeply gratifying fragrance develops as smoothly as the flow of a crystal-clear stream, the graceful gliding of a bird through the air – or artful story-telling. All that with the apparent simplicity, and the emotional richness, of a fairy tale.” I love it.
    I live in USA.

  • This is a fantastic prose by Ms. Veneti. It gives an artistic interpretation of a perfume that is beautifully explained by Euan McCall as to how he operationalised some of the facets of the short story using ambroxan, clary sage, seaweed absolute, cumin and a complex blend of grasses, herbs and other molecules. The ability to explain those two things together in such an elegant manner is rare. I find it quite beneficial for me. I have not tried anything from Senyokô Paris, and Euan McCall. So thank you very much for the opportunity! (UK & Bangladesh)

  • I was lucky to smell all Senyoko scents and Madama Butterfly with Migration de L’Arbre were my two favorite . It is amazing that the perfumer used so many plant-based raw materials (seaweed, clary sage, herbs, molecules) to be able to create the impression of the animal (bird). The best part of this review is an interview because I am curious of the process of creating perfumes.
    The scent itself is very vivid, natural but also melancholic.
    I would love to win a bottle of it.
    I live in Poland.

  • Migration de L’Arbre no doubt is “supremely conceptual” with the touching story behind it, but the smell itself feels way more happier than “Last Year’s Tree” .
    I have not tried Senioko fragrances before.
    I’m excited for this giveaway.
    Regards
    USA/France

  • What a beautiful review. I’d never heard of the author. But his writing is a wonderful inspiration for the creative process of making this fragrance. The notes are so earthy and natural. I love the artwork.
    I live in the USA.

  • Bryant Worley says:

    Firstly, I enjoyed Despina’s expounding on what the notes represented from the story inspiring the fragrance – notes that represented the perpetual motion of Nature, the Bird, the bird’s plumage, etc. Secondly, I appreciated Mr. McCall speaking of how the fragrance was a ‘labor of love’ during his interview. I have not tried any Senyoko fragrances. I live in Waldorf, MD, USA.

  • Senyokô Migration de L’Arbre sound vert interesting and beautiful perfume- has very layers!!
    So rich pyramid- grapefruit, yuzu, mastic, vetyver, tobacco, ambergris, cedar and etc..
    US

  • I really enjoyed Despina’s review and it really drew me in! I loved the inspiration for Migration de L’Arbre and the story of the bird and the tree melted me. Thanks for including the creation process in this and it makes sense why it took 18 months. All of the notes are wonderful and this fragrance is destined to be a classic. Thanks for the generous giveaway and I live in the US!

  • Thank you Despina for this very very beautiful and informative review!
    Unfortunately, I have never tested any Senyokô fragrances, by the way I have heard about this brand from Cafleurebon blog- so thanks Michelyn and all editors for beautiful reviews, draws and news in perfumery. I would like to have this beauty- Migration de L’Arbre in my small collection.
    I like patchouli and it is so interesting “hear” patchouli with ambergris in main role.
    USA

  • Not sure if it’s because of what I do, marketing and storytelling, but “super deep” stories behind fragrances I don’t care about.
    All I care is if the fragrance smells good to me, and most importantly do I feel happy wearing it.
    Migration of L’Arbre I’m interested in because of combination of mastic, tobacco, pomegranate and osmanthus .
    Thanks
    Back and forth between USA and Scotland. 1 week in US -> 1 week in Scotland, and so on. Basically both USA and EU/UK at the same time

  • What a beautiful review and nice story behind of perfume. First time I read about this brand in here- thanks for reveal beautiful niche perfumery world!!!
    Senyokô Migration de L’Arbre sounds very intrigued- pomegranat, osmantus, ambergrus, patchouli and cedar. WOW!!!!
    I am looking forward to test this beaty and all collection.
    US