Vintage Christian Dior Diorling Parfum Review (Paul Vacher) 1963+ Fragrant Unicorn Draw

 

 Vintage Christian Dior Diorling review

Vintage Christian Dior Diorling  photo courtesy of Jena Menard©

If you read ÇaFleureBon regularly, it’s likely that you are aware of my immense fondness for chypres in general – and leathery ones in particular. There’s something irresistible about tanned skins infused with fruits, flowers, spices and moss which delight me no end. According to perfume icon and overall gentilhomme Michael Edwards, author of multiple volumes entitled Fragrances of the World and Perfume Legends II, this genre goes by several names: dry woods, chypre boisé, leather and chypre cuir. Whatever you choose call them, your nose will recognize them immediately. Here are but a few I’ve reviewed over the years – Cabochard de Grès, Caron Tabac Blond, vintage Balmain Jolie Madame, Santa Maria Novella Peau d’Espagne, Roja Parfums Fetish Pour Homme, Perfumology Clutch, Eau D’Italie Jasmine Leather, Hiram Green Hyde, Atelier Materi Cuir d’Iris, Parfums de Nicolaï Baïkal Leather Intense, Memo Paris Oriental Leather, and Strada Parfumerie Avenue Montaigne (I fully intend to review vintage Miss Balmain as well as original Lanvin Rumeur and Hermès Doblis in the near future.).

Paul Vacher perfumer

image courtesy of Le Galion

A long time ago I fell in love with master perfumer Paul Vacher’s exquisite Christian Dior Diorling, purchased a few drops and then misplaced them during our epic move almost three years ago; I’m still beside myself. Fortunately for me, Jana Menard of Fragrance Vault kindly sent me a sample to replace mine!!! As a result, I’m aflame to initiate you into my suave leather madness (if you’re not a fan already).

 

christian dior diorling 1963 vintage review

 Rene Gruau for Diorling

Vintage Christian Dior Diorling is a smooth operator in every wise. If you seek rough, raw hides that verge on a beautiful brutality, this parfum isn’t going to tick those boxes for you. If you crave the secret seduction of suavity, insinuated entanglements disguised as courtesy and refinement, then you may have caved for a fragrant unicorn. I certainly did. The pre-reformulation receipt is a luxurious floral leather chypre which commences with just enough bergamot and bigarade to entice. The ensuing floral bouquet is a perfectly-blended millefiori fragrance which embraces the indolic ripeness of hyacinth, full-bodied jasmine, the coolness of iris which offsets rose’s warmth, and a tender muguet note. Nasturtium contributes a fresh verdant floral facet spiked with pepper; it puts a little tooth in the fragrance and is a real pleasure (perhaps similar to the lovely bite that marigold – aka tagetes – does when utilized in perfumery). Diorling’s base comprises the classical chypre structure of its time: vetiver, musk, patchouli, oakmoss and an urbane leather note (which smells to me of labdanum, as opposed to an overdose of isobutyl quinoline or birch tar).

Ingrid Bergman in Spellbound 1945 via wiki, Spellbound movie poster

In contrast to more ebullient floral leather chypres such as Cabochard, Bandit or Jolie Madame, Diorling might be viewed as sedate – but don’t be disarmed. It masks a seething self-possession, not unlike someone elegantly attired in a tailored tweed ensemble and strings upon strings of pearls who is sporting outrageously provocative undergarments (which are invisible to the observer’s eye): one carries themselves differently. Their gait is riddled with subtext – although overtly no-nonsense and purposeful in its stride, there’s a soupçon of fluidity in the hips, a barely-contained bravado which is extremely sensual, if subtle. Diorling’s cavalier head toss is the key: insouciance underpins a lack of ostentation. It’s Ingrid Bergman and Gregory Peck in Alfred Hitchcock’s 1945 thriller Spellbound, eventually bound together for all eternity.  

Gregory Peck and Ingrid Bergman in Spellbound

Gregory Peck and Ingrid Bergman 1945 movie still

I realize that often it’s hit-or-miss when one searches for a well-preserved vintage fragrance, which is one of several reasons why many bypass the entire process. Others see vintages as outmoded, not possessing enough oomph, longevity and/or volume for their tastes – impossible as unearthing a unicorn. In the case of Vintage Christian Dior Diorling, that unicorn happens to be debonairly suave and clad in buttery-soft leather. Ask around; it’s well worth finding a few drops for your olfactory edification (even if, like myself – you can’t afford a full bottle). You won’t regret it – and you’ll never forget it. Damn that unicorn.

Notes: bergamot, bitter orange, hyacinth, nasturtium, iris, jasmine, rose, lily-of-the-valley, vetiver, musk, patchouli, oak moss, leather

Samples generously provided by Jana Menard of Fragrance Vault – I’m thoroughly indebted!  My nose is my own…

Ida Meister, Deputy and Natural Perfumery Editor

 

 Diorling by Paul Vacher for Christian Dior

Vintage Christian Dior Diorling  photo courtesy of Jena Menard© approximately early 70s

 Thanks to the generosity of Jana Menard of Fragrance Vault, we are offering a 1 ml vial of vintage Christian Dior Diorling for one registered reader in the USA. This is very rare and worth $40 and Jana doesn’t have a backup bottle! To be eligible, please leave a comment regarding what appeals to you about Ida’s review and if you collect vintage perfumes. Draw closes  June 20, 2021

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12 comments

  • joshuabrian says:

    Wow, this is so cool! That note breakdown seems lovely. Thanks for the draw. From USA.

  • I believe Ida and I are on the same wavelength as every review I read seems to speak directly to me. I have just started to want to dip a toe in the vintage water and this would be a perfect time. In maryland

  • I woul love To own this vintage Diorling
    It’s been a wish of mine for a very long time
    Thank you for the chance

  • jmmcmenamin says:

    This would be a great fragrance as I begin to venture into vintage scents. I love that she describes it as a unicorn.
    Located in Louisiana, USA.

  • As usual, everything about Ida’s review appeals to me. The description of Diorling is marvelous. I don’t collect vintage perfumes at this time because I don’t know how to find a well-preserved vintage perfume. But I would love to. Maybe Ida could write a book or guide to collecting vintage perfumes. I am in the US.

  • Agree with Ida about the hit and miss nature of vintage perfumes (in fact, of any perfume), as sometimes fakes or very good imitations are in the market and it is too time consuming to figure out genuine from the rest. How does one find absolutely reliable vendors, and how do they find genuine suppliers? I hope Fragrance Vault is one such vendor of authentic vintage and other perfumes. Over the passage of time, the fragrances I had a long time ago have become vintage – so yes, I am a vintage collector, by default, due to the unidirectional arrow of time 🙂 Thank you for the draw. In USA.

  • Aquafortis says:

    Great review and spotlight on this vintage, rare gem from Dior. I love Ida’s structuring her review through the lens of drawing analogies to classic film, as last night I just re-watched one of my all-time favorites (also a Hitchcock) “To Catch a Thief”, for about the 50th time. As a vintage perfume enthusiast and collector, I found myself wondering what fragrances Grace Kelly, and Cary Grant, might have been wearing in various scenes throughout the film. Great stuff!

  • ROBIN WRIGHT says:

    What appeals to me the most about Ida’s review is the ardent appreciation she holds for vintage chypres, particularly Diorling. Ida clearly describes what makes Diorling so special and I completely agree with her. I was able to buy some time ago a small vintage sample of the perfume and fell in love. I love chypres, particularly leather ones, and I love vintage Tabac Blond and Jolie Madame. However Diorling is in a class of its own. Perfectly blended, no harshness at all, it’s smooth, elegant and of a different time but not at all outdated. I would be thrilled to receive this sample! Thanks to both Ida and Jana for this kind opportunity.

  • Queen Cupcake says:

    This is one unicorn I would chase, even though I have a couple of lifetimes’ worth of vintage frags already. I can’t resist an exceptional leather chypre–old school, of course! I adore Ida’s reviews; they speak directly to my perfume-soaked heart. That debonair, suave leather note is calling to me. I live in the USA.

  • Wow. I LOVE everything about this review. Is it strange I want to be the woman Ida describes? This is amazing: “ If you crave the secret seduction of suavity, insinuated entanglements disguised as courtesy and refinement” – yes, please! I am just starting my perfume journey after years of wearing the same scent (old formulation 24 Faubourg). The bottle is empty & I would like to have a collection, rather than 1 scent. I LOVE vintage frags! So far, I’ve sampled a few: Shalimar (1960s), Fracas, Mitsuoko, Joy, & some of the bigger names, etc. I would LOVE so so much to wear & experience Diorling! Thank you for such a gorgeous description!!!

  • Rachel’s answer part 2
    Sorry! New here, still figuring stuff out! I just posted my reply, but I don’t think I was signed in (just FYI, I am a registered user ). Thank you!

  • wallygator88 says:

    Thank you for the great review and the generosity Ida. I love chypres and enjoyed your write up of this old fragrance. It was particularly interesting to see that the leather note comes from labadanum.

    I can’t say that I collect vintage perfumes, but I do own some old ones, notable a bit of Balenciaga Quadrille chypre

    Cheers from WI, USA