Parfum D’Empire Ambre Russe: “Ou Sont Les Neiges D’Antan…”
Parfums D’Empire’s Ambre Russe.[released in 2003] is the creation of brilliant perfumer Marc-Antoine Corticchiato; in it he recaptures Romanov decadence with a fury.
Parfums D’Empire’s Ambre Russe.[released in 2003] is the creation of brilliant perfumer Marc-Antoine Corticchiato; in it he recaptures Romanov decadence with a fury.
Joseph Quartana’s Six Scents project is always of interest to me. His stated credo for Six Scents is this:
“We choose the rising stars of the fashion industry who will one day be big enough to have their own fragrance but who are too small to have it just yet. So we steal from the future and offer it now.”
At the recent Sniffapalooza Fall Ball 2010 we were treated to all kinds of presentations of new fragrances. Perhaps the most memorable was given by Brigit, the Van Cleef & Arpels SA, at Bergdorf-Goodman. Brigit took a different tack for her presentation of the new Van Cleef & Arpels masculine fragrance Midnight In Paris. Brigit just holding the beautiful cobalt blue bottle decorated with a constellation of stars told a tale of a couple walking the witching hour in Paris. At the end of her tale the couple ended in an embrace accentuated by the man’s leather jacket.
Dabney Rose’s all natural perfumes are delicate and charming, always giving me a sense of the divine feminine, a gentle seduction with her softly blended flowers spices and resins. Leave a comment for this post and you are entered to win the fragrance of your choice – either a Leda Perfume Solid or a Windspeed Liquid perfume.
On a Saturday morning at the Bergdorf-Goodman breakfast at the Sniffapalooza 2010 Fall Ball, Victoria Christian stepped to the front of the room to present both of the new Clive Christian fragrances. With her white gloved assistants spritzing the fragrances into the air and using antique wooden fans to waft them throughout the room I closed my eyes and waited for the scent to hit my nose. As C for Men met my synapses I realized I might have missed something special as a mix of leather and woods wrapped around saffron sent me a classic masculine oriental.
It had never occurred to me that M. Duchaufour worked with a central duality with which he then adds in the rest. His fragrances like L’Artisan Parfumeur Timbuktu always seemed like olfactory travelogues capturing a place. In the two latest releases by M. Duchaufour, Penhaligon’s Sartorial and L’Artisan Parfumeur Traversee du Bosphore, it is very clear what the central duality at play is and both of these are good examples of M. Duchaufour’s duality design aesthetic.