Tristan and Isolde kissing – Artwork by Issey Miyake Le Feu d’Isssey Ermano
Turn the lights down, and if you can light a fire. No matter if it’s a campfire, a fireplace or just a candle: the more the gloom, the brighter the flame. Now put on Wagner’s Tristan und Isolde, take a deep breath and let its lavish dissonance slide down your ears, to your soul. We’re going to inhale a symphony of love and loathing, desire and dissolution, an alchemic concoction as toxic as the philter leitmotiv flooding the stage while Tristan and Isolde look in their eyes bursting of impossible desire and drink what they think it’s a deadly poison whilst a love potion fills their cups. We’re going to inhale Le Feu d’Issey, in this edition of our CaFleureBon Saturday Night Classics.
Tristan and Isolde by Salvador Dalì (1944)
In the 1990s Monsieur Cavallier released a spectacular row of creations- from the iconic 1994 Eau d’Issey to the one-hit wonder Le Feu d’Issey, passing by the Modern Masterpiece Kingdom for Alexander McQueen or the raw sexiness of Yves Saint Laurent M7 and Nu. Whereas Eau d’Issey immediately became successful most likely based on the ongoing post-HIV laundry-chic ozonic freshness, Le Feu d’Issey signaled a change was in the air. After the hedonistic 1980s and the sterilized minimal vacuum of the 1990s, a new spirituality was emerging with empathy towards nature and elements forecasting movements like #fridaysforfuture.
Jacques Cavallier-Belletrud. Credits Thomas Lohr for Louis Vuitton Malletier
While releasing Eau d’Issey, fashion genius Issey Miyake helped by perfume legend Chantal Roos (who later established Dear Rose, now renamed as Roos & Roos) started a big project with Shiseido inspired by the five primordial elements of Japanese philosophy: Earth, Water, Fire, Wind and Æther. Le Feu d’Issey was the second, last and bravest chapter of the story. So daring, so different it was an instant flop, but also groundbreaking enough to become a cherished unicorn by connoisseurs.
Right from the first moment you spray from the mystical glossy-red globe designed by Gwenael Nicolas, Issey Miyake Le Feu D’Issey smells deadly as a poison and sweet as love with the cold spiciness of aniseed and the aldehydic verdancy of coriander set against a condensed milk thickness as sweet as Isonde and Tristan epic kisses. This addictive contrast is confusing and disturbing that you don’t remember whether you got it from the witch Brangania or from the henna-tattooed hands of Madonna, singing “you’re frozen when your heart is not open”.
Madonna as featured in the Frozen video clip (Ray of light, 1998)
As the aromatic topnotes fade, the crescendo of creaminess in Le Feu d’Issey surrounds you like a pearly shield rosy reflection: Lilies bloom here and there, tinged with the piquancy of clove the roasted facets of hot caramel and guaiacwood. That’s the most romantic and feminine moment of this burning juice, where flames dance gently illuminating the graceful features of Isolde, her fiery red Irish curls hidden under the bride’s veil and her dress mixing sacred and pagan like Mr. Cavallier mixes avant-garde gourmand and retro dianthine hues in an unforgettable embrace.
Karen Elson wearing the bride dress from the Atelier Versace Fall 1997. Credits Alvaro Canovas
The drydown of the perfume is suitable for both men and women, tenacious and soft. Yet languorous sandalwood whispers concupiscent promises that cannot be ignored. To complete the witchcraft and make if so addictive it has to be drunk till the last drop, powdery vanilla was added in to smooth the leathery hues of cedarwood, plus a savory dash of hot firestone smell for a utterly addictive result, so tempting it makes you thirsty in many ways. Who will resist from burning when such a marvelous mistake can light your fire like this?
Le Feu d’Issey 1998 Advertising by Raymond Meier
Even if Issey Miyake Le Feu d’Issey was too ahead of its time, for a commercial release and quickly discontinued, its pioneering milky amber theme marked a path followed later by Fendi Theorema (Christine Nagel, 1998), Gucci Rush (Michel Almairac, 999) and Serge Lutens Douce Amère (Christopher Sheldrake, 2000) to name a few. In 2000 Issey Miyake introduced Le Feu d’Issey Light, targeting a younger audience, (nor did this less daring flanker become a hit).
Top Notes: Aniseed, Bergamot, Coconut, Coriander, Mahogany;Heart Notes: Jasmine, Caramel, Lily, Milk, Rose;Base Notes: Amber, Gaiac wood, Musk, Sandalwood, Vanilla, Cedarwood
This review is based on a personal bottle of Issey Miyake Le Feu d’Issey. My opinions are my own.
Editor’s Note: Does anyone remember Le Feu D’Issey? I have a mini bottle somewhere. Now this perfume is so rare that 1.7 oz is selling on Ebay for $247
–-Ermano Picco, Editor, Evaluator and Perfume Expert
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