Author/fragrance expert Michael Edwards & images from Perfume Legends II (Photos courtesy of Michael Edwards/Fragrances of the World)©
One of my favorite things in Paris is frequenting the city’s second-hand bookstores, where – with a bit of luck and lots of patience – one could uncover printed treasures of all sorts. My regular visits have been largely rewarding, but no more so than the time I found two perfect copies of the 1996-published “Perfume Legends: French Feminine Fragrances” by Michael Edwards. Mr. Edwards, renowned perfume specialist and leading authority on fragrance classification (he’s been releasing his annual “Fragrances of the World” reference books since 1983) was the first author to give voice to the very people who had created some of the most beloved fragrances of all time: the perfumers themselves. His extensive interviews with them, as well as with brand owners, creative directors, bottle and fashion designers, were seamlessly blended with his own research and engaging story-telling, resulting in his substantial work “Perfume Legends: French Feminine Fragrances”. At the time the book covered forty-five iconic scents (ranging from the end of the 19th century to 1992), and its tirage was soon exhausted; in fact, since the early 2000s, obtaining a copy has been a major goal of many a devoted perfumista. Fortunately, Mr. Edwards’ outstanding book is once more available, in a revised/updated 360-page edition enriched with nine additional “fragrance legends”, under the title “Perfume Legends II: French Feminine Fragrances”. Seven of the new chapters are dedicated to fragrances that were released after 1991 (Shiseido Féminité du Bois, Maurice Roucel’s Rochas Tocade, Calice Becker’s Dior J’Adore, FlowerbyKenzo, CHANEL Coco Mademoiselle, Bertrand Duchaufour for L’Artisan Parfumeur Timbuktu, Frederic Malle’s Portrait of a Lady by Dominique Ropion), while two more perfumes from previous decades, Robert Piguet Fracas and Guerlain Nahéma, have also been also included (the former one had been omitted in 1996 due to its – then – mediocre formulation, the latter because it hadn’t been possible to discuss its creation with perfumer Jean-Paul Guerlain).
Perfumers Guy Robert & Edmond Roudnitska
After the author’s preface (paying special tribute to Guy Robert and Edmond Roudnitska, the two great perfumers that offered Mr. Edwards their precious help, guidance and advice), and the wonderful 1996 foreword by Monsieur Roudnitska himself (where we learn that the brilliant perfumer regarded Vol de Nuit as Jacques Guerlain’s most modern creation, and Bois des Îles as Ernest Beaux’ finest one), the saga of French Perfume Legends starts unfolding with two 19th century creations: Houbigant Fougère Royale (1882) and Guerlain Jicky (1889). Fifty more fragrances follow, all them fulfilling the following three criteria: featuring an accord so innovative that it inspired other compositions, having an impact so profound that they shaped trends, and possessing an appeal that transcends fashion.
Full list of fragrances included in Perfume Legends II (Photo: Despina Veneti)©
Each individual chapter offers a vivid and accurate account of the time when the respective fragrance was created, followed by sections with comprehensive, in-depth information about the fragrance’s development, and bottle design. Every aspect of a fragrance release is discussed: inspiration and influences, difficulties and controversies, technical innovations and accomplishments, marketing, impact and aftermath… Along the way many enthralling stories emerge, like the mystery about who actually composed the fragrances of – creative and marketing genius – François Coty, the fruitful professional and personal relationship of Caron’s Ernest Daltroff and Félicie Vanpouille, the historically proven facts vs the popular myths surrounding Chanel No5, the tumultuous road towards designing the flacon of YSL Opium and releasing the scent – to name but a few… The book’s illustration includes fragrance ads, art photos, archive and historic pictures, as well several bottle design sketches, giving the publication the appeal of a coffee table book – an added bonus to its remarkable content, and superlative quality of writing.
Guerlain L’Heure Bleue & Shalimar chapters from Perfume Legends II (Photos: Despina Veneti)©
Apart from being a comprehensive, invaluable reference book, “Perfume Legends II: French Feminine Fragrances” is nothing short of pleasurable. The book can be read either by choosing any random chapter, or in continuity – in fact, each fragrance chapter builds upon what’s already been established in the previous ones, thus highlighting the influence of a certain creator on his/her contemporaries, or the ones that followed. One of the greatest gifts the book offered me was the chance to know what the perfumers/creative directors thought about their fellow professionals, past or contemporary ones, colleagues or competitors: for instance, Jacques Polge shares his memories of Germaine Cellier’s visits to Grasse; Guy Robert celebrates Ernest Daltroff’s avant-garde genius; Jean-Paul Guerlain shares that he’d have liked to have created Carven Ma Griffe; René Bacharach names Dana Tabu as one of the greatest perfumes ever created; Sophia Grojsman declares her love for Guerlain Après L’Ondée; Max Gavarry expresses his enthusiasm for the innovative construction of Chanel Coco Mademoiselle; Jean-Claude Ellena hails Roudnitska’s Diorella as a “work of human spirit”…
Jean Patou Joy & Nina Ricci L’Air du Temps chapters from Perfume Legends II (Photos: Despina Veneti)©
After finishing “Perfume Legends II”, I felt closer to some – rather elusive – giants of perfume history (like Ernest Beaux or Henri Alméras), while enlightened about the crucial contributions of several non-perfumers (like the maverick Sr. Vice President of Quest International in the 1990s, Yves de Chiris, or the bold and brilliant Maurice Roger, CEO of Parfums Dior till the mid 1990s). I must admit that some of my favorite stories involved the role of love in the creation of some of the most successful fragrances of all time: Arpège was created as a birthday gift for Mme Lanvin’s beloved daughter, Marie-Blanche, just as Femme was intended as a wedding present from Marcel Rochas to his beautiful bride, Hélène (Edmond Roudnitska had, however, already created the scent simply for his own pleasure). And where else than in the House of Guerlain have family bonds and love stories been the driving force behind so many fragrant creations, most notably those by the great Jacques Guerlain?
Hermès Calèche & YSL Opium chapters from Perfume Legends II (Photos: Despina Veneti)©
As far as major differences between the first and this revised edition are concerned, apart from the additional nine chapters mentioned above, two fragrances of the 1996 edition – the original 1987 releases of Nina by Nina Ricci and Byzance by Rochas – have been omitted in the new book (both scents were discontinued, and, as Mr. Edwards put it, “their appeal did not prove enduring”). Overall, “Perfume Legends II” is perfectly up-to-date, with even richer illustration than before. Naturally, several segments that included outdated information have been rewritten (like the Jean Patou Joy final chapter, since the company is not family-owned anymore). I’ve also noticed that the author’s newer research resulted in several credit changes concerning the bottle designs (for example, the Guerlain L’Heure Bleue/Mitsouko flacons are now attributed to Baccarat, instead of Raymond Guerlain, and the Chanel ones to Isidore Bleichner of Cristallerie de Saint-Louis, instead of Coco Chanel herself). Lastly, there are a few credit changes concerning the fragrances themselves (Miss Dior is now solely attributed to perfumer Paul Vacher, eliminating the co-credit to Jean Carles, whereas Anne-Marie Saget is co-credited with Jean-Paul Guerlain for the creation of Samsara).
YSL Paris & Grès Cabotine chapters from Perfume Legends II (Photos: Despina Veneti)©
Among my numerous fragrance-related books, Mr. Edwards’ ground-breaking œuvre “Perfume Legends” has got to be the one that I have revisited most throughout the years I own it. The updated/enriched “Perfume Legends II: French Feminine Fragrances” is a tome in which perfume lovers can safely invest, for it’s going to be cherished for many years to come…
Disclaimer: This review was based on a copy provided by the publisher – many thanks. The opinions are my own.
Copies of the book can be ordered at the Fragrances of the World site, for $145/140€.
– Despina Veneti, Senior Editor
Perfume Legends II: French Feminine Fragrances photo of Michael Edwards and Rodrigo Flores Roux courtesy of Perfumed Plume©
Editor’s note: Perfumed Plume will be hosting an exceptional evening on Wednesday, November 13, 2019 at the Society of Illustrators in New York (East 63rd Street, NY 10065), in the presence of Mr. Michael Edwards. The renowned author/fragrance expert will be sharing informative insights and fascinating stories from his long research for his book Perfume Legends II, followed by a conversation with Givaudan Sr. Perfumer/Vice President Perfumery, Rodrigo Flores-Roux. The detailed program: 5.30-6.00 pm Cocktails; 6.00-7.30 pm Welcome, Presentation, Q&A; 7.30-8.00 pm Book Signing & Reception. Tickets can be purchased at: https://perfumedplume.com/
Michael Edwards’ Perfume Legends II & Guerlain miniatures (Photo: Despina Veneti)©
Thanks to the generosity of Michael Edwards and the team of Fragrances of The World, we have a draw for a hard cover copy of “Perfume Legends II: French Feminine Fragrances” for one registered reader WORLDWIDE. You must register here or your comment will not count. To be eligible, please leave a comment saying what you enjoyed most about reading Despina’s review, if you are familiar with Michael Edwards’and where you live. Draw closes 11/12/2019
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