Histoires de Parfums This is Not a Blue Bottle 1.3 Review (Julien Rasquinet) + Surrealist Saffron Giveaway

Histoires de Parfums This is Not A Blue Bottle 1.3

J’s image of Histoires de Parfums This is Not a Blue Bottle 1.3

The “This is Not a Blue Bottle” series by Histoires de Parfums draws inspiration from René Magritte’s iconic work, “The Treachery of Images”, created in the 1920s. Magritte, a Belgian surrealist painter, masterfully used images and text in this series, influenced by both children’s literature and his early advertising career. One of his most renowned paintings features an image of a pipe accompanied by the phrase “Ceci n’est pas une pipe,” which translates from French to “This is not a pipe.” This artwork challenges our understanding of objects and their representations, suggesting that an image can simultaneously embody and diverge from the actual object.

“Ceci n’est pas une pipe” René Magritte via Wikipedia.

It transforms something meant for visual consumption into a concept that transcends mere appearance into an idea that changes the way we think or experience the world around us. Perfume does this so beautifully, evoking deep scent memories through its abstract nature, creating an interplay between the tangible and the surreal giving us a rich tapestry of possibilities to explore, to think and to dream about. Perfumer Julien Rasquinet takes us on this journey with Histoires de Parfums This is Not a Blue Bottle 1.3, where exquisite materials swirl in concentric circles, transitioning from shadow to illumination as we pursue their ephemeral trails as they burn and flow.

Perfumes by Julien Rasquinet

Perfumer Julian Rasquinet and Histoires de Parfums founder and creative director Gerald Ghislain courtesy of the brand

If the dream is a translation of waking life, waking life is also a translation of the dream.” -Rene Magritte

This is Not a Blue Bottle 1.3

J’s image of Histoires de Parfums This is Not a Blue Bottle 1.3

Histoires de Parfums This is Not a Blue Bottle 1.3 opens with glimmering metallic saffron dances with a sharp green bite of rose, creating a cool atmosphere around you. Yet, as you draw closer, the warmth of the saffron resonates gently, vibrating in a soft, spiced metallic glow. Rich leather notes radiate from the saffron, revealing a subtle animalic purr, while a gentle softness smoothens the wilder edges of the intense saffron. This full-bodied perfume lets saffron envelop you in a comforting warmth, kissed lightly with an aromatic sweetness and a hint of salt, enhancing the sensation of your skin, but better, while adding a little something giving a more sensual sensation. The interplay of rich saffron and leather harmonises the light and dark notes beautifully.

Portrait of Surréaliste René Magritte via Wikipedia

For Magritte, what is concealed is more important than what is open to view: this was true both of his own fears and of his manner of depicting the mysterious. In Histoires de Parfums This is Not a Blue Bottle 1.3, the concealed blood orange plays a pivotal role, its dark citrus sweetness skillfully softening the sharper notes of saffron, resulting in a smooth, rounded experience akin to the circular design of the bottle, its hidden in the blue void of the centre, there in form but not as image. The bottles circular design mirrors how the blood orange and saffron feel as they interact. Rose also envelops the blood orange’s freshness, drawing its deep citrus sweetness into its petals making it there but not, while soft flames of saffron flicker with metallic velvet sheen at their tips.

The Art of Living, 1967 by Rene Magritte via Wikipedia

The rose also softens the feel of the perfumes more wood animalic edges, it adds florals velvet fur feel to the dark saffron leather. Saffron is truly the star in This is Not a Blue Bottle 1.3. Its generous presence allows other elements to unfold and amplify its intricate facets, giving us a stunning experience of saffron. Patchouli deepens the saffron’s profile, introducing a rich, earthy undertone that lingers beneath the saffron. It’s got hints of dry cacao and woody facets that play off brighter creamy clean musks, illuminating the darker notes as the brightness shines. Saffron oozes a vibrant opulence; it’s bold and commanding, effortlessly drawing you into the fragrance while allowing the other materials to shine around the edges, letting the endless swirl of rose, leather and saffron sit out in front.

Best Magritte paintings

The Banquet, 1958 by Rene Magritte courtesy of reneemaagritte.org

The interplay between the saffron and patchouli in This is Not a Blue Bottle 1.3, gives a wild, almost gasoline-like aroma at some point, letting the rose soften into vapours, tapping into a more adventurous musicality as the musks take hold as the subtle saffron smoke and flames smoulder. It feels as if your skin radiates warmth, as this luxurious saffron scent envelops you in leather like a second skin, as patchouli drips of sophistication. The perfumes composition has a very structured feel; with many materials have this powerful vertical thrust creating abstract shapes and planes. It’s the soft, smoky richness diffusing at the edges that gives This is not a blue bottle 1.3 a stunning abstract feel in the dry down. The dark heart of the leather shines like a neon light, obscuring the mysteries hidden within, reminiscent of Magritte’s artistic style. He famously stated, “Art evokes the mystery without which the world would not exist.” In this way, This is Not a Blue Bottle 1.3 reflects this sentiment, as the saffron weaves into a sleek leather darkness while simultaneously flowing towards a soft rose that dissolves into an enigmatic smokiness, allowing the rich saffron to haunt the air, with patchouli oozing of a deep, earthy elegance. This is Not a Blue Bottle 1.3 is a whole other delicious dream.

Notes: Blood Orange, Rose, Saffron, Patchouli, Leather.

Disclosure: Histoires de Parfums This is Not a Blue Bottle 1.3 was sent to J to review by Histoires de Parfums. Thoughts and nose are his own.

 

J @wearescentient, Senior Editor, artist and olfactive writer.

 

This is Not a Blue Bottle 1.3 Histoires de Parfums

J’s image of Histoires de Parfums This is Not a Blue Bottle 1.3

Thanks to the generosity of Histoires de Parfums we have a 2 oz bottle for one registered reader in the USA, OR EU or your entry will not count. You must be a registered CaFleureBon reader. (if you are not sure if you are registered click here (you must register on our site or your entry will be invalid). To be eligible, please leave a comment saying what sparks your interest based on J’s review and where you live. Do you have a favourite Histoires de Parfums fragrance? Draw closes 9/25/2024

Available at Histoires de Parfums online and fine stockists.

Please watch Steven’s video of This is Not A Blue Bottle 1.7 here (also by Julien Rasquinet). Lauryn’s reviews of 1.4 and 1.5 here

Read about Julien Rasquinet in our Young Perfumer Series (now Senior Perfumer with CPL Aromas).

Follow us on Instagram @cafleurebonofficial  @histoiresdeparfums @julienrasquinet @wearescentient

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34 comments

  • All the frag-heads are aware that a good rose and saffron combo is to die for. You add leather and patchouli to the mix, you’ve got a winner. This Is Not A Blue Bottle contains these exact notes and it being created by none other than Julien Rasquinet should dictate the direction this fragrance will take. J mentioned it has facets of a cacao sentiment at the base (probably the patchouli) and for a gourmand lover like myself this tells me how amazing this fragrance is. It goes through different facets throughout its life beginning with the rose and blood orange and then taking a dark tone with the leather and patchouli which makes it perfect for anytime of the year to wear. A simple yet complex fragrance that will have you questioning: is this a blue bottle? I’m located in the USA.

  • J’s review of This is Not a Blue Bottle 1.3 really piqued my interest! The way he describes the interplay of saffron, leather, and rose, with that subtle smoky undertone, sounds like a mesmerizing, immersive experience. I love how he connects it to Magritte’s surrealism, making the fragrance feel like an abstract work of art that unfolds on your skin. The balance between the bold saffron and the softness of the rose and patchouli is something I definitely want to experience.

    As for Histoires de Parfums, my personal favorite has to be 7753. There’s just something so special about its delicate yet complex blend—it feels timeless and intimate. But now, This is Not a Blue Bottle 1.3 is definitely on my radar!

    EU

  • The fragrance is described as having a vibrant and radiant composition, featuring notes of blood orange, saffron, rose petals, leather, and patchouli. This combination creates a dynamic and multifaceted scent that for sure stands out! I live in Trzebnica, Poland, EU. I don’t have a favourite Histoires de Parfums fragrance because I never tried this house yet.

  • Chris Mugavero says:

    Rose and saffron is ALWAYS a great combo. I cannot say I’ve encountered Histoire de Parfums before, although I’ve heard about a fragrance called Casanova that’s supposed to smell like a sugar cookie. Would love to win. – NJ USA

  • My favorite from this house is 1725. Such a versatile fragrance that is easy to like and easy to wear, it has signature qualities. I am very curious about this one from the “Blue Bottle” collection. I never tried one, but would love to start with 1.3 as the notes are right up my alley! Thanks! Europe

  • Every time I’m able to smell this line in person, this is the first one I reach for. The saffron is done so, so well in this perfume.

  • Eris.can.swatch.kaos says:

    I love how this fragrance can mirror the art by Magritte. The This is Not A Blue Bottle line has some winners and I’m sure this is no exception. I’d love to smell the saffron and rose, with patchouli in the dry down, it sounds just beautiful. I don’t have a favorite yet, 1.7 comes close, but this one may be it. I live in Oregon.

  • I am intrigued by this fragrance since I happen to love Saffron and rose together. Adding saffron’s leathery masculinity to the delicate sophistication of rose has always been a favorite of mine.
    This is my favorite selection from this fragrance house though I own none of them to date.
    Washington, USA

  • love the description of a scent using analogy of concentric circles, and especially more technical explanations of how blood orange interacts with saffron, for example.
    i dont have a fav from the house, but im hoping to change that soon!

    zagreb, croatia

  • I never know that the This is not a Blue Bottle series is inspired by Magritte and that was interesting to me as I only knew histoires de parfums for their other perfumes, my favorite is 1969.
    J really did a great review with using images of concentric circles of ingredients especially saffron and leather.
    I live in the USA

  • wonderscent.mari says:

    Wow, now this is good! I love the concept behind and i cant wait to try it! I like the blend of blood orange, saffron and rose here.
    The vibrant blue bottle with the blood orange red circle shows me clearly how the juice inside could be and what feelings can evoke. For me has a very energizing aspect to it. Sounds a really interesting and enjoyable scent with a airy metallic vibe.
    my favourite fragrance from Histoires de Parfums is 1969 Parfum de Revolte. Absolutely love it!
    Thanks! Europe

  • Ghislain’s Histoires de Parfums is a great house with many strong fragrances. I still have to go through all my samples set but I’ve been quite impressed so far (Noir Patchouli for instance). Also Julien Rasquinet is a very talented perfumeur — Bois d’Ascese being perhaps my favorite of his creations so far.
    Love the insight from Magritte’s work, especially the “what is concealed is more important than what is open to view” quote. Totally applies in the fragrance context as illusionary tricks are played all the time by perfumers!
    I live in Germany.

  • What I love about Histoires de Parfums This is Not a Blue Bottle 1.3 is how it blends complexity with bold, surreal elements, much like Magritte’s art. The way saffron, leather, and patchouli interplay creates a scent that feels both familiar and mysterious. The vibrant saffron and the deep, earthy patchouli caught my attention, while the subtle shifts between these bold notes feel like a dream unfolding. It’s the perfect blend of abstract and tangible, making me curious to experience how these notes evolve on the skin.

    US

  • I love how this article goes into detail about the artistic and historical inspirations behind the fragrance. It really gives you unique insights into the story of it beyond just a note breakdown. As an historian from Nevada, this brand is definitely now on my radar!

  • Rose and leather are such a classic combination. Adding the blood orange brightens and sweetens the seemingly simple notes. It’s interesting that the saffron and patchouli interact to produce a gasoline like aroma. Julien Rasquinet is a master perfume blender and he seems to have evoked many different qualities from the notes in This is Not a Blue Bottle 1.3. I do not have a favorite Histoires de Parfums fragrance. MD, USA.

  • I like how it connects the art of Magritte to the experience of perfume, transforming scent into a journey of imagination. The spotlight on saffron really makes me experience it. Safrron is one of my favorite notes, especially when paired with patchouli. I can almost feel that luxurious blend enveloping me, with the earthy richness of patchouli. It’s intriguing, especially the way they create a warm, smoky aura according to this review. I’m definitely excited to experience it. I live in New York City.

  • This is sweet and simple, the note breakdown at least. However when I imagine this I know rich complexity is sure to come out and all of its few elements get a chance to shine. The blood orange opening is what intrigues me most because I know it’s making way for the saffron, patchouli, and rose. This is truly a pleasure and I’ve heard great things about it’s not a blue bottle and this is no exception. From Jacksonville, NC.

  • My favorite of this line is Moulin Rouge. I haven’t had the opportunity to try any of the blue bottles. Love the artwork for this article. That saffron and patchouli interactions sounds interesting. Cocoa is always a favorite of mine when it is with chocolate. I’d love to know how these notes mingle, especially the rose softening it up. Thanks for the chance. USA.

  • I love saffron as a perfume note and J’s description of its use in This is Not a Blue Bottle 1.3 sounds very appealing. My favorite Histoires de Parfums fragrance is 1740. I’m in Oklahoma, USA.

  • Ooh this is amazing. I’ve just loved this series and concept. I can’t wait to try the latest – wonderful notes. And choosing Orange as the hidden scent when Orange is the polar opposite of blue and polars always shimmer, dance, clash, accentuate. I love their old Blanc Violette and the Ambre 114, 1725, 1804…. Honestly they have all been wonderful and unique. And I have always loved the Surrealist. Magritte should always be remembered!! I am in California, thank you for the give away.

  • I like what J said about this fragrance. “evoking deep scent memories through its abstract nature, creating an interplay between the tangible and the surreal giving us a rich tapestry of possibilities to explore, to think and to dream about.”

    Love the simplicity of the notes and the presentation of the bottle.

    Los Angeles Ca. USA

  • I am very keen to smell the mix of saffron, rose, leather and patchouli and to experiment that mystery that recalls Magritte’sthoughts. I had the chance to try This is not a blue bottle 1.2 and I loved it! Cheers from Italy

  • I like the idea of a leather/rose combo for cool fall weather. The blood orange note is one if my favorites. Thanks for another wonderful review and draw. MI USA

  • Jared Overbeck says:

    I am very excited to enter this drawing for this symbol of my favorite form of art: surrealism. That sensation that everything might be grander than it seems, and that a pumpkin might become a magical carriage, or that a mushroom would become a house for droves of tiny gnomes.

    I appreciated that he went in depth regarding the fragrance’s saffron related notes. Saffron is the only spice that is worth nearly as much by weight as gold, as the inside filaments of the delicate crocus flowers are picked one at a time.

    I would love the opportunity to add this to my collection.

  • Saffron is my favourite note but not the metallic ones. The mix with orange and rose seems unique and artistic though. If the metallic notes are not prominent i might like this one. Histoires de parfum is definitely an underrated house. I am from Greece, EU. Good luck everyone.

  • This is such an interesting line of fragrances. I have tried a few, but have been going in reverse order so I’ve only tried 1.7, 1.6, and 1.5 so far. I really like all 3, but I think 1.7 is my current fave. This one sounds like it has the trademark abstract nature of the others. I’m most intrigued by the gasoline-like effect that J spoke of. I really lean toward petrol notes and I’d love to see how the patchouli and saffron combo works to give such an impression. Best of luck to all. I live in NC, USA.

  • There’s an interesting juxtaposition between the type of perfume this packaging makes me expect and the actual fragrance bottled inside. J’s review suggests TINABB 1.3 is heavy stuff, full of rich saffron and leather. The rose and “pivotal” blood orange sound wonderful here, playing off the saffron, adding texture, sweetness, and complexity. Plus the petrol-like interaction between the patchouli in the base and the saffron is a bold statement. TINABB 1.3 sounds much more dynamic and compelling than a simple notes list would suggest. Would love to try this.

    I’m in the USA. I haven’t tried any Histoires de Parfums fragrances. Thanks!

  • Michael Prince says:

    I loved J’s review of Histoires de Parfums This is Not a Blue Bottle 1.3. I loved learning more about this amazing brand that I’ve heard so many great things about. I loved learning how this fragrance was inspired by René Magritte’s iconic work, “The Treachery of Images”, created in the 1920s and it was perfumed by the brilliant Julien Rasquinet. The interplay between Blood Orange, Rose, and Saffron sounds truly divine. I haven’t tried anything from this brand yet, so I don’t have a favorite. I am from the USA.

  • FragranceIsMe says:

    Oh my goodness…Blood Orange, Rose, Saffron, Patchouli with Julienne Rasquinet’s special touch…What more does one need? USA

  • Nom de Guerre says:

    What I appreciated about this review is how it connects art and fragrance, using Magritte’s surrealist ideas to frame the perfume’s experience. The description of This is Not a Blue Bottle 1.3 beautifully mirrors the abstract and enigmatic nature of Magritte’s work, blending visual art with olfactory sensations. The detailed exploration of how saffron, leather, and rose interact feels almost poetic, evoking both mystery and luxury. Fingers crossed and greetings from Riga, Latvia.

  • Blood orange is what I can´t take because of medications therefore my cravings thereof are larger. This scent sounds lovely.I live in the EU.

  • This is not a blue bottle, and this is not an intriguing review. i bet this is not a great perfume either. This is art, its beautiful. My favorite is This is not a blue bottle 1/.1 .
    Thank you.

    Joanna, Chicago IL

  • foreverscents says:

    I am very curious about the interplay of notes in This Is Not a Blue Bottle 1.3. The blood orange note intrigues me, especially as it mingles with the saffron. I like what J wrote about perfume creating an interplay between the tangible and the surreal. This interplay allows exploration and dreams. I don’t think I have ever explored a leather fragrance with these notes.
    I love 1740 Marquis de Sade from Histoires de Parfums.

  • I love a good rose and saffron combination. I am so fond of Julien Rasquinets work Im curious about this interpretation. I don’t yet have a favorite scent from Histoires de Parfums but I would love to sample 1969. Thanks for the delicious review! I live in the USA.