ÉLISIRE In Fabula (Bérénice Watteau) 2025  +  Fuchsia Dreams Giveaway

 Élisire In Fabula perfume

ÉLISIRE In Fabula, photo by Nicoleta 

Ever since I can remember, perfume has been a synesthetic playground for me – I’ve never smelled a fragrance without “seeing” something; sometimes it’s a color, sometimes a sound, sometimes something completely different, fluttering, suspended between my senses. Imagine my joy when I discovered that In Fabula, the newest creation from ÉLISIRE, opens a new collection- inaugurating a series of olfactive delights that explore the other side of colors.

Berenice Watteau and Franck Salzwedel

 Perfumer Bérénice Watteau of DSM-Firmenich With Franck Salzwedel

Born in France to German parents, Franck Salzwedel grew up between light, color, and sound. His childhood moved from the French countryside to the lush vibrancy of Indonesia, where scent became his first language of memory, a way to translate the world’s textures into emotion. Bali taught him that color has a pulse and fragrance has light; both can shape the way we feel. After returning to France, Franck translated this vision into perfume — first for Armani (Acqua di Gio, Mania), then for Viktor & Rolf (Flowerbomb) before dedicating himself fully to painting and, later, to creating his own scented universe. ÉLISIRE was born from that dialogue between color and scent, a collection of luminous, high-concentration perfumes conceived as elixirs of desire: sensual, modern, and saturated with light. Franck calls them “auras,” stories painted in scent and light, designed to ignite the senses and speak the universal language of color. With ÉLISIRE, I wanted to tell the story of my love for fragrance and painting, driven by my fascination for nature. The world, the sky, the sun, the light, the stars, and the elements. But most of all, the miracle of colors, and their impact on the sensorial and emotional spectrum. Color has a transcending power, which acts on the body and the soul. Whether it is bright, vibrant, dark or muted, alone or interacting with one another, color relates to emotions in a direct manner.”- Franck Salzwedel

Who better then Bérénice Watteau for Franck to team up with – a perfumer with a rare sensitivity for translating the emotions of colors into perfumes. In her own words: When I compose a fragrance, I experience a form of synesthesia. Scents appear to me as shapes, colors, textures, even light. I see each formula as an architectural structure, full of volume, contrast, and balance, or like a painting, where ingredients are my pigments and brushes.” – Bérénice Watteau

Four Darks in Red

Mark Rothko  – Four Darks in Red (1958) painting, fairuse

There’s a phenomenon art historians call “the Rothko effect” – that hypnotic pull you feel standing before one of his paintings, where boundaries dissolve and emotion are triggered in the most unfiltered, primal way. Rothko believed his paintings were about “basic human emotions – tragedy, ecstasy, doom” –  and that color, stripped of form, could speak directly to the soul. ÉLISIRE In Fabula operates on this same principle. Like Rothko’s luminous rectangles that seem to breathe and pulse with inner light, this fragrance doesn’t simply smell like fuchsia – but somehow triggers the same emotions as this color does. The sensation of fuchsia distilled into one journey: that electric, vibrating threshold between red’s passion and blue’s mystery, where desire meets playfulness, where the physical world blurs into something transcendent.

And what does fuchsia feel like when it’s no longer bound to sight?

ÉLISIRE In Fabula opens like a canvas still wet with light – a burst of pink pepper that crackles and shimmers, electric and alive, meeting the tart-sweet pulse of tart fruits, sliced mid-air. Sheer movement captured in the collision, with the spark struck sending vibrations through the senses, mouthwatering, effervescent, fruity and alive. Sharp, prismatic rays illuminate through ruby swirling liquids, with citric brightness piercing the composition like refracted light through stained glass – rays slicing through the berry’s crimson flesh, refracting fuchsia in all its impossible, saturated glory.

AI mood picture of rose petals, Nicoleta

Then comes the heart, and here Ms. Watteau reveals her mastery of chiaroscuro. Rose emerges not as a single note but as a spectrum  – from the palest blush of dawn, veiled in orange blossom hues, to the bruised, wine-dark petals of twilight. It’s a rose that has absorbed both airy translucence and narcotic shadow, creating layers of depth that shift and breathe at every facet, like color fields dissolving into one another. Amber and vanilla thread through like molten gold leaf, adding a honeyed, resinous warmth that keeps the structure from floating away entirely –  added weight of oakmoss and patchouli anchor the composition to earth, to ground, to the roots felt, not seen, beneath the surface.

Pierre Herme Ispahan macaron

Pierre Herme Ispahan macaron ad, fairuse

At one point comes the delicious nutty roundness, curving all the edges into something intimate, sensual, almost edible. Now it’s all about textures: the decadent sheen of a Saint Honoré, all caramelized cream and delicious softness, or the velvety-crusty contrast of an Ispahan in that perfect marriage of rose, litchi, and raspberry held together by the fuzzy architecture of the perfect macaron. And then, the final alchemy: woods and musk create a halo effect, that diffused luminosity that makes you question where the fragrance ends and your own warmth begins. Everything is now soft focus, blurring boundaries  – the kind of glow that hovers in your wake like the afterimage of staring too long at something beautiful, that retinal ghost that proves you’ve witnessed a powerful thing – one that changes the way you see the world even after you look away.

In Fabula by Élisire

ÉLISIRE In Fabula, photo via the brand

ÉLISIRE In Fabula is an immersive sensory experience – one that bypasses the intellect and speaks directly to emotion. The other side of color isn’t its opposite, but its essence: the feeling it evokes once freed from the visual world and translated into pure olfactive vibration. And I must say, I’m addicted to this feeling, and I can’t wait to see what color comes next.

Top: Red Berries, Blackcurrant Buds, Mandarine, Orange Blossom; Heart: Rose Absolue, Hazelnut Accord, Amber; Base: Cedarwood, Sandalwood, Patchouli, Vanilla, Musks, Oakmoss

 Nicoleta Tomsa, Senior Editor

Disclosure: A bottle of ÉLISIRE In Fabula was offered by the brand; opinions are always my own.

Perfumer Bérénice Watteau Young Perfumer Series essay here.

Also read our reviews for Extrait Noir, Oderose, Desired, Jasmin Paradis, Eau Papaguéna

 

Élisire In Fabula 2025 

ÉLISIRE In Fabula, Packshot photo by Nicoleta

Thanks to the generosity of ÉLISIRE, we have a 30 ml for one registered reader from the EU or USA.  You must register or your entry will not count. To be eligible, please leave a comment saying what sparks your interest based on Nicoleta’s review and where you live. Draw closes October 18, 2025

Follow us on Instagram @cafleurebonofficial@nicoleta.tomsa@elisire_parfums@berenice_watteau

This is our Privacy Policy

We announce the winners only on our site and on our Facebook page, so like ÇaFleureBon and use our blog feed… or your dream prize will be just spilled perfume. Like our Facebook page: Çafleurebon and use our blog feed for new updates and articles.

Leave a Reply

Your email address will not be published. Required fields are marked *


29 comments

  • Nicoleta emphasizes that In Fabula is an immersive, sensory experience that can compare to “the Rothko effect” you would experience viewing his artwork: that color, stripped of form, could speak directly to the soul. In Fabula, for Nicoleta, has this very nature and in its heart-notes is where it truly shines. The full spectrum of rose is utilized in combination with other notes to create a masterpiece.
    USA

  • Kassie Tocko says:

    what really sparked my interest about this reading was the way it connected fragrance to other senses — especially color, sound, and emotion. the idea that scent can paint a picture or speak in color felt both poetic and scientific at the same time. i was really drawn to how franck salzwedel and berenice watteau describe perfume as something that transcends smell — almost like a language of light and emotion. the description of in fabula made me feel like i could “see” the fragrance, not just imagine it’s notes. i also loved the link to art and mark rothco — comparing perfume to color fields that stir emotion really made me think about fragrance in a completely new, creative way. i would absolutely adore to be able to experience fuschia, altogether. it sounds so beautiful & the bottle is gorgeous! beautiful article- bravo! i am from the states, in colorado! & i remembered to add that for once! :).

  • Laura Hamrick says:

    I love the idea of color transformed to smell – a full experience for the senses. Sounds divine – especially how the fruity and floral notes meld into the warm base. Would love to try this fragrance!

    I’m in the US.

  • Ramses Perez says:

    I do know of some people that experience synesthesia. I myself kinda can see it with a few different fragrance styles (amber – orange, Chipre – green, aquatic – blue) and it’s very factual. Just looking at the notes themselves you can see the fuchsia coming in in all its splendor. It leans towards that rosy/red berries category which yields a fuchsia hue. Just how Nicoleta described it, it’s a sensory experience to be felt. I’m located in the USA.

  • As a fan of niche perfumery and patchouli, ÉLISIRE’s In Fabula instantly captivated me. Nicoleta’s review described it as radiant and feminine, but it was the earthy base of patchouli, cedarwood, and oakmoss that truly spoke to me. I admire ÉLISIRE’s creativity and the way their fragrances connect with me on an emotional level.

    I’m also a huge admirer of their Collection Métallique, especially Hautbois. It’s a stunning composition that showcases their artistry and depth. These scents don’t just smell beautiful; hey evoke emotion, and that’s what keeps me coming back. Cheers from USA

  • The synesthetic fusion of fuchsia into scent, evoking Rothko’s emotional color fields, captivates me- especially the spectrum rose heart blending passion and mystery into a transcendent aura. I live in Poland, EU.

  • Very nice review. I love the way that Nicoleta capture the emotion of the senses. Interestingly, I am currently creating a quilt of Balinese batiks with fuchsia as the focus color. I appreciate the way Nicoleta described the tart sweetness of fruits with the full spectrum of rose fragrances, the vanilla and honeyed notes leading to a soft, nuttiness of the woods. As these fragrances blend together, so the colors which they represent blend into what I hope will be a stunning masterpiece that it sounds like Elisire in Fabula will be. Excellent imagery. Based in the USA.

  • This review totally pulled me in, In Fabula sounds like a rose painted in fuchsia light, shifting from bright berries to deep shadows with that hazelnut warmth rounding it out. I love how ÉLISIRE treats fragrance like living art, an aura that connects color and scent. That philosophy alone makes me want to explore the whole line, but this one especially feels like pure magic.

    Pennsylvania

  • AromaAdventurer says:

    What captivated me most in Nicoleta’s review is how she framed In Fabula through the lens of color and emotion, much like a Rothko painting rendered in scent. The description of the rose as a “spectrum” rather than a solitary note suggests a dynamic, living structure that evolves like shifting light. I’m drawn to the idea of perfume as an emotional architecture — built on contrasts of brightness and shadow, translucence and depth. This concept of translating color into fragrance feels profoundly original and deeply human.

    EU

  • Nicoleta’s review reads like a synesthetic dream — each sentence pulses with color, texture, and movement. The way she described the opening, “a canvas still wet with light,” immediately made me imagine the scent as something kinetic and alive. I was especially fascinated by the interplay of rose, hazelnut, and amber, which she portrayed as a tactile experience rather than a mere combination of notes. Her words make In Fabula sound like an artwork that unfolds on skin — luminous, emotional, and endlessly layered.
    I am from the EU Germany

  • What resonated deeply with me in Nicoleta’s review is her observation that In Fabula “bypasses the intellect and speaks directly to emotion.” That line perfectly captures the rare kind of fragrance that transcends description and becomes a state of being. The imagery of fuchsia as a “vibrating threshold between red’s passion and blue’s mystery” beautifully conveys that emotional duality — intensity and serenity intertwined. It made me think about how scent, like color, can evoke emotion beyond words, becoming an experience that lingers long after it fades.

    EU based

  • wonderscent.mari says:

    What a vivid and interesting review! I really enjoyed reading about the interesting inspiration of this house and their fragrances. By reading of In Fabula, I could see the textures of lots of layers of purple shades gathered all together creating a bold and an alive fantasy. What really sparked my interest is the emotion of joy that comes from the tart-sweet pulse of tart fruits combined with a mysterious rose that has a shifting quality, blending in warm amber and a crunchy delicious softness of a Saint honoré. Would love to try this pleasurable and magnificence olfactive fantasy.
    Thank you for the review and as always, for the generous draw! Based in EU

  • Patricia R. says:

    I like the idea of rose petals in fuchsia, evoking other sensations via patchouli and muscs. It’s like a lipstic in a perfume form without smelling of actual lipstic. I live in the EU.

  • What a wonderful offering! Imagine creating Acqua di Gii and Flowerbomb and then just moving on to a whole different path? Courage and passion! I’m glad he’s chosen to return to perfume making, although I’m sure his paintings were just as masterful! I love a great chypre and would love to win this. Thank you for the generous offer. I am located in the U.S.

  • Nicoleta’s review frames In Fabula as a bold, vibrant, emotionally direct perfume that uses color as metaphor; it’s less about intellectual puzzles and more about mood, intensity, and feminine exuberance.
    Expect a vivid, fruit-forward rose perfume with gourmand touches (hazelnut, amber) and a rich woody/musky base. The berry and floral facets likely dance together, giving brightness and depth. If you enjoy perfumes that are expressive, emotive, and somewhat theatrical, In Fabula may strike a beautiful chord for you. If you favor subtlety, very light wear, or minimalism, it might feel a bit much in certain phases.
    Very intrigued to try this fragrances. I feel this will be perfect for winter season.
    From USA.

  • Fuchsia is one of my favorite colors so naturally I am drawn to this perfume! I’ve been interested in getting something from the current sweet rose trend, but haven’t found just the right one. The nutty sounds like it adds just the right something to make this fragrance unique. USA

  • This sounds like a whole experience! It is so interesting that the perfumer took the color fuchsia and created a fragrance the evokes the feelings of that color. The bottle is stunning clearly implementing fuchsia into not only fragrance but the bottle as well. I love red berries in fragrances and with the mandarin Fabula sounds like bright good time fragrance. When i see vanilla and sandalwood in a scent I assume it will be creamy. This fragrance sounds charming and lighthearted. I am looking forward to trying it. I am in Pennsylvania USA.

  • redwheelbarrow says:

    I love everything about this review! I feel like I can actually feel the fragrance the way that is described and I love the concept of making fragrance a complete sensual experience. Not to mention that the notes in this sounds gorgeous. This house is new to me and now I’m definitely curious about their other offerings. Thanks for this fantastic review! From the US.

  • Sorohan Adriana says:

    A fabulous elixir of fantasy in a lacquered bottle like a raspberry jewel, topped with a drop of pure gold with a fascinatingly feminine rose. I am from EU

  • Franck definitely got an interesting backstory. That move from the French countryside to Bali is interesting and embracing the change helped give insight helping encapsulate scents and vivid imagery. It being a collaboration, I wasn’t sure if it was intended for a female wearer but I know it’s subjective in truth. The note breakdown matches the Rothko piece as far as what’s inside the glass but the presentation isn’t goudy and sounds great. Challenging name but I’m always up on game. Would like to enter the contest and continue my scented saga moving onto better options. From USA.

  • I’m always on the look out for a beautiful rose fragrance that I’ll fall in love with .This sounds divine the way it’s described. “Rose emerges not as a single note but as a spectrum.Amber and vanilla thread through like molten gold leaf, adding a honeyed, resinous warmth that keeps the structure from floating away entirely. All caramelized cream and delicious softness, or the velvety-crusty contrast of an Ispahan in that perfect marriage of rose, litchi, and raspberry held together by the fuzzy architecture of the perfect macaron. At one point comes the delicious nutty roundness, curving all the edges into something intimate, sensual, almost edible.” An amazing review ,so descriptive and tempting,I’m sold.

  • I loved how this article focused more on the deeper aspects of synesthesia and its manifestation in art – may it be visual, auditive or, in this case, olfactive. Just like Rothko’s paintings are striking in their rawness, it seems like Élisire’s perfume is also striking, with a flash of colour which doesn’t sit, but it sways, undulates and evolves. What I find most fascinating olfactively, is how the perfumer managed to capture a note so classic and endless as the rose, and convey it in its entire spectrum, from the young citric rose, to the most opulent, almost crepuscular rose.
    The bottle is also an absolute stunner.
    Greetings from the EU.

  • I was always envious of people who had synesthesia. It seems like a way to experience scents in a more three dimensional way and thus make it deeper and more memorable. In Fabula sounds like it makes the vibrant pinkness of fuschia come alive in fragrance. Purple fruits and indolic florals provide the pizazz on an ambery vanilla patchouli base. MD, USA

  • I’m always intrigued by cross-discipline perfumers; in particular, a sense of visual artistry seems to be useful when crafting olfactive experiences as well. Probably more so for perfumers like Watteau, who thinks about the visuals more literally. What emotions does fuchsia? Not sure, but my first instinct would be the pinks of tart fruit and summer roses, both of which are used here. The hazelnut accord is more surprising. Interesting concept thoughtfully executed.

    I’m in the USA.

  • Thank you for introducing this gorgeous new launch from Élisire in Fabula — the [insert fragrance name, e.g. ‘Bérénice Watteau 2025’] sounds absolutely divine and full of personality! I’m drawn to its creative blend and would love to experience how it translates on me. I’ve followed your socials and signed up for updates. Wishing everyone good luck — thank you for the opportunity!

  • I had to google the word chiaroscuro and I’m glad I did. Originally, the light-dark concept was associated with Renaissance and Baroque paintings from Caravaggio or Rembrandt where a single shaft of light might illuminate a figure while the background recedes into darkness. This technique gives an image a striking three-dimensional quality and emotional intensity.

    Not only did I learn something new, I really want to give this perfume a try out of curiosity. I’m in the US.

  • Denise Brennan says:

    Nicoleta did a wonderful job describing In Fabula, comparing its depth, color and radiance to a Rothko painting. I love that its an “immersive sensory experience,” with rose used as a spectrum rather than simply as a single note, melting into an ambery base with musk and oakmoss.
    I live in the USA.

  • wallygator88 says:

    Thanks for the vibrant review! ÉLISIRE In Fabula by Bérénice Watteau feels like stepping into a dream bathed in the rich glow of fuchsia—bold yet soft, playful yet profound. The way the scent weaves pigment-like swaths of color into its composition (as mentioned, “an immersive sensory experience of the color fuchsia … that bypasses the intellect and speaks directly to emotion”) really piqued my imagination.

    I’d love to experience that dreamy palette in aroma. I’d love to try In Fabula!
    Cheers from WI, USA