Top L-Naomi Goodsir Accesories (Michelyn), photo of Naomi Goodsir’s Bakelite Jewelry on her finger and wrist (Michelyn), Bottom: Isabelle Doyen (Michelyn) and Nuit de Bakélite (photo Ermano)
Imagine… a hotel suite where all furniture and lighting was wrapped in white linen and only green tendrils of vines cut through the stark drapery. I remember entering this room of the Principe di Savoia Hotel in Milan to meet Australian milliner Naomi Goodsir together with Co-Creative Director Renaud Coutaudier and Master Perfumer Isabelle Doyen. I opened the door in anticipation of any hint of the new debut fragrance from Naomi Goodsir… Nuit de Bakélite.
Insomnia – the installation at Principe di Savoia in Milan where Naomi Goodsir Nuit de Bakélite debuted ©Ermano Picco
I knew immediately that this perfume was unlike any other I had smelled; it was fiercely green and earthy, opaque white petals caressed my nostrils like a suede leather glove. Michelyn was with me and we immediately looked into each other eyes in awe. You can’t hide when you encounter a fragrance masterpiece. There was a ferociousness to the tuberose absolute that had hints of latex and sap embodying so well the resin-like quality of Bakelite.
Naomi Goodsir and Isabelle Doyen ©Naomi Goodsir
Naomi Goodsir collects Bakelite jewelry which was the starting point for this avant-garde vision of tuberose stems tangling on latex, breaking, and letting their venomous sap leak all over. Naomi Goodsir Nuit de Bakélite was almost four years in the making. Isabelle Doyen brilliantly translated this imagery and took the narcotic Queen of white flowers to an unprecedented and unexplored territory. All at once it was an aromatic green chypre, a muted floral crossed with supple suede that makes Nuit de Bakélite a game-changer, and a modern masterpiece.
Insomnia Drawings by Louise Bourgeois
I still have in my archives, the press release for Nuit de Bakélite which I loved. The cover is a rough white cardboard featuring one of the Insomnia Drawings from Louise Bourgeois, a drawing green circle which expresses the obsessive greenery of this fragrance. Wearing Naomi Goodsir Nuit de Bakélite akin to having not slept and after a night of insomnia, you are so tired, yet your senses are heightened. As in a surreal Franz Kafka novel, you suddenly turn into a feverish bug digging and burrowing into fleshy petals to get to the core of the tuberose, intoxicated by the indoles. The more you run up and down along the green stems, the more vegetal the fragrance becomes with the promise of tuberose even more than the tuberose itself. Isabelle Doyen masterfully captures this vegetal crispness which is pure magic.
Ermano’s bottle of Nuit de Bakélite ©Ermano Picco
Echoing the green topnote of tuberose absolute, Naomi Goodsir Nuit de Bakélite decomposes its multiple facets– from the insolent herbalcy of galbanum to the asparagus-like earthiness of isobutyl quinoleine (IBQ), from the silver bitterness of artemisia to the peppery soapiness of angelica root, not to mention the cucumber-tinged violet leaves absolute infusing top to bottom a freshly mown hay accord. Isabelle Doyen visualized in her mind Alberto Giacometti’s sculpture Fil Tendu (1932) while composing this vegetal tension as she confessed to Olivier Pierre David in a recent interview for Nez.
Fil tendu by Alberto Giacometti (1932) via Kunsthaus Zürich
Nuit de Bakélite, like the great classic perfumes, plays with innovative proportions and materials. As an experienced fragrance collector and historian, I sense the violet-tinged opaque leather of Balmain’s Jolie Madame, here updated thanks to pulpy Karo Karounde absolute which is native to West Africa and smells of jasmine and violets with hints of chocolate and exotic fruits. Isabelle Doyen used it as link between tuberose and leather. The absolute extracted from the flower is incredible, a fruity-floral chypre perfume on its own.
Karo-karounde illustration by Matilda Smith (1894), Royal Botanic Kew Gardens
The bitterness of artemisia married to the rough edges of IBQ and the savory evernyl (a synthetic molecule used to render oakmoss absolute) conjures the ghosts of Robert Piguet’s Bandit, Germaine Cellier’s masterpiece, Guerlain Vent Vert and the monumental Chanel No. 19. It is also a wink to Naomi Goodsir’s personal style of wearing shirts, ties and bowler hats, impressive jewels, heels and skirts.
Nuit de Bakélite drawing ©Naomi Goodsir
Merging heritage and innovation, Naomi Goodsir Nuit de Bakélite finds its own voice among the modern tuberoses as a unique leathery floral, keeping away from other great tuberoses from the last decades: not camphorous (like Serge Lutens Tubereuse Criminelle), nor fruity (like the reference Piguet’s Fracas) or metallic (like Malle’s Carnal Flower). This again and again makes it a Modern Masterpiece that’s instantly gained international recognition and already become a classic of the 21stcentury.
Notes for Naomi Goodsir Nuit de Bakélite include angelica, violet leaf, galbanum, orris, karo karounde, tuberose, leather, davana, styrax, tobacco, labdanum, guaiac wood, everlasting flower, ylang- ylang, and woods
This review is based on a personal bottle of Naomi Goodsir Nuit de Bakélite. My opinions are my own.
–Ermano Picco, Editor with Contributions from Michelyn Camen, Editor-in Chief
Isabelle Doyen and Michelyn Camen/ 2017
Post Script: March 8th is International Women’s Day and it is with great pleasure that we name Naomi Goodsir Nuit de Bakélite a CaFleureBon Modern Masterpiece, one of the best fragrances of the past decade (our opinions). Chapeau to Master Perfumer Isabelle Doyen and Naomi Goodsir. Special acknowledgment to Naomi Goodsir’s partner in fragrance and Co-Creative Director Renaud Coutaudier – Ermano and Michelyn
photo Naomi Goodsir
Thanks to the incredible generosity of our friends at Naomi Goodsir, we have a 50 ml bottle for draw to one registered reader in the U.S., UK, and Europe. Please register here or your comment will not count. Pleased tell us what you thought of Ermano’s choice of Naomi Goodsir Nuit de Bakelite as a modern masterpiece, what interest you most and where you live. Draw close 3/10/21
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