The House of Madini , based in Tangiers, has been in existence for 14 generations
[or 400 years, according to the Talisman website]; Suleiman Madini is the current head of operations.
I’ve collected many of their fragrant concoctions over the years. A prime example of bang for buck is Mokhalate Malaki- loosely translated as ‘blend for the well-born’.
The most recent release No. 12 Eau D’Epices has been a “work in progress” which has been finally released as a finished fragrance. I didn’t have the opportunity to try Eau D’Epices in its different embryonic stages and as such have only become acquainted with it in its mature form. That mature form seems to have taken some themes from an earlier Tauer Perfumes release of 2010, Orange Star, and added some more depth to them making Eau D’Epices a more complete fragrance than Orange Star was for me.
Seven is a lucky number.
At least, I think it is.
And Midnight Shadows is the seventh scent in Neil’s Midnight series, already comprising Midnight Flower, Midnight Forest, Midnight Moon, Midnight Sea, Midnight Star, and Midnight Tryst.
Many midnights!
What better, as we approach a Full Moon- and a blue moon, as well-
To introduce a new, deliciously dark fragrance to wear while howling at the moon???
Osmanthus Oolong by Providence Perfume Company is the most delightful botanical potpourri… it is at once sweet, flowery, fruity, and soft with a touch of green.
The Museum of Art and Design in New York City announced an upcoming exhibition for November 2011. It is called “The Art of Scent 1889-2011”. The man who is choosing the fragrances on display is NY Times fragrance critic and author of The Emperor of Scent, Chandler Burr.
It had never occurred to me that M. Duchaufour worked with a central duality with which he then adds in the rest. His fragrances like L’Artisan Parfumeur Timbuktu always seemed like olfactory travelogues capturing a place. In the two latest releases by M. Duchaufour, Penhaligon’s Sartorial and L’Artisan Parfumeur Traversee du Bosphore, it is very clear what the central duality at play is and both of these are good examples of M. Duchaufour’s duality design aesthetic.
