New Fragrance Review: Bruno Fazzolari Seyrig + Faye Dunaway Draw

Bruno Fazzolari Header CaFleureBon

Bruno Fazzolari

A new perfume from Fine artist and iconoclastic perfumer Bruno Fazzolari is always a cause for celebration in my opinion. His releases are always left-of-center, “definitely did NOT see that coming” compositions, and he’s one of the few perfumers going who you can always count on to bring something unique to the field. His prior release, Room 237, was a mildewy, spooky, creepy take on a haunted suite from the movie, The Shining – specifically the shower curtain behind which a ghost of a murdered woman lay.

 

seyrig  bruno fazzolari

Seyrig

Bruno’s latest release, Seyrig, draws its inspiration from the monster aldehydic scents from the 60’s and 70’s, and it pulls no punches. It’s got profound sillage, and well above-average longevity. I wore it to an art gallery exhibit recently, and Seyrig happily floated about forehead-high between me and a group of three other people. This is a perfume that will follow you anywhere. Its longevity will stagger you as well; you could measure it in days rather than hours – on my skin it will still viable after breakfast of Day 2.

Jack Nicholson and Faye Dunaway in Roman Polanski's Chinatown

Jack Nicholson and Faye Dunaway in Roman Polanski’s Chinatown 1974

Seyrig opens as an enormous, lush and bright scent with swooning aldehydes draped over rose de mai absolute and paired with a gorgeous red mandarin note. But this bright, happy Seyrig  beginning is deceptive. The aldehydes are profoundly soapy and plush, turning the rose de mai note in the top into a restrained, proper floral worn by a woman with a past. She sits across from you, in pearls and an perfectly tailored ensemble, but there are shadows under her eyes and her cheekbones are still a little too sharp for her makeup. Bruno Fazzolari has said that the cinematic inspiration for Seyrig were movies starring Faye Dunaway such as Bonnie and Clyde and  Chinatown. The inspiration comes through expertly in how Seyrig continually presents as a bright, feminine floral which is always being tugged at by something deeper and darker that won’t go away.

fay dunaway

Faye Dunaway  late 1960s  during a break from filming The Thomas Crown Affair

The dark reminder of the red mandarin note in the top continues on in the heart by the ylang ylang absolute. The second act of Seyrig revolves around a lilac-bright syringa accord paired with muguet. Faye Dunaway couldn’t distract you earlier with the aldehydic overload, so here she’s employing her  feminine charms to keep you from asking questions. But the ylang ylang absolute brings the traditional innocence of the lilac/syringa accord down to earth quickly. Those cheekbones aren’t as high as they were when you first met.

fay dunaway flowers

Faye Dunaway off set during  the filming of Chinatown

From here on out, there’s no pretense left. The drydown on Seyrig is all about digging up the dirt: there’s oakmoss, and orris butter and musks. Something got buried out in the forest or under the concrete path leading up to Faye Dunaway’s door and she can’t take another step without thinking about it.  Seyrig isn’t so much a perfume as an unravelling, hesitant confession, a slow unburdening of a dark and shadowed past for which your skin is the confessional. From the bright, overly-talkative aldehydes and precious rose de mai absolute in the top, all the way down to the damp green moss and dolorous orris at the end, Seyrig has secrets it’s trying to hide but can’t.

faye dunaway  helmut newton

Faye Dunaway Helmut Newton 1987 for Vanity Fair

Bruno Fazzolari is one of the most unique perfumers I’ve had the chance to sample – his ideas are so pointed and angular, but always fully realized and completely unapologetic in their execution. It’s so much fun to wear perfumes that make such intense statements instead of propping up a genre. You never know where he may be going with his work, but somehow he marries his idiosyncratic inspirations to wonderful, wearable and weird fragrances that manage to be both technically sound and filled with a tonal perspective that is his alone.

Notes: Aldehydes, rose de mai absolute, red mandarin, ylang ylang absolute, syringa accord, muguet, orris butter, oakmoss, musks, radical chic

Pam Barr, Senior Contributor

Disclaimer: I received my sample from Bruno Fazzolari

Editor’s Note Syringa cannot be extracted so creating this accord is an artistic feat; I chose to use images of the striking mutable beauty of our lady of the chiseled cheekbones Faye Dunaway

Thanks to Bruno Fazzolari and Twisted Lily, we have a US-only draw for four registered readers as follow

Seyrigposter

From Bruno we have of a limited edition pring commemorating the launch of Seyrig and a generous sample.

From our Friends at Twisted Lily we have 3 samples for three winners

To be eligible, please leave a comment with why you would like to try Seyrig, if you have a favorite Bruno Fazzolari perfume and your favorite vintage 60s or 70s fragrance. Draw closes 9/27/2015

We announce the winners on our site and on our Facebook page, so Like Cafleurebon and use our RSS option…or your dream prize will be just spilled perfume.

 

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15 comments

  • madeleine gallay says:

    I love Ms. Dunaway. The Eyes Of Laura Mars is still one of my five favorite movies ever. Those bones and her life. I love that she actually, when married to Terry O’Neill, opened a very avant garde shop on Main Street here in Venice Beach selling highly curated Japanese designer clothing. No one had ever hear of these designers, and the clothes at that time, a few years before the Japanese designers came to Paris to show their collections in international sizes, was only in domestic sizing. A fit problem but sold even with that overhang.

    My vintage ’60’s fragrance was Shalimar from the first time, in an elevator with a beautiful woman whose fragrance I just caught in time to ask her about. I wore it until recently, even knowing something had changed.

    I’d love to experience Seyrig. The musky earthy fragrance that you breathe in over time … I don’t know Bruno Fazzolari perfumes yet.

  • Lilac! That immediately makes it a must try for me. I don’t really know the Fazzolari line, but it is certainly a unique point of view. My favorite vintage scent would be the original Sung. Not sure of its release date but it had a big presence.

  • i am intrigued because Seyrig has been inspired by grand aldehydic creations of the past…the focus is on rose and other florals but i feel like it may be in the same vein is Chanel No 19….i am also curious about the Syringa note Bruno created…I have not tried a Bruno’s creation so far but my favorite from 60s 70s is original Dioressence esprit de parfum. thanks so much for the draw. I am in the US

  • BostonScentGuy says:

    I have been absolutely waiting for a draw of this to come up! Love Fazzolari’s work! I’m a huge lilac fan but, beyond that, the story told in this review is fabulous! While I’m a guy, I enjoy the rush of an aldehydic opening (Iris Poudre, No 5, No 22) and the concept that this perfume has no secrets and ends in the “earth” is a stunning idea! The references to Chinatown are also great–one of my favorite movies. Great review overall. I love Lampblack and Au Dela for his other fragrances. Room 237 intrigues me and repulses me at the same time! I can’t stop smelling the sample I have of it. As for my favorite vintage 60s/70s–some of my Guerlain favorites were all released in these two decades–Parure, Chant D’Aromes, and Habit Rouge. I am in the US. Thank you so much for having this draw.

  • I do not have a vintage favorite perfume of the 60’s and 70’s, but it was during that time that I fell in love with Jean Patou JOY. It will always hold a special place in my heart. I have several vintage bottles. Seyrig sounds fantastic and had me by including a syringa accord. I love the Faye Dunaway imagery. I have not sampled any Bruno Fazzolari perfumes.

  • I remember seeing Bonnie and Clyde and watching Faye Dunaway in that iconic beret, which showed off her cheekbones to perfection. Seyrig, as a throwback and homage to the ’60’s and ’70s, sounds wonderful. I love aldehydes, sillage, projection and lilacs which makes Seyrig a must-try for me. I haven’t tried any Fazzolari perfumes yet, but Au Dela has been on my sample list for a while. My favorite 60s-70s scent is YSL Opium. What a powerhouse! Hope Seyrig is similar. I’m in the US and thank you for the draw.

  • An intricate scent with a vintage sensibility, big sillage and lots of longetivity! Sounds compelling and I’d love to try it. I’ve not yet tried any of Bruno Fazzolari’s fragrances, but he is now on my radar. Of the 60s-70s perfumes I like today, I guess my favorite is definitely Opium, but I remember really liking Anaïs Anaïs way back when. I’m in USA.

  • I have Lampblack, and find it amazing. I am equally impressed with samples I have of other fragrances Mr. Fazzolari has produced.

    Interesting that he says Faye Dunaway was the cinematic inspiration for Seyrig and not, as one might expect, Delphine Seyrig. I can easily imagine Dunaway smelling of lilacs, though.

  • Seyrig catches my attention because it is an aldephyde, which I love to wear as the weather cools. I haven’t tried any scents from this line, but would love to. They sound unique. The Faye Dunaway tie in was clever, emphasizing the different aspects of the cologne.
    I’m in the USA.

  • I want to try Seyrig because I want to try everything Bruno Fazzolari does. I find his work fascinating even when I don’t want to wear it. My fave Fazzolari (so far) is Lampblack.
    My favorite 70’s fragrance was Jungle Gardenia, which I wore in the 70’s as a kid.
    U.S.

  • I haven’t heard of Bruno Fazzolari (I’ve recently graduated from run of the mill department store fragrance). I would love to find a unique rose fragrance for my newly developing collection. Thanks. I live in the US.

  • I haven’t tried any Bruno Fazzolari perfumes, but would like to. Seyrig sounds like an intriguing mix of notes I love and notes that scare me. My favorite perfume from the 70s is (the original) Opium, and I’m in the US. (I do love Mr. Fazzolari’s prints. I nearly bought his recent narcissus scent blind, but I’m trying to behave myself.)

  • I know what you mean – one of my 60s-70s favorite is Chamade! I am not afraid of grand aldehydes! It is rare to find a valuable va-va-voom aldehyde these days, because most people are frightened to wear them.
    Pitty, I don’t know any of Bruno Fazzolari’s fragrances, and I would very much like to try at least Seyrig.
    Thank you for the chance and the draw!
    I am in Bulgaria (EU).

  • I love florals. Over the past year I have learned to appreciate and to love aldehydes as well. It has been a thrill. I would love to try Seyrig to further my fragrant education. I do not believe I have yet tried a Bruno Fazzolari perfume, but would enjoy a chance to do so.

    I love the 1970s rendition of L’Air du Temps worn by several of the women in my family. I miss it very much. Thank you for the lovely portrayal of Seyrig and Ms. Dunaway in this review. So much beauty.

  • I would like to try the “wonderful, wearable and weird” Seyrig. I have not yet had the pleasure of wearing a Bruno Fazzolari perfume. My favorite vintage 70s fragrance was Anais Anais by Cacharel.