Jean-Claude Ellena
I think I might look back at 2012 as the year I learned the most about olfactory art. For years I have described Jean-Claude Ellena’s creations as minimalist creations, perfumed haiku. M. Ellena seemed to coax unusual depth and complexity out of four to five listed notes. While there were times I would have bet a lot of money on there being a note present that was not listed, it still wasn’t five or six notes that were not listed. That still made the architecture minimal. When I attended The Art of Scent 1889-2012 exhibit I would also have laid a large bet that whichever of M. Ellena’s creations was featured would be an example of the school of Minimalism. As I strode to the Osmanthe Yunnan station and read the text I was shocked to see it described as an example of Luminism. Luminism? Light? Really? Then I stopped to think about much of M. Ellena’s creations over the last years, especially since becoming the in-house perfumer at Hermes, and realized I myself had probably used light to describe many of these perfumes as I wrote about them. I resolved to think about this upon the next new fragrance by M. Ellena to arrive in front of me. It was two weeks later when the new Jour d’Hermes was released exclusively in Hermes boutiques worldwide. Now I had a chance.
I am pretty sure M. Ellena and I have no long distance psychic connection but in my fevered imagination where he cares what a blogger thinks I hear him saying, “So he thinks I’m a minimalist and not a luminist. Hah! I’ll show him I’ll hit him over the head with so much sensory overload the only thing he’ll see is my blinding light.” Now I’m sure M. Ellena does not compose with anything or anybody as foil; Jour d’Hermes does exactly what my fanciful quote says. For the first time in recent memory a M. Ellena creation probably has close to a baker’s dozen of notes. I’m not sure because M. Ellena has also chosen not to release a note list. The only description is the one in the press materials; “From dawn until dusk, a luminous and sensual floral that flourishes.” Jour d’Hermes allows a full spectrum of the lighter florals to provide the luminosity and a collection of, perhaps, every white musk known to man to provide the sensual. The two halves are brought together in a sunburst of sheer floral muskiness that turns the maximum floralcy into a prime example of Luminism.
The absolute fun of Jour d’hermes as I wore it for four different days over two and a half weeks is I think I identified almost every floral note on one day or another. Even so there are a number of floral notes that seemed to be there every time. There was a particularly green lily, violet, and freesia. There are probably others I am missing but the effect is a crisp green quality throughout the floral half of Jour d’Hermes. There is some orange blossom and maybe a tiny pinch of lemon. After that all bets are off as I convinced myself at different times I smelled ylang, rose, gardenia, or jasmine. Are they there? Maybe, but in the end does it matter. What the floral half is, is a group of the alto florals singing in unison. The other half is all white musk tenors in pitch perfect harmony. First a warning, if you are one of those people who think white musk is the olfactory equivalent of nails across a chalkboard, step away from the bottle. This collection of white musks will make you run for the hills or at least a cosmetic wipe. If, like me, you’ve just tolerated them as a ubiquitous easy basenote to thousands of recent fragrances prepare to be surprised. M. Ellena takes a veritable host of white musk and keeps layering them one after the other on top of the one before. This goes on until there is a point where this overload of white musk unexpectedly turns soft. Yes the latter stages of Jour d’Hermes are a soft synthetic musk accord supporting the floral bouquet on top. It is all the sensuality of musk with none of the heavy quality; it is quite remarkable in texture. Jour d’Hermes reaches this balance fairly quickly but then it stays at this point for hours upon hours. It is a fantastic place to be.
Jour d’Hermes has 24-hour longevity and above average sillage.
For those who love M. Ellena’s more intimate compositions please give this a try. When I was wearing this on my third or fourth day I realized this was really a very simple fragrance of two accords; one a fascinating floral and the other a supple white musk. Together they let the light shine in and kick the minimalism to the curb. Join me and bask in the glow of one of the best floral perfumes of 2012.
Disclosure: This review was based on a sample and bottle purchased at the Vienna, VA Hermes boutique.
Thanks to the Vienna, VA Hermes boutique I have one 2mL sample of Jour d’Hermes to giveaway. To be eligible leave a comment naming your favorite Hermes perfume by Jean-Claude Ellena and also just because I’d like to take an informal poll put down if you think of his fragrances as Minimalist or Luminist. The draw will close on December 23, 2012.
We announce the winners only on site and on our Facebook page, so Like Cafleurebon and use our RSS option…or your dream prize will be just spilled perfume.
-Mark Behnke, Managing Editor