Audrey Tatou as Amelie
Sometimes a perfume trail can bring pleasure or pain, especially while riding the subway. Close encounters of the commuter kind can find us running away to avoid a scented sting, or perhaps we find ourselves close-up to an incredible fragrance that is just on the tip of our tongue, and with a swift exit, it is gone forever. As a perfume writer these drive-by encounters tend to fuel and delight me. Once on street level the fun continues as perfume seems to merge with the pace of the city streets. I spot luxurious sidewalk whiffs, Le Labo Santal 33, Hermes Jour d’Hermes, Angel, Olfactive Studio Flashback.
Evening on the Hudson by Leon Dabo
Perfume encounters also happen in elevators. Making the ride up or down for better or worse, or sometimes even magical. One magical moment recently happened in the early morning a few weeks ago as I was on the way up to the office. I felt a tres Amélie (the 2001 film) moment coming on. Before I noticed the stylish young woman in a cobalt blue mohair coat with a perfectly hued pout. It was her incredible, yet delicate scent that woke me up. The elevator suddenly filled with a magical perfumed landscape that I had never encountered before, and as I inhaled I was transported to some transparent hazy world that I found hard to distinguish, was it floral, ozonic? I looked slowly up, and there was a young woman with sparkle in her eye, and it made me happy to fantasize that this young woman might love fragrance as much as I do. We smiled at each other as we parted. Later that day, we stood waiting together for the elevator. When I asked her how her day was going. In a French accent she said she was nervous because it was her first day as an intern. It was apparent that she had no reason to worry; she was just perfect. We entered the elevator together and I just had to ask her the dreaded question….what fragrance was she wearing? She said, “It is Noa by Cacharel, you might not know about. I didn’t.
Olivier Cresp and his 1998 creation made me instantly think about how his compositions tend to gently perplex, and whisper not to be identified specifically. They want to be experienced. Noa is a beautiful round composition that transports my mind to delicate studied landscapes. The landscapes of Tonalist painters who wanted to show the quiet and mystical side of nature. The fragrance sings one harmonious tune, and remains strong in its will to remain subtle, yet striking. A dear friend mentioned it was one of the most underappreciated fragrances of the 20th Century. I agree.
–Valerie Vitale, Editor
Have you ever asked someone you didn’t know the name of their fragrance? What do you think is an underappreciated perfume?
Editor’s Note: Please join us in congratulating Valerie on her promotion to Editor. I agree with Valerie that Noa flys under the radar. It is available at Parfum 1 for under 50.00 or at Fragrance.net