CaFleureBon Profiles in American Perfumery: Miriam Vareldzis of 40NotesPerfumes + Frank Lloyd Wright Draw

 

Miriam Vareldzis, fragrance designer and founder of 40notes Perfume, has a life-long relationship with scent. With nearly 20 years’ experience in the fragrance industry, Miriam worked as a professional fragrance evaluator with International Fragrance & Flavors (IFF), the acclaimed fragrance house, where she was mentored by world-renown noses and perfumers. She has helped guide fragrance development for some of the most successful brands in the world. Her clients have included Donna Karan, Calvin Klein, Unilever, Gap, Banana Republic, Bath&Body Works, Victoria’s Secret, as well as celebrity and niche perfumery projects. Miriam now focuses her olfactive talents on her own company  and the rare and exquisite ingredients (90-95% natural) and custom perfume creations. I own three of her fragrances— Exquisite Amber, Jasmine Sampasquita and  Exotic Ylang Ylang and love them all.

 

  

 

PROFILE: Born in Santa Barbara, California. “My STAIRWAY to Heaven”… for me it’s the perfect combination of light, temperature, flora… the mountains at my back, the ocean at my feet; a gentle paradise. It speaks to the soul of my Mediterranean heritage. All of my grandparents are from the Island of Crete, Greece.

 

 

 

 

So you could say I’m a descendant of the Minoans! Not a bad thing; I’ve read it was a matriarchial society.Childhood summers were spent with family in Yosemite National Park and later Mt. Lassen National Park near Mt. Shasta in northern California. One memory I carry with me to this day is the fragrant vanilla essence that emanates from a certain species of pine tree in the August summer heat in both those places. The park rangers would tell us to smell the trees up close. The bark was shaped in little puzzle-pieces and the resin would ooze in between, giving off a delicious ambery-vanilla sweet scent.

 

 

I believe the sense of smell runs genetically in our family…My mother would stand over whatever she was cooking and, while whiffing and waving her hand, know which seasonings needed to be added! My paternal grandfather was a Sunkist Citrus distributor in California. He would know the quality of an entire box by scent. My childhood was filled with boxes of fresh California oranges, lemons and grapefruits. To this day I select a grapefruit knowing how to smell the rind and sense the thinness of the skin, channeling my grandfather for the best pick! I’m currently creating a fragrance using some of the most beautiful natural citrus essences and feel immediately connected to my own history.

 

 

ART: I love art and design. It’s a tough question for me to choose a favorite artist/designer, but one American  stands out for me for me—Frank Lloyd Wright. Although his architecture is legendary and iconic, it’s his textiles, tiles, stained-glass, and Interiors detail work that inspire me more. The quality of light that streams through a carved screen and the light it casts reminds me of the delicate nature of a perfume. Even the line work of his blueprints is a work of art. 

  

So many things to inspire perfumery…

 

 

AMERICAN PERFUMERY: I believe American perfumery is in a very good place right now. Being in the unique and fortunate position of having been on several sides of our industry: deep within the fragrance industry (IFF), developing products within Gryphon Development (BBW, VS), and now creating and launching my own company 40notes Perfume, I have seen several perspectives: From deep within the “ivory tower” to the farthest reaches of the indie universe! 

 

 

The conversation has grown much larger than just buying the latest brand perfume in the largest department store. Suddenly there is a real commercial (in addition to artistic) validity in natural perfumery, “Indie” or niche perfumery, and custom perfumery. Just as in coffee, chocolate, tea and some wines, there is a market for small-batch, high-end, Artisinally created products. Perhaps I see it more vividly here in Portland, where we have a niche clientele for everything from bicycles to vodka, but the fact is the market for these brands is national. Perfumery has a real chance now to reclaim its status as the exquisite and refined ARTFORM that it originally held. The sophisticated consumer is interested in the creator of the product, the art behind the creation and the quality and meaning of the materials. I’ve noticed they really value their experience with the scent, not just the label name. And happily, technology and our ability to communicate and purchase at light speed has created the backdrop for this resurgence.

 

I truly believe the presence of quality blogs, perfumery guilds, small scale materials suppliers, decanters, perfume groups, authors and writers who have passionately taken it upon themselves to learn and share some of the mysteries of our industry have all contributed to bringing the Art back into Perfumery.  For me personally, it’s simply about “bringing the essence of beauty to life”.

 

exquisite amber, oud veil,  cashmere musk, winter white flowers, spring vetiver, jasmine sampasguita, exotic ylang ylang perfume oils

 

Our draw is for a reader's choice of one of the seven  40notes perfumes. In order to be eligible: please leave a DETAILED comment on what were the most  memorable of Miriam's memoirs and quotes. If you know the name of the  perfumista lexicon for the gold cord that wraps around the stopper and you are the first to name it, your vote counts twice.  DRAW ENDS ON DECEMBER 13 2011 EST

 

Michelyn Camen, Editor In Chief

 

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36 comments

  • I really like the story about the trees and the resins emanating from them, I’d love to go there and smell that sweet resin.
    She is right about the great moment that american perfumery is going through, more people want to know what is behind that bottle that they are holding/using.
    Iguess Portland is a great place, I was reading about another small niche brand based in the same city.
    If I win I’d love to get Vetiver, thanks for another great draw.

  • I am not 100% sure but i think it is called Cording, in this case “Gold Cording”. The most memorable comment was about the fragrant vanilla essence that emanates from a certain species of pine tree in the August summer heat in Yosemite National Park and Mt. Lassen National Park near Mt. Shasta in northern California. The park rangers would tell them to smell the trees up close. The bark was shaped in little puzzle-pieces and the resin would ooze in between, giving off a delicious ambery-vanilla sweet scent. Awesome draw and fun reading.

  • I love the Frank Llyod Wright . In my life I have had the opportunity to see albeit from only the outside, some of his homes. He was a pioneer.
    I am familliar with Gap and Banana Republic scents.I’ve enjoyed many now discontinued scents from Gap and Banana Republic Heaven and Classic .
    Portland has niche bicycles to vodka…hopefully one is not following the other lol.
    This was a fun read and I hope that I can one day smell winter white flowers. I am a fanatic over white flowers cant get enough of them. With a little sprinkle of winter in the mix I am in perfume nirvana.
    Thanks Cafleurebon and also to Miriam for her generous draw:) Happy holidays.

  • I love the artisanal movement we are seeing in perfumery. What resonated was the quote regarding consumers “valuing (sic) their experience with their scents.” My enjoyment of fragrance is not just a hobby, but an appreciation for an art form. I would love to try Cashmere musk.

  • Beautiful article. As I am Greek also her memories relate to mine. Smell is very important and the Lemon-Orange smells are very common here. Her fondest memories are of her grandfather choosing citruses, her mother cooking and adding herbs and of course her vacation in Yosemite and Mt. Lassen National Parks where the pine trees smelled like vanilla essence!!

  • My choise is Oud Veil. I should state that Miriam is not only a very beautiful woman (not surprised with such genetic basis) but has got also a perfect professional background to finally found her own perfumery business. I can imagine that all her scents are of very high-quality. Thanks!

  • Minoans rock! And did you know they had hot and cold running water in their houses? They were a very advanced people. I’m glad Miriam is focusing on natural ingredients, with all the IFRA regs, it is getting harder to find some of them. And I’m jealous about life in Portland where so much artisanal pride flourishes, may it grow!

  • A very interesting profile. I too was struck by Miriam’s childhood experiences in Yosemite and Mt. Lassen National Parks of sniffing the fragrant resin from the pine trees. i would love to know exactly waht species of tree that is. How wonderful too that the sense of smell has been so important in her family life. The new fragrance she is creating from natural citrus essences sounds mouthwatering. Finally, I was interested in her choice of Frank LLoyd Wright. I am not familiar with the textiles, stained glass etc. and it has made me want to find out more.

  • Miriam’s Minoan ancestry really jumped out at me because I’m a nerd for the ancient world 🙂
    I also noticed that she has very distinct memories of family members navigating by their noses– cooking, telling the quality of citrus candy batches,
    and of course she has strong sense-memories of early experiences, especially in nature settings. Vanilla pines indeed! smells like something that we wish she could bottle…

    In my family I have parents and siblings indifferent or sensitized to perfumes, who at the same time are not bothered by bad smells that bother me. I only really connected to my father scent-wise when we were cooking together and spiced things similarly, by smell. My grandmother was really the only one who ‘got’ perfume and noticed the scented world the way I did. Kinda jealous of the way she feels so connected to her heritage through scent.

    Checked the linked review post. Out of all her scents, oudwood veil and spring vetiver sound the most ‘me’–though, they all sound lovely! Would probably pick oudwood veil.

    The American boom of natural perfumery seems like a win all around, and I love that Rumi quote: ” Let the beauty we love be what we do ”
    . Artisans working in smaller scale operations really do elevate the art, in my opinion. And the use of more natural ingredients is great too!

    That gold cord… If it’s not cord/cordage (mentioned), choker(also mentioned above) or something similar like necklace….my guess would be muselet like for champagne.

  • hotlanta linda says:

    Her mom cooking by sense of smell – if more people did this, less ruined food would be served! 🙂 Add her grandfather`s citrus “training“, and you have a well-tuned nose at an early start – what a blessing!!

  • I love the way she connects to her roots, smells, memories. It gives me the feeling she is well anchored in nature and the beauty of simplicity. Also her art choice: FL Wright triggers the same conclusion. Modern and still connected with the nature’s esthetics.

    I would love to try Jasmine Sampasguita.

  • What struck a chord in reading this was how she described her grandfather’s nose and ability with regard to citrus- and how Miriam is able to pick the perfect grapefruit by “channeling” her grandfather. No one in my family understands my perfume passion. It must be wonderful living in a family of multiple generations that appreciate good scent 🙂 !!!
    Everything about this line is exquisitely beautiful- from the perfumer herself, to the natural essential oils that bathe in apricot kernel oil instead of alcohol, to the bottles with the gold filament around them. I explored her line and all seven perfumes sound exquisite. However, since I must chose only one I will pick Winter White Flowers- orange blossoms and neroli are, in my mind, a wonderful way to transition from winter into early spring and are the exact notes that I crave during that time of year.

  • I found interesting that she draws inspiration from art and her choice of favorite artist-designer came as a surprise. F.L.Wright is seldom referenced outside the field of architecture. As a big fan of his, I enjoy it when I discover that others continue to be influenced by his work. “The quality of light that streams through a carved screen and the light it casts reminds me of the delicate nature of a perfume. Even the line work of his blueprints is a work of art”.
    I had no idea the cord has an appointed name…

  • Two things resonated with me. The first is the love of Frank Lloyd Wright, esp in textiles & stained glass. One of my favorite getaway weekends is Oak Park IL, a suburb of Chicago that features many examples of FLW architecture. It’s great to walk through and explore, and the stained glass windows are beautiful. If I could have a FLW scarf, if would be in his Sumac pattern.

    The other comment is regarding cooking by smell. My mother taught me to cook this way, and I taught my daughter. Smell and taste are so close!

  • I do believe Portland has become something of a perfume hotspot. For a city its size, it keeps ranking high on perfumista lists and the indie spirit has been pumping out scent delights these past few years. Proud to have Ms. Vareldzis as a neighbor.

    What could be more appropriate than “White Winter Flower” executed in natural ingredients for the coming season?

  • I believe the term for the cord wrapping is “baudruchage”. I love that it has a special name.

    I think the memories that struck me most were her childhood ones of being shown to notice the vanilla scent in a pine tree. Learning so young that you can notice the subtle scent of citrus rind and read for characteristics of the “best” fruit. I think training like that, to see and smell beyond what’s up front, is really key to developing awareness and connectedness to living things. And when working with natural ingredients so close to living things, that’s how you become aware of the unique qualities you are working with.

  • I absolutely love this series on American Perfumery! Her memory of the Vanillian scent from a certain tree, and being told to smell up close. Loved it! Certainly fed the desire of working with fragrance. When we smell something that peaks or captures our attention we must pay attention. I also loved her statement of connecting with her roots through her artform. This statement is the one that got to me, “The sophisticated consumer is interested in the creator of the product, the art behind the creation and the quality and meaning of the materials. I’ve noticed they really value their experience with the scent, not just the label name. And happily, technology and our ability to communicate and purchase at light speed has created the backdrop for this resurgence.”
    My choice would be Exquisite Amber, I believe it is called a bottle neck choker. Thanks for an amazing article.

  • I related to her understanding of citrus based on her grandfather’s passing the knowledge to her – I am the same way with pottery – my father was a ceramist and just from him I know when a pot is a good weight, look to see if it is footed, etc.

    I would be interested in Winter White Flowers.

    Not a clue what that cord is called!

  • Very interesting profile!
    I enjoyed it a lot, as always. The old photos are so nice… The memoir of the national parks grabbed my attention. I’d love to visit those places. I didn’t know there were pine trees which smelt like amber/vanilla but now I just wanna go there and close my eyes and smell!

    My favorite quotes:

    “The quality of light that streams through a carved screen and the light it casts reminds me of the delicate nature of a perfume”.

    “Just as in coffee, chocolate, tea and some wines, there is a market for small-batch, high-end, Artisinally created products”.

    Sprint Vetiver would be my choice! Thanks!

  • I connect with the Miriam’s statement how California is the “Stairway to Heaven”. Having the mountains, the ocean, the redwood parks, the desert plus the wine country is heaven.

    Also, not a clue on the name of the cord.

    I had the opportunity to meet Miriam in person during a small private gathering. She is as lovely as her creations. The scent which lingers in my mind and would be interested in, is Oudwood Veil.

  • “I truly believe the presence of quality blogs, perfumery guilds, small scale materials suppliers, decanters, perfume groups, authors and writers who have passionately taken it upon themselves to learn and share some of the mysteries of our industry have all contributed to bringing the Art back into Perfumery.”

    I’m a blogger and perfume enthusiast that is writing about niche perfumery to try to educate a specific audience in Brazil. My choice would be Cashmere Musk!

  • Z. Boudreaux says:

    as a textile designer and a budding perfumer i was excited to see FLR’s textile studies and just the general relationship of visual art to perfumery. i wish i’d known about her line when i was in portland this summer. having looked over her site i’d say oudwood veil is most me (with out a sniff) and the bottles!!! beautiful!

    the technique with no english translation that i know of is called baudruchage.

  • It was so interesting to meet Miriam and to know her story of life, her heritage and her perfumes! How incredible that she is located in Portland, Oregon — the closest city for me! I understand that the Portland address is not a brick and mortar store, but I hope there’s one coming soon! Indeed, Portland has a niche market for everything, and cares about artisan stance and loving one’s customers.

    Crete and Minoan culture are holding a special place in my heart. For a longest time it was one of my dreams to go to a special journey to Crete and see with my own eyes the remains of the world’s most famous matriarchal culture. The figurines of goddesses carrying snakes, the caves that had seen many women of the past coming over and pouring the libations and many women of the present testing their strengths by climbing through the darkness and finding the light in it…

    I was impressed that Miriam grandfather was able to smell the quality of the box. I have met a man who was a recovering alcoholic who worked as a quality control in a microbrewery (many of those in Portland, but this is NOT where I met that man). How did he do it? By smell, entirely by smell.

    Sense of smell! What an amazing sense we all have! I have to admit, the vision is also engaged by this line, since the bottles are gorgeous.

    I would love to win Exquisite Amber. I love Amber in perfumes, and something tells me that this one is going to be especially for my taste.

    Thanks for the draw!

  • Boo. Came back to read others comments and found that mine didn’t post yesterday. Gonna comment anyway as I found this article so interesting. Her memories of her grandfather in the citrus industry and her mother cooking by scent really struck me.
    I was raised around and still own a citrus grove and nothing smells much better to me. I have found that although I do not have a well developed nose for perfume, I am much better at remembering smells and taste than most people I know. I really suspect it has to do with growing up around produce where a sense of smell is vital. Also, my mother is fairly severe anosmia due to chemical exposure so I was always running into the kitchen when she was cooking to tell her if stuff smelled right.
    I think I caught this too late to be entered into the draw (which is too bad as I really wanted to try the Cashmere Musk) but I really wanted to say thank you for this interesting profile.

  • Miriam’s love of the work of Frank Lloyd Wright implies an appreciation of structure that makes her perfumes sound very promising. I am hoping for a translucent quality that perfumes with a such a high percentage of natural materials often fail to achieve. Like Amer, I am struck by the quote:”The quality of light that streams through a carved screen and the light it casts reminds me of the delicate nature of a perfume.”

    Thanks, Amy & Michelyn, for introducing the term “bandruchage”. I’d only ever heard it called cording before. Now I see with a quick search that it’s more of an art than I’d ever imagined.

  • I love how Miriam described smelling the pine trees up close and the scent of the resins. It makes me want to be in that forest right this moment! And I love this quote: “For me personally, it’s simply about “bringing the essence of beauty to life”.”

  • Forgot to say that my pick would be Oudwood Veil. The description sounds like just about everything I look for in a perfume: “Simultaneously earthy and cool, sweet and rich.”

  • Oops, left out my choice! It would be Exquisite Amber. One of my favorite notes, I expect this would be my taste.

  • What a lovely interview, Miriam seems such a wonderful and of course knowledgeable person. I thought very interesting the take on the sophisticated customer, who will search for the unique and artisan produce. I also, like many others, love the description of the vanilla essence from the pine trees, yummy, would love to smell those pines.
    Exquisite Amber is what I’d choose, perhaps this is inspired by those vanilla scented pines?
    Thanks for the amazing draw and profile:-)

  • Hi Everyone,
    Thank you so much for your thoughtful comments! To this day I have that ‘vanilla’ tree bark scent memory. Now I”m not a tree expert, but I think the species is Ponderosa Pine/Jeffery Pine after some sleuthing! Happy Holidays to you all… miriam.