ÇaFleureBon Modern Masterpieces: Annick Goutal Sables 1985 (Review) “My Immortelle”

immortelle flowers  mediterranean sea

Immortelle Flowers growing alongside the Corsican Coast (Bruno Petrigilia)

July is holiday time and in South Europe the coasts are a blast of Mediterranean smells floating in the heat, highlighted by the salty sparkle of sea breeze. There’s a wide range of bushes well representing this image in the perfumer’s palette and a good part of them is also present in many dishes, but definitely immortelle succeeds in conveying the mighty sun at its zenith.

annick goutal sables  1985

Annick Goutal Sables 1985

Launched exactly thirty years ago in 1985, Annick Goutal Sables masterfully renders this warm embrace by fearlessly building a unique, revolutionary architecture around immortelle absolute, a raw material Annick certainly met during her training years in Grasse and which she definitely felt in love with.

immortelle spices sables

Immortelle flowers, spices, sea shelles via 303 magazine

Indeed immortelle shows here its angular glory from top to bottom but Sables is not an overdosed natural material show, but a pure evocation. The opaque dryness of sand is exalted here by a good dose of cinnamon that goes pretty well with the medicinal anise-licorice aspects of immortelle. The savory bitterness you get on your lips by the shore feels just perfectly hinted by pepper coupled with the herbaceous and animalic aspects of the plant, its hay and maquis facets surrounded by the curry-like spiciness. You can almost bite the mellowness of sunkissed skin from Mysore sandalwood in the base, infused with the warmth of amber tinged tobacco and tonka bean nuttiness that make it yummy enough to forecast what a few years later would have been called gourmand, yet one step ahead from edible hokum.

AnnickGoutal with Camille goutal

Photo Credits: Annick Goutal Paris

 I always pictured Mme Goutal in my mind as a kind of white witch, a classic beauty with porcelain skin living in a fairy cottage facing the Bois de Boulogne, growing herbs and flowers in her backyard, le jardin potager and picking them to concoct potions and cast spells to protect her beloved ones, namely her daughters and her husband. Perhaps because of her Provençal childhood, actually there’s always something rural and bewitching in her creations and Sables makes no exception.

Louise Welden Hawkins Clytie

Louise Welden Hawkins Clytie

The word helichrysum, the botanical name of immortelle, come from the Greek words Helios, sun and chrysos, gold which refer to the beautiful yellow flowers from which an essential oil, a concrete and an absolute can be extracted. Words are ancient spells for who feels their power and in Sables you can definitely smell this golden radiation. The sun is also that star shining bright on your life, the loved one at the center of your live giving you warmth sheltering embrace.

Alain-Meunier cellist annick goutal

Annick Goutal's husband Cellist Alain Meunier

Even the word immortelle referring to the flowers keeping their beauty even when the rest fades, sounds more than a promise of eternal love. Given also its tenacious smell, it’s no wonder Mme Goutal composed Sables for her husband, the cellist Alain Meunier after vacations spent together on Ȋle de Ré and Corsica.

SablesNew

Photo Credits: Annick Goutal Paris

Sables magic still goes on and on after thirty years, a repackaging and a few tweaks by Isabelle Doyen on the formula. It still bears the crown as the reference for immortelle and above all, it is truly the first to use  the flower in a major way, predating 70s chypres such as Hermes Amazone and Guerlain Parure which use the ingredient in miniscule amounts . Sables also inspired many perfumers: from the more syrupy Kurkdjian’s Eau Noire for Dior to the dramatic chypre Pierre Guillaume’s Corps et Âmes. A reflection of this modern masterpiece can also be found in Serge Lutens signature, specially for its bittersweet dryness in Chene, Mandarine Mandarin, Chypre Rouge and  juxtaposing  a sandalwood milkiness in Jeux de Peau.

Disclosure: The review is based on samples of original and new formulation

Art Direction-Michelyn Camen, Editor-in-Chief

Ermano Picco, Monthly Contributor and Editor of Le Gardenia nell’ Occhiello

Ermano is a fragrance expert, well known for his insights into artistic perfumery and he was integral to the new Rubini Fundamental , the phenom perfume, introduced at Esxence. He will be contributing monthly to ÇaFleureBon Modern Masterpieces. Please welcome him and be sure to check out  last month’s Modern Masterpieces  MFK Absolue Pour Le Soir and his wonderful perfume blog Le Gardenia nell’ Occhiello. If you live in NYC, please visit Francoise Allesi, Boutique Manager at the Annick Goutal at 955 Madison Avenue-MC

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7 comments

  • fazalcheema says:

    I would like to add 2 fragrances that reminded me of Vintage Sables. HDP 1740 and ELDO The Afternoon of a Faun. The Afternoon of a Faun is pretty good alternative.

  • OMG I just bought this!! I think this is better than Serge Lutens by far. I never smelt the original Sables but it is nice to hear it hadn’t changed too much. Thanks for this review it really clarified for me why of all the Goutal’s in the store today I bought this one.
    Beautiful images and such a romantic story behind its creation

  • Systeme D says:

    Very nice article. Thank you.
    I enjoy the scent of immortelle, and I will now go out of my way to sample Sables.

  • Great article, Ermano! I love Sables and find it a worthy substitute for the sadly discontinued Eau de Monsieur. I also happen to adore all of the fragrances you mention as being inspired by Sables.

  • Thanks all! I also live the HdP you mention fazalcheema. Btw their patchouli also features a nice immortelle note on the base.
    Oh Dusan, now that you name Eau de Monsieur it almost sounds like a kimera, heh…

  • Iphigenia says:

    So well written article, a tribute to Mrs Annik Goutal and her work.
    My next visit to the beauty store will be for Sables testing