Scents of Man Under The Blue Moon (Andrea Byrne) 2025 + cradled by sea and sky giveaway

Scents of Man Under The Blue Moon

Photo via Sandi Scents of Man Under the Blue Moon

I’ve been drawn to the work of Andrea Byrne of Scents of Man since 2024, from the first moment I experienced her fragrances. Sheean was on my best of in 2024. I could imagine her studio in Ramsey, set against the coastal edge of the Isle of Man, where the land feels cradled by sea and sky in equal measure. I envision everything feeling a little quieter, a little more deliberate there (I hope that is true). There’s something about that setting that I feel seeps into her compositions themselves, as though each one carries a trace of something else, a sense of being slightly removed from the ordinary world. It makes sense when you smell Under The Blue Moon. It feels like it took its time becoming what it is.

Andrea Byrne of Scents of Man

 Andrea Byrne, founder/perfumer via the brand

Scents of Man Under the Blue Moon doesn’t present itself fully right away; it sort of appears. I catch it before it fully registers, like noticing the light has changed without seeing the clouds move. It opens with grapefruit and yuzu, not sharp but softened. There’s a clarity to them, but it’s distant, almost out of reach. Blackcurrant comes through, and this is where it gets interesting. It’s not loud or juicy in the way people expect. It’s not sweet exactly; it feels like it’s holding something back. There’s a moment when it almost reads like a familiar memory, but it’s hard to place.

Under a Blue Moon

Sandi AI 

Scents of Man Under The Blue Moon shifts without ever making a big move, blackcurrant comes back around, but lighter this time, with a hint of raspberry lifting it just enough; there’s a faint herbal edge from fennel that keeps it from feeling too smooth. The florals, osmanthus, hyacinth, and rose exist in the background, moving in and out. Later, Under The Blue Moon becomes quieter. The vanilla is soft, but it’s not sweet in a noticeable way; underneath, the understated warmth of nutmeg.

As Under The Blue Moon settles, the base shows itself, but even then, nothing really lands traditionally. Vanilla, rose, and sandalwood are all there, but not as a clear structure, more like a soft layer that everything else leans on. It stays close to the skin, never pushing outward too much. There’s a very fine thread of saffron running through it. It’s subtle, but it changes how the whole thing feels.

Scents of Man Under The Blue Moon is not anchored in any single direction; it feels suspended, a moment held between breaths. There’s a stillness to it, like a quiet space where something meaningful has just passed through. A whisper that stays behind because it felt meaningful in a way I can’t quite explain. It invites me into a slower awareness, a kind of inward attention. Long after it fades, there’s a trace left behind somewhere harder to define. Like the echo of a dream that doesn’t reveal its meaning, only its presence, it rewards me for being felt. Quietly absorbing, the kind of experience I keep going back to.

Notes: citrus, blackcurrant, raspberry, osmanthus, hyacinth, rose, vanilla, sandalwood, saffron, nutmeg.

Sandi Lundberg, Editor

Disclosure: Review based on my own bottle. Opinions are my own.

For U.S. customers, Scents of Man covers all tariff charges, so don’t hesitate to order from their site

Under the Blue Moon by Scents of Man

Thanks to the generosity of Scents of Man, we have a 30ml bottle of Under The Blue Moon for one lucky reader in the USA or EU. You must register to have your entry count. To be eligible, please leave a comment saying what sparks your interest based on Sandi’s review and where you live. Draw closes 5/9/2026

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37 comments

  • lavknows says:

    I never smelled anything from Andrea Byrne, so I am really curious. I am also always looking for the perfect fruity fragrance, and the one you presented sounds interesting. It sounds like a summery but melancholic one. I am curious about this contrast. I live in the EU.

  • Scentofme says:

    Sandi’s review cought my attention with the detailed description of the fragrance development and that Scents of Man Under The Blue Moon is not anchored in any single direction. The blackcurrant and raspberry notes attract me. Greetings from EU

  • Sybelle16 says:

    Sandi notes that Andrea Byrne of Scents of Man locale off the coast of the Isle of Man with its serene blend of nature, quiet stillness, tradition and natural landscapes is a key factor in her creations lending a significant influence in her compositions. Those aspects are woven throughout Under a Blue Moon. The composition unfolds gradually revealing a soft citrus opening that flows into a subdued blackcurrant that remerges uplifted with a hint of raspberry that along with a slight Herbous tinge of fennel, florals that waft in-and-out throughout, a soft vanilla, warm nutmeg, saffron and sandalwood in the base that leans into that softness. Under a Blue Moon’s beauty lies in its non- descriptive character, scope and what it conveys.
    CA USA

  • samozain1 says:

    I enjoyed Sandi’s review. I love newly shaped summer citrus/fruity scents with a character and this seems like a good one by Andrea. I am also a fan of blackcurrant done right! Seems like a beautiful summer scent!

    from USA

  • AromaAdventurer says:

    Sandi’s review transported me straight to the Isle of Man before I even read about the notes. Her description of Andrea Byrne’s studio in Ramsey, “where the land feels cradled by sea and sky in equal measure” and “everything feels a little quieter, a little more deliberate there,” immediately set a mood of peaceful introspection. What sparks my interest most is how Sandi describes Under The Blue Moon as a fragrance that “doesn’t present itself fully right away; it sort of appears.” In a world of perfumes that scream for attention, the promise of something that rewards patience, that “invites me into a slower awareness,” is incredibly appealing. The way the notes “exist in the background, moving in and out” rather than announcing themselves, and the final image of a “trace left behind somewhere harder to define, like the echo of a dream that doesn’t reveal its meaning, only its presence” this sounds like a fragrance for quiet mornings, for introspection, for the moments when you want to feel rather than perform.
    EU, Germany.

  • Lastochka says:

    What sparks my interest most is Sandi’s nuanced take on blackcurrant, a note I usually associate with aggressive, jammy sweetness in many modern fragrances. Here, she describes it as “not loud or juicy in the way people expect. It’s not sweet exactly; it feels like it’s holding something back.” That restraint, that sense of a note being “distant, almost out of reach,” is exactly what I crave in a fragrance. The blackcurrant “comes back around, but lighter this time, with a hint of raspberry lifting it just enough,” accompanied by a “faint herbal edge from fennel” that “keeps it from feeling too smooth.” This sounds like a composition that values subtlety and mystery over instant gratification. The osmanthus, hyacinth, and rose “moving in and out” rather than dominating, the vanilla “soft but not sweet in a noticeable way,” the nutmeg providing “understated warmth” every element Sandi describes suggests a perfumer who trusts the wearer to lean in, to discover slowly, EU.

  • FragranceFrenzyS says:

    Sandi’s review made me want to book a flight to the Isle of Man. Her description of a place “cradled by sea and sky,” where “everything feels a little quieter, a little more deliberate,” is exactly the kind of escape I’ve been craving after a long winter. What sparks my interest is how she believes that setting “seeps into Andrea Byrne’s compositions themselves”, that sense of remoteness, of being “slightly removed from the ordinary world.” Under The Blue Moon sounds like a fragrance that embodies that feeling: “not anchored in any single direction; it feels suspended, a moment held between breaths.” The opening of grapefruit and yuzu “not sharp but softened,” with “clarity but distant, almost out of reach,” creates an atmosphere of gentle mystery. The fragrance “stays close to the skin, never pushing outward too much”, it’s an intimate scent, a personal one, meant for the wearer’s own enjoyment rather than projection. As someone who loves fragrances that feel like secrets rather than announcements, this sounds perfect.

    I am from the EU.

  • In an era where many fragrances are designed for instant impact and short attention spans, Sandi’s review of Under The Blue Moon celebrates something rarer: a perfume that “took its time becoming what it is” and asks the wearer to do the same. What sparks my interest is her description of the experience, “I catch it before it fully registers, like noticing the light has changed without seeing the clouds move.” That sense of barely-perceptible shift, of a fragrance that reveals itself gradually and rewards repeated wear, is exactly what I seek. The structure Sandi describes is intentionally elusive: notes appear and recede, “nothing really lands traditionally,” the base is “more like a soft layer that everything else leans on.” And yet she concludes that “long after it fades, there’s a trace left behind somewhere harder to define. Like the echo of a dream that doesn’t reveal its meaning, only its presence.” A fragrance that lingers in memory rather than on skin, that “rewards me for being felt”, that’s the kind of quiet, absorbing beauty I want in my collection. EU based.

  • TheScentedPage says:

    Sandi’s description of Man Under The Blue Moon feels beautifully mysterious, as if the fragrance is content to linger in shadow. Quietly waiting to unfold its fragrant secrets. Non-bombastic citrus.

    The way she captures that suspended moment, “a moment held between breaths”, makes the perfume feel almost alive. Taking it’s time for a quiet revelation. This review that invites me to lean in more closely to the scent’s quiet magic.

    Alabama, US

  • The subtle, introspective evolution sparks my interest most. Sandi describes a fragrance that doesn’t announce itself but “appears” gradually – distant citrus, restrained blackcurrant that’s not loud or jammy, shifting florals, and a soft, suspended base that lingers like an echo of a dream. It rewards patience and inward attention rather than projection. I live in Poland, EU.

  • I am a huge fan of vanilla, rose and sandalwood fragrances so after reading the description and that it’s “not anchored in any singular direction” I was immediately intrigued. This scent profile sounds fabulous and mysterious at the same time by reading all about it and I’m hoping to get my nose on it!

  • Ramses Perez says:

    I like that Sandi mentioned this fragrance doesn’t follow traditional standards. All the notes are there and you can smell them but it doesn’t go one way or another overall. This is not necessarily a bad thing but as the name implies, you’ll find everything Under The Moon. Think of it like a cornucopia of notes that contribute to the overall feeling of the scent. This is art. I’m located in the USA.

  • wonderscent.mari says:

    This was an interesting read! I have never tried any fragrances from Andrea Byrne but the poetic description of Under The Blue Moon that captures a magical stilness to it, a serenety of moment that has a meaningful trace underneath is sth that intrigues me. What really sparked my interest is the emotion that evokes this “silent” composition in such melancholic way. I love the way the notes of Under The Blue Moon shift so smooth in noticeable yet tender way without to be so loud or dominate each other. For example “blackcurrant comes back around, but lighter this time, with a hint of raspberry lifting it just enough” and “The florals, osmanthus, hyacinth, and rose exist in the background, moving in and out”. It feels like this captivating scent that can transport you in this serene moment. I would be thrilled to experience it myself. Thank you for the generous opportunity!
    From EU

  • This perfume is really interesting, the ingredients are an intriguing mix and I would love to experiment the stillness that it conveys.
    I live in Italy

  • southirina says:

    Like the echo of a dream that doesn’t reveal its meaning, only its presence — I had to put my phone down for a second. This is why I read perfume reviews that are more poetry than product description. Not because I need to know what it smells like, but because I need to know how it feels to someone else first. This one got me.
    EU

  • Sandi’s review is incredibly evocative; I love the idea of a fragrance that doesn’t shout but rather “appears” like a change in light. The description of the blackcurrant being restrained and “holding something back” is what really piqued my interest—it sounds like such a sophisticated departure from the typical jammy fruit notes. The connection to the quiet, deliberate atmosphere of the Isle of Man makes the scent feel even more like a hidden treasure. I would love to experience that “moment held between breaths.”

    I am located in the EU

  • Steven A says:

    Interest sparked reading this, “Under The Blue Moon is not anchored in any single direction; it feels suspended, a moment held between breaths”. US

  • The grapefruit and yuzu opening sounds lovely. I’d love to try this! I live in Colorado USA

  • bustednose says:

    excellent review. I really feel the restraint of this fragrance from Sandi’s words. Some of my favorite sniffs are understated beauties that shyly reveal themselves over the wear and I imagine composing such a fragrance is quite challenging. I am in Texas USA

  • opalbear says:

    Ooh I’m so curious about this house!! And this release sounds amazing. I love osthmanthus, sandalwood and rose. I love the name too. Fingers crossed in California

  • Trinity33 says:

    Really evocative review Sandi. I get the sense that Under the Blue Moon is an ethereal, diffuse and slightly melancholy perfume. It seems contemplative with its subtle, well-blended notes moving in and out of focus. I appreciate that the note combinations Andrea Byrne uses (vanilla, rose, sandalwood) are used in a non-traditional structure, producing something unique. MD, USA

  • wallygator88 says:

    Thanks for such a beautifully meditative review, Sandi! What sparks my interest most is how you describe Under The Blue Moon as a fragrance that doesn’t present itself fully but “sort of appears” — like noticing the light has changed without seeing the clouds move. That sense of Andrea Byrne’s studio in Ramsey, cradled by sea and sky on the coastal edge of the Isle of Man, seeping into the composition itself feels completely earned when you trace how the blackcurrant holds something back rather than announcing itself, how the osmanthus, hyacinth, and rose move in and out of the background rather than staking a claim, and how that fine thread of saffron quietly changes the entire feel without ever stepping forward. The detail about the blackcurrant coming back around lighter the second time, lifted just enough by raspberry with a faint herbal edge of fennel keeping it from feeling too smooth, speaks to a perfumer who understands pacing as much as palette. A fragrance that stays close to the skin, rewards patience, and leaves behind a trace like the echo of a dream — that’s exactly the kind of quiet, absorbing beauty I keep reaching for. Cheers from WI, USA

  • This is exotic and complex take on an outer worldly experience. Under the blue moon sounds fresh, gourmand-ish, and loud. Bright luminous juicy fruits, florals, and herbal. A light spicy Oriental is the vibe I think would be jumping for the summer. From USA

  • The review makes it sound like we should throw the notes’list out the window and just breath in with this fragrance. I really get a feeling that this is one of those fragrances that cannot be taken apart note by note and defined, but is somethign that is simply there, simply existing. I ADORE the quiet sense of stillness imparted by this review. In our busy world, we really need moments of suspension to just exist ourselves. I live in the US.

  • ElenaChiss says:

    From your review it looks like Under the Blue Moon is the perfect companion for a laid-back, relaxing summer day! Sounds exciting! Thanks! EU

  • goknitintheocean says:

    Hi there,

    Under the Blue Moon, perfectly timed, strikes me as a perfect transition away from the winter’s gourmand scents and toward a delicate balance, where breathy air is suspended by a more traditional framework of citrus, vanilla, and rose. Am I getting close? Hahaha Would love to try this one. Thanks so much.

    Deborah
    NYC/USA

  • foreverscents says:

    I enjoyed reading Sandi’s review of Under the Blue Moon. I got a sense of stillness and introspection from Sandi’s description of the notes. I am a big fan of yuzu and grapefruit, so I am happy that these are the opening notes. I like that the other notes move in and out, with no note landing traditionally. This seems like a fragrance that is powerful in its quietness and understatement.
    I live in the USA.

  • foreverscents says:

    I enjoyed reading Sandi’s review of Under the Blue Moon. I got a sense of stillness and introspection from Sandi’s description of the notes. I am a big fan of yuzu and grapefruit, so I am happy that these are the opening notes. I like that the other notes move in and out, with no note landing traditionally. This seems like a fragrance that is powerful in its quietness and understatement.
    I live in the USA.

  • “Scents of Man Under the Blue Moon doesn’t present itself fully right away; it sort of appears. I catch it before it fully registers, like noticing the light has changed without seeing the clouds move.” What an interesting profession! Curious how Andrea managed to cast a veil over all of these notes, making them hit differently than may in a more forceful composition, but also lending Under the Blue Moon both subtlety and mystery.

    I’m in WI, USA.

  • Taleofarose says:

    Andrea Byrne is new to me, and so is Under The Blue Moon. My teenage son has recently showed an interest in wearing perfumes, and he seems attracted by vanilla and sandalwood scents, nothing too sweet or powerful, all a whisper of softness on the skin. Under The Blue Moon hits all the right notes, seems like.

    I live in Portugal. Thank you for your consideration.

  • This is a very interesting fragrance the yuzu and citruses, combining with fennel, and vanilla and florals. There is an alluring nature of this fragrance that draws you back. NY, USA

  • roxhas1cat says:

    This sounds very meditative. I like that there is stillness, yet something meaningful has passed. Sounds perfect for our rush rush society. All the notes sound amazing. Thanks for the chance USA.

  • Great review of this perfume, which I know. You sum up the delicate airs of the fragrance mix very well.

  • what sparked my interest is how sandi continually makes these fragrances sound like a dream- “ like the echo of a dream that doesn’t reveal its meaning, only its presence, it rewards me for being felt.” I loved this sentence in the review! i have personally never tried any of andrea byrne’s fragrances- but, i absolutely love the name of this & the notes are so beautiful. i love how sandi also said: “like an echo of a dream that doesn’t reveal it’s meaning….” just, literally makes this fragrance sound like a literal dream- & the fragrance, just starting with the name, sounds like a literal dream; a divine fragrance that would be amazing to experience! :). i am in the united states.

  • I’ve never heard of this brand before, nor have I ever tested anything from it. But I would really love to. Greetings from Germany.