Onskad Fragrances 90’ (Camille Leguay) 2025 + a provocative giveaway

Onskad Fragrances 90’

Onskad Fragrances 90’ image via the brand

There are perfume houses that exist because someone saw the potential of successfully monetizing a gap in the market. And then there are those that were born because someone simply had no other choice – because the dream was too present, for too many years, and the inner voice became too vivid and loud to ignore. And Onskad is undoubtedly of the second kind.

Born in Cannes, on the Croisette, that mythological stretch of Mediterranean coastline where cinema royalty walks and palace hotels have retained their original, unapologetic glamour, this house carries in its very name a declaration of intent. Onskad is Swedish, pronounced eun-skad, and it means the realization of a desire, the fulfillment of a dream. Which is, when you think about it, precisely what a great perfume does.

Virginie Dhoye of Onskad Fragrances

Virginie Dhoye, photo via the brand website

The founder and Creative Director, Virginie Dhoye, has been in love with perfume since the 90s, and in the decades since, that love has never once wavered, never once softened into something more reasonable or more manageable, but it only deepened, expanded, become more obsessive, more refined, more gloriously uncompromising. What she built with Onskad is the inevitable consequence of a woman who has spent decades knowing exactly what she wants and refusing to be talked out of it. She describes her perfumes as an OSNI – an Objet Sensuel Non Identifié, an Unidentified Sensual Object — and if that sounds like a provocation, it is CLEARLY meant to be one.  The Rétrospective collection travels through the decades of feminine emancipation: the 30s, 50s, 80s, 90s, with each fragrance bottling a time capsule of a particular kind of audacity. Fashion Icon pays homage to three legends whose silhouettes you could recognize in shadow. The through line in both is the same: perfumery as portraiture, as power, as provocation. Virginie Dhoye lives by two lines that tell you everything you need to know about her: “I chose what I wanted to be, and I am it” and, perhaps, even more revealingly, “Wear perfume for the version of yourself you’d want to watch on replay.”

Camille Leguay perfumer

Camille Leguay, via the brand website

So when it came to creating Onskad 90′, the fragrance we will focus on today, she chose Camille Leguay, a perfumer whom Virginie calls “Olfactory screenwriter” and “olfactory fairy. Trained at ISIPCA in Versailles, formed at Mane, then moved to Chile and Mexico as a fragrance evaluator before returning to France to create for some of the industry’s most significant names (including her own), Camille brings to her work a rare combination of scientific rigour and something altogether less definable – intuition so acute that some of her answers come to her in dreams, dreams she has since come to realize were premonitory. She and Virginie share, beyond their obvious talent, a common obsession: both are seasoned, devoted, slightly unreasonable collectors of perfume. (of over 3000 bottles!)

Camille Leguay declares: “This project pulled me out of my comfort zone. Minimalism is my signature, but this time, I had to embrace excess. More wood, more fruit, more spice, more floral. I had to unlearn restraint to find balance again. But that’s what the ’90’s were about – giving in to too much, and loving every second of it.”

But before we talk about what’s inside the bottle, let us take a moment to appreciate the bottle itself, adorned with illustrations that feel like pages torn from the most beautiful women’s magazines of their respective decades. The talent behind these illustrations is Petra Dufkova — Czech-born, Munich-based, and a collaborator of Cartier, Guerlain, Hermès, Prada, Vogue, Elle and Vanity Fair, among others.

Best moments of the 1990s

 mood board for 90’, image via the brand

Anaïs Nin once wrote that “we don’t see things as they are – we see them as we are“. I’d extend that, without apology, to the way we smell things too. And spraying Onskad 90′ unveiled exactly that: a knot of nostalgia, that began to unfurl, layer after layer. A collage of pop-culture memories flies open, with scraps of brown lipstick, Seinfeld one liners, grunge plaid shirts, Beastie Boys’ Sabotage opening riffs, Pulp Fiction, Norton Commander bright blue screens, flowery dresses paired with knee-high laced boots, Trainspotting, the Twin Peaks red room, Kate Moss’s ribs, velvet scrunchies, the CK One ads. The particular shade of oxblood that colonized every lip, every nail, every mood board (done in the proper way with paper, glue and scissors). The Crow. The Cure. The Cranberries. The Corrs. The Spice Girls. The chokers. The platform shoes. The dial-up reverb in the speakers. That poster of Winona, forever my Winona. The everything-too-big or everything-too-small, never anything in between. And most of all – the goddesses of the time, the supermodels who projected that kind of 90’ confidence that felt almost… confrontational. Heroin chic and maximalism existing in the same breath, somehow.

ONSKAD Fragrances 90

AI mood collage made by Nicoleta 

The 90s didn’t do subtle. And neither does this perfume. It opens with a bite, mandarin and bergamot arriving with the kind of powerful yellow mood that commands attention before you’ve even had a moment to prepare yourself. Soon, a plum-peach duo rolls in, spiced with cinnamon and cardamom, all hot-couture and freshly printed magazines taken out of their foil, and the whole thing takes on this gloriously fuzzy, velvet-dress texture that is so specifically 90’ I can almost taste its bubblegummy glory. Orange blossom and violet weave through the heart with a tongue-in-cheek retro confidence, and suddenly I’m thinking of Jean Paul Gaultier’s infamous pink corset, of hairspray and glossy-glossy lipstick and the particular kind of trouble that decade wore as a badge of honor.

Ylang Ylang, rose, jasmine and geranium add depth and a lush, almost excessive floralcy that never tips into sweetness – a flower bouquet both carnal and…carnivorous, a little dangerous, yet perfectly calibrated. Here we go now, roleplaying Uma Thurman in the yellow Kill Bill suit, zipper up, weapon drawn, whistling something cheerful on the way to absolute devastation. Another drawer of nostalgia opens up, with eyes half closed in hyper-focus, cutting my first pre-teen-Mia Wallace micro bangs in the fluorescent light of the bathroom. Girl, you’ll be a woman soon. A warm, woody base settles into a skin-close, almost narcotic softness that elevates everything, second skin, intimate – double layered with weaponized vulnerability, armor geared up out in the open. Tonka, vanilla and white musks are the olfactory equivalent of a vintage compact snapping shut in the drydown, snapping you back to reality.

1990s fashion

AI mood photo by Nicoleta

Onskad 90′ is a visceral perfume, made by a red-blooded woman for all women alike. It’s not a demure fragrance that wins you over gradually, it’s an olfactive Rorschach test that will tell you everything you need to know about yourself, and rather quickly. A time capsule that doesn’t just sit quietly on the shelf; it radiates, sending waves outward in all directions, catching people mid-sentence, mid-thought, mid-whatever-they-were-doing-before-you-walked-in. Sexy, deeply feminine, and unapologetically individualistic in the best possible way, this is perfumery that remembers exactly what it felt like to be alive and joyful in a decade that didn’t believe in half-measures.

Virginie, I’ll admit it: this is lust for life, bottled. Hats off!  (or one can leave their hat on when wearing it, who are we to judge. )

Notes: Top: Mandarin, Bergamot, Middle: Cardamom, Ginger,  Ylang Ylang Comores, Geranium Egypt, Rose, Jasmine Plum, Peach, Orange blossom accord, Base: Nutmeg, Ceylon cinnamon, Virginia cedar, Sandalwood, Ambroxan, Cashmeran, Powdery violet notes, Tonka, Vanilla, White musks

*18% concentration Edp

Nicoleta Tomsa, Senior Editor

Disclosure: A sample was kindly offered by the brand; opinions are always my own.

90' by Onskad Fragrances

collage of Onskad Fragrances 90′ by Nicoleta

Thanks to the generosity of Onskad Fragrances, we have a 100ml bottle of 90’ for one registered reader from the EU or US. You must register or your entry will not count. To be eligible, please leave a comment saying what sparks your interest based on Nicoleta’s review and where you live. Draw closes 3/14/2026

Also check out the article on 30’

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32 comments

  • What sparks my interest most from Nicoleta’s review is the idea of Onskad 90’ as an olfactive time capsule of the 90s—that unapologetic mix of excess, attitude, and sensuality. The contrast between bright citrus, plush plum-peach, spicy warmth, and that lush, almost dangerous floral heart sounds fascinating. I especially love the description of the perfume as a kind of Rorschach test, something bold and visceral that reveals something about the wearer rather than playing it safe. The imagery of velvet textures, glossy lipstick, and that confident 90s supermodel energy makes it feel both nostalgic and powerful, and I’m so curious to experience how all that maximalism translates on skin.

    I’m in the United States.

  • Oooh you’re speaking my language!! And I love a perfume that tells me the concentration and isn’t afraid to be lush!! I love a sassy confident femme fragrance too. Wellll I’ll have to get to know this one. Thank you for the generous giveaway. I’m located in the U.S.

  • Nicoleta’s take on Onskad 90′: it is, at its core, a scent that could only be made by a woman for other women–a curated experience that embodies the 90s woman: unapologetically confident, collected, sexy and feminine; someone that knows who they are and what they want. Through the talent of master perfumer, Camille Leguay, we’re taken on an olfactive journey that celebrates the magic of the 90s and its pulsating, transformative energy.
    CA USA

  • Sorohan Adriana says:

    I saw a resemblance to my beloved Amarige Givenchy! It has the same powdery floral feminine notes. I’m already dreaming of it.

  • Nicoleta’s review sparks my interest with its raw, unfiltered 90s nostalgia blast: that confrontationalsupermodel confidence, heroin-chic maximalism, and carnal florals (plum-peach spice to ylang-jasmine danger) that feel like a visceral Rorschach test in a bottle. It’s not subtle – it’s lust for life, weaponized. Pure time-capsule magic. I live in Poland, EU.

  • LindenNoir says:

    Nicoleta’s review didn’t just describe a perfume it unlocked a vault of memories I didn’t even know I was still carrying. That “collage of pop-culture memories” she lists brown lipstick, Seinfeld one-liners, grunge plaid shirts, Beastie Boys’ Sabotage, Pulp Fiction, Kate Moss’s ribs, velvet scrunchies, The Crow, The Cure, The Cranberries—I lived through every single one of those moments, and she captured them with such visceral precision. The way she describes the perfume opening with “a bite” of mandarin and bergamot, then that “plum-peach duo spiced with cinnamon and cardamom” taking on a “gloriosely fuzzy, velvet-dress texture” sounds exactly like the 90s I remember: everything oversized or undersized, nothing in between, maximalism and minimalism existing in the same breath. Camille Leguay having to “unlearn restraint to find balance again” because the 90s were about “giving in to too much, and loving every second of it” is the most perfect encapsulation of that decade I’ve ever read. I need to smell this time capsule. EU

  • AromaAdventurer says:

    What sparks my interest most is the concept behind Onskad itself: perfumery as “portraiture, as power, as provocation.” Virginie Dhoye’s philosophy “Wear perfume for the version of yourself you’d want to watch on replay” is the most compelling fragrance mission statement I’ve ever encountered. And Nicoleta’s review proves that 90′ delivers on that promise completely. Her description of the fragrance as an “olfactive Rorschach test that will tell you everything you need to know about yourself, and rather quickly” speaks to a depth that goes far beyond mere nostalgia. The way she moves from pop culture references to personal memorie cutting my first pre-teen-Mia Wallace micro bangs in the fluorescent light of the bathroom” makes the review itself feel like watching someone rediscover themselves through scent. Camille Leguay’s admission that she had to “embrace excess” and “unlearn restraint” for this composition tells me this isn’t just another perfume; it’s a deliberate, artistic statement about a decade that refused to be subtle.
    EU based.

  • Nicoleta’s review radiates exactly the kind of unapologetic femininity I want to wear. That line Here we go now, roleplaying Uma Thurman in the yellow Kill Bill suit, zipper up, weapon drawn, whistling something cheerful on the way to absolute devastation”—is the most badass description of a fragrance I’ve ever read. The idea that 90′ is “a flower bouquet both carnal and carnivorous, a little dangerous, yet perfectly calibrated” promises a scent that doesn’t ask permission, that doesn’t apologize, that walks into a room and commands attention before you’ve even spoken. Virginie Dhoye’s words—”I chose what I wanted to be, and I am it”—echo through every line of Nicoleta’s review. The combination of “weaponized vulnerability” in the fragrance’s structure, with a “warm, woody base” that settles into “second skin, intimate” while maintaining that “confrontational” confidence, sounds like the olfactory equivalent of armor you actually want to wear. Camille Leguay’s journey from minimalism to embracing excess for this composition proves that true artistry knows when to break its own rules. I am from the eu

  • FragranceFrenzyS says:

    Nicoleta’s review made me fall in love with a decade I barely remember and a perfume I’ve never smelled. That’s the power of great writing and great perfumery. The way she weaves together Anaïs Nin’s observation that “we don’t see things as they are, we see them as we are” with her own experience of spraying 90′ and having “a knot of nostalgia unfurl, layer after layer” is profoundly beautiful. This isn’t just a fragrance review; it’s an exploration of how scent connects us to who we were, who we are, and who we want to be. Virginie Dhoye’s description of her perfumes as “OSNI—Unidentified Sensual Objects” captures that mystery perfectly. The collaboration between her and Camille Leguay—a perfumer who receives answers in dreams, who collects over 3000 bottles, who had to “unlearn restraint” for this project—sounds like the meeting of two kindred spirits obsessed with beauty in its most excessive, glorious forms. The bottle itself, illustrated by Petra Dufkova who has worked for Cartier, Guerlain, Hermès and Vogue, is clearly a work of art before you even spray it.
    EU

  • I was born in the late 90s, so I never truly experienced the decade this fragrance celebrates—but Nicoleta’s review makes me feel like I can step into it whenever I want. That’s the magic of perfume, isn’t it? The ability to access memories that aren’t even yours, to wear someone else’s nostalgia and make it your own. What sparks my interest most is how Nicoleta describes 90′ as “a time capsule that doesn’t just sit quietly on the shelf; it radiates, sending waves outward in all directions, catching people mid-sentence.” The combination of notes—mandarin and bergamot opening with “a bite,” that “plum-peach duo spiced with cinnamon and cardamom,” ylang ylang, rose, jasmine and geranium creating a “carnivorous” floral bouquet, settling into tonka, vanilla and white musks—sounds like a fragrance with real architecture, real evolution, real presence. Camille Leguay having to “embrace excess” for this composition tells me it’s not playing safe. Virginie Dhoye’s philosophy of wearing perfume “for the version of yourself you’d want to watch on replay” is something I want to carry with me every day. I am a registered reader in Germany

  • It’s always interesting when you encounter a product that is a result of a passion project. Virginia Doyhe had a vision which she pursued with a single minded focus. I love the focus on femininity and the exploration of representation of women through the decades. I lol’d when I read Nicoleta’s 1990’s rundown (pulp fiction, the cranberries, the crow) because that’s the vision board of my youth. I remember everything. Onskad Fragrances ‘90 sounds like a fragrance for a sensual woman with its luscious fruits, narcotic floral and musky sandalwood base. Kill Bill is a good visual for this scent. USA

  • i loved the 90’s nostalgia & the reflection of it in this fragrance- another dream fragrance! i love the review, as always, they’re always so in depth & written so that you are able to experience the fragrance through the beautiful writing. i love that this fragrance was made by a powerful woman, for powerful women! the biggest thing that sparked my interest in the fragrance is where she says that this is lust for life in a bottle- oh my gah! who could resist a fragrance like that? i am so excited for this draw, as this fragrance sounds so interesting & bodacious- being described as a fragrance that tells you about yourself & quickly! i absolutely love that & loved this whole review- it really sells this fragrance as this powerful, feminine, masterpiece! thank you for the reading & the graciousness of the giveaway- appreciative as always! i am in the united states.

  • Wow, Nicoleta, you are spot on for the 90’s. Having lived through all that BIG, I might not bring many things with me form that time in my life, I would bring some big perfume. This scent sounds like a great grab- you- by- the-nose, joyfully lived scent life. When I smell Poison. I am immediately brought back to my study abroad in Paris, ascending the Metro steps following a cloud of Poison in a January evening. I wonder what memories this scent would recall. This sounds wonderful, i can’t wait to try it. I’m in Seattle.

  • wonderscent.mari says:

    I am not familiar with this house but the idea of Onskad of 90s sounds so interesting and unique. What sparks my interest is the olfactive dive into a decade of glitter, pop and iconic bold fashion appearances, inspired by the era’s most unforgettable emotions which embodies the 90’ womens’confidence.
    I love the fact it’s a bold fragrance, starting with a vibrant citrus opening to grab the attention, lush notes of spiced plum and peach conbined by a confident floral heart ending to a seductive warm woody base with Tonka, vanilla and white musks. A beautiful provocative sounding fragrance that doesn’t afraid to be sexy, deeply feminine, and alive. I find the design of the bottle and the fragrance itself an amazing olfactive statement with an unapologetic sensuality that it gives me excitement to give a try.
    Many thanks for the chance and the beautiful reading.
    I’m in the EU

  • It is my first time reading about this house and I am very curious about their fragrances and the entire concept. A powdery and flowery styled perfume reminiscence of the 90s sounds really nice! Thanks! EU

  • Patricia R. says:

    The anything-too/small and anything-too-big caught my eye as the accurate representation of the 60s, in fashion, in dosing of attitude and in taste. JPG and the almost confrontational confidence were things to live up to. White musks, cardamom and ginger were the fragrance analogies of those attitudes.

    I live in the EU.

  • The nineties imagery stirred something unexpectedly warm in me. Reading the review felt like opening a secret door and running into a glorious old friend. I even caught myself standing up, suddenly feeling alive while reading. Nicoleta doesn’t simply describe a perfume, it feels like a presence, a beautiful, confident, smart and sensual one I would very much want to meet.

    Thank you for the great review and for the generous giveaway.
    Hugs from Romania.

  • TheScentedPage says:

    This review nails exactly why I sometimes reach for bold, high-volume fragrances. Sometimes I don’t want to be subtle. Onskad 90’ sounds like it fully embraces that attitude. I’m especially drawn to the idea of its “unlearned restraint,” a composition that chooses to radiate outward rather than sit politely in the background.

    USA

  • bustednose says:

    As someone who was around in the 90s, I’m excited for this olfactory time capsule. Nicoleta’s description of the type of woman this fragrance evokes was very intriguing and I would love to give this to my wife. I am in Texas USA.

  • What I felt most inspired by is how this fragrance seems to be unapologetic and visceral, almost over the top, yet still graceful, feminine and honest. The lush florals of different kinds (orange blossom, rose, violet just to name three that conventionally belong to totally different categories) seem to have been blended in an absolute weapon of sensuality, while the plum, woods and spices add more depth and voluptuousness.
    I would be very curious to smell Virginie’s understanding of the 90’s, from an olfactive point of view!
    Thanks, from the EU.

  • Ramses Perez says:

    The 90s are sure a fine decade (I was born in 92). I do agree with the excess and over-the-top vibe of the era and that’s exactly what this fragrance’s mission is, to capture the excess in a bottle. This is one of those fragrances that has lots of notes but because of the quality of the juice, it takes you on a journey instead of you not being able to pick the notes apart. I think we need more Swedish houses because they sure have the right idea behind it. I’m located in the US.

  • Great review! I love perfumers that work in such enthusiastic, singular modes, combining elements in ways that are as surprising as they are uncompromising. Unidentified Sensual Object indeed. This line stood out to me: “Soon, a plum-peach duo rolls in, spiced with cinnamon and cardamom, all hot-couture and freshly printed magazines taken out of their foil, and the whole thing takes on this gloriously fuzzy, velvet-dress texture that is so specifically 90’ I can almost taste its bubblegummy glory.” There’s so much going on here, but it doesn’t seem like a wink, as much as a complex painting made with a very specific referential palette. Bold stuff.

    I’m in WI, USA.

  • Nicoleta listed some of the movies I most enjoyed, either for their atmosphere or for their unforgettable female characters. Reading the review also brought back memories of being a child in the 90s, watching my teenage cousins getting ready to go out: floral perfumes in the air, colorful clothes, bold makeup, cigarettes between their fingers, and glossy magazines spread across the table. That mix of confidence, glamour and rebellion feels very much like the spirit described in Onskad 90’. The combination of juicy fruits, warm spices and lush florals sounds like the perfect olfactory time capsule of that era, and I would love to experience how it translates on skin.
    I live in Italy

  • cindy.fragrance says:

    “…a knot of nostalgia, that began to unfurl, layer after layer.”
    I love to beam me back to my 90’s teenage days…
    Thank your for this beautiful review!
    Best wishes from Germany.

  • goknitintheocean says:

    Hi there,

    Always up for a good strong dose of 90’s nostalgia, and from Sweden, no less! Neither the notes nor the vibe description are particularly new or fresh, BUT…I’ll bet that the end result, the actual scent itself, is something completely different from anything I’ve ever tried before. It sounds like these women are true renegades. Isn’t it Women’s Month? So exciting! Thank you for sharing these stories.

    -Deborah
    NYC/USA

  • olfactress says:

    A minimalist saw the light and decided to embrace abundance? Well, yes, that does spark my interest.

  • foreverscents says:

    I loved reading about 90′ because my favorite decade was the 90s. I remember a decade of so much promise, lived without fear. It was such a vvid time, but without the artifice that was the hallmark of the 80s. The mood board for the fragrance captures it perfectly. And the notes of 90′ have a glossiness and lushness that are just perfect for this decade. I smiled so much when I saw all the notes listed, especially mandarin, ylang ylang, plum and peach.
    I live in the USA.

  • crownroyale47 says:

    I love when a fragrance house is born from obsession, not strategy. That tells me they actually care about producing scents instead of just copying what’s there already. The whole idea of bottling the bold spirit of the 90s with plum, spice, and florals feels fearless. It sounds nostalgic, dramatic, and exactly the kind of perfume that makes a statement.

  • OMG, I loooove the bottle!
    And what sparks my interest in Nicoleta’s review is “Onskad 90′ is a visceral perfume, made by a red-blooded woman for all women alike. It’s not a demure fragrance that wins you over gradually, it’s an olfactive Rorschach test that will tell you everything you need to know about yourself, and rather quickly. Sexy, deeply feminine, and unapologetically individualistic in the best possible way, this is perfumery that remembers exactly what it felt like to be alive and joyful in a decade that didn’t believe in half-measures.”
    Hugs from EU. ❤️

  • RaePerfumeSoul says:

    The quote really summerise the review. “we see things like we want to see and what we are”.
    I am not a floral or sweet person, but the notes depicts a balance without going overboard.
    UK.

  • I love the quote especially about wearing the perfume that is the you you wish to watch on replay. It’s a great reminder to live in the now as we wish to be remembered, to remember ourselves. The description of the juice itself almost made me think ‘nah, not for me’ but then I remembered that era too, the strong, bold everything, and realized I want to experience that flash back for myself. I live in the US.

  • I am a Girl of the Nineties and my view of the world was shaped by the push of the new and explosively modern and pull of the retro, ironic and nostalgic. I am also deeply steeped in Scandinavian sensibilities, having spent a good amount of time in Stockholm and Copenhagen. So 90’ resonates with me on multiple levels and I hope to experience it soon via this giveaway. I live in the US.