NVRNAGN Reunion Review (Andreas Wilhelm) + the white spiral giveaway

NVRNAGN Reunion

NVRNAGN Reunion, AI image by Nicoleta 

Last month, during the Enhala perfumery fair in Bucharest, which I have covered in detail here, one of my revelations was discovering Swiss-American NVRNGN (Never and Again), a brand founded by filmmaker Daniel Liatowitsch. And in this case, Daniel’s background really matters, because NVRNGN does not feel like another “brand concept”, but as natural as an artist switching mediums to tell his stories. His journey started with music, as a bass player in a band called Never and Again, followed by two decades in film and graphic novels, including an award-winning horror film and various cult collaborations. Then Daniel took everything he knew about storytelling and poured his life into six cathartic episodes that he shared with the world through this new, invisible, but oh-so-powerful medium. And I cannot think of a better sidekick than award-winning perfumer Andreas Wilhelm for turning this project into reality.

Perfumer Andreas Wilhelm

Perfumer Andreas Wilhelm, photo via Instagram

Trained in classical French perfumery and with over two decades of experience, Andreas’ work balances technical precision with a powerful, instinctive artistry. His projects always carry his unmistakable signature: intelligent, technically flawless, and emotionally resonant, whether we are talking about a perfume or something that spills into the more abstract realm of art installations and sensory concepts. I am a big fan of his universe, from his own brand Perfume Sucks, to the dark magic of Pernoire, to the cosmic science-meets-mysticism of Ylem. And beyond the work, he has that rare, contagious, inspirational aura of someone who genuinely loves his craft and loves sharing it with the world.

Daniel Liatowitsch of NVRNAGN

Daniel Liatowitsch of NVRNAGN, photo by Nicoleta

Built around all the things we cannot leave behind, NVRNGN is a testament to the healing power of sharing your life stories. Solitaire is the memory of an 80’s nightclub, with chocolate-dusted coffee martinis and dim lights. Paradis is a long exposure snapshot of a rainbow, waist-deep in warm ocean water in Maui, with guava and lychee and the forbidden fruit of transience. Festival is all about dissociative stage smoke and torn leather, and Läckerli is a traditional Swiss pastry, sweet and spicy and nostalgia-glazed. And, then, there is Deluge – one of the most artistic, tender, and heart-achingly beautiful interpretations of petrichor.

NVRNAGN perfumes

NVRNAGN  collection, image via the brand

Reunion, the one housed in the white bottle, is the perfume we will focus on today. The official copy reads: “They had said their final goodbyes, but with time, pain softened. Today, they met beneath a wisteria canopy – and tonight, she sleeps beside him. White cotton sheets tangled, warmed by morning light. This time will be different, he thinks, breathing in the silence. This time, it will last.”

This story is written under a white canopy of wisteria, clean linen and lily of the valley, and underneath it an ouroboros, the love edition, each loop closer to the center of it all. And Reunion, if there was a pattern attached to it, is a spiral, always returning to the same curved geometry. A moving, expanding and retracting set of circles around a center, curved branches that feed the root of the soul.

The first time I sprayed it on my skin, I sensed the kinetic vibration of a stone thrown into water. Cold, wet, white, mineral, transparent, restless. And then the cinematic shift: the focus pulled back from the ripples themselves to the generating stone, as if the same impact was being replayed across parallel routes, a multiverse of paths unfolding at once, all born from the same point of contact until they finally align. A reunion.

This is where, for me, the story  where Reunion lives – spiritually, not just aesthetically. Because the tale is as old as time, “getting back together” but here are so many layers to be peeled back, and none of them belong to the rom-com hyperbolic version of a “romantic white floral” expanding into sunsets and the happily-ever-afters rolling credits. This is more of an abstract meditation on what happens when pain softens enough to reveal what was always underneath and clears the mirror of the true self. A depiction of love, yes – but seen through a cleansed, almost detached spiritual take on the feeling of love that finally feels like peace, not hunger.  Two people meeting again, not to dissolve into each other but to become their true selves and love, at its rarest, as the alignment that snaps you back in contact with the truth. Two people, held in the same trajectory, two lines curving into the same circle, each loop a new start – closer.

Reunion  by NVRNAGN

AI mood image by Nicoleta, inspired by NVRNAGN Reunion

There is something almost paradoxical in how Reunion is composed. It is a white floral, yes, technically speaking – with lily of the valley and wisteria  – and yet it does not feel like one. It does not bloom outward, expansively, the way white florals tend to, reaching for sunlight and attention. It folds inward, a continuous Möbius strip that contracts around a center. The lily of the valley opens proceedings startlingly cold and sharp, the green-stemmed, dew-wet kind, the one that breathes in the shadows and the early mornings before anyone else is awake. It is immediately joined by the paler shade of white sheets, which here is not laundry-fresh -soaped into submission kind cleanliness, but a texturised presence that holds the specific warmth of linen that has absorbed the halo of a sleeping body. Patchouli feels like the wet moss of the trees in the garden, the bark of a tree peeled raw, the creaminess of the wood textures brought to light, and there’s a slightly salty mineral undercurrent I can’t put my finger/nose on olfactively but somehow feel in my taste buds hours after the first spray. Wisteria is a white haze slowly zooming out, diffuse and dreamy, and underneath it, inside it, woven through every other note, iso e super and its soft-focus effect that makes everything feel so intentional and cinematic, blurring the edges of it all and making you feel like looking over someone’s shoulder into a memory. No sepia-tinged clichés here, as Andreas doesn’t paint this picture to trigger an emotional response, but to contextualize an idea in an abstract, artistic way that touches all the right cords, with the exact notes to make your soul resonate.  And that’s why everything works so well, and, in my book, makes NVRNAGN Reunion one of the most unique meditations on the idea of love, written in olfactory form.

Editor’s note: A special thank you to Andreas and Daniel. Meeting them reminded me, once again, that the sense of smell is not the Cinderella of the senses. Perfumery is a legitimate art form, one that clicks and connects ideas, heals souls, writes stories, and moves people the way all great art does. The way it was always meant to be – interconnected –  soul and breath – breath and soul, circling back to the same root. Reunion launched in 2024.

Never and again. And yet, again and again.

Notes: Clean linen, lily of the valley, rosewood, soft patchouli, wisteria, Iso E Super

Nicoleta Tomsa, Senior Editor

Disclosure: I bought the discovery kit and, as always, opinions are my own.

NVRNAGN Reunion perfume

NVRNAGN Reunion, image via the brand 

Thanks to the generosity of NVRNAGN, we have a bottle of Reunion for one registered reader from the US. You must register or your entry will not count. To be eligible, please leave a comment saying what sparks your interest based on Nicoleta’s review and where you live. Draw closes 4/12/2026

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27 comments

  • Ramses Perez says:

    I could tell from the bottle and aesthetic to the name that this was a fragrance to embrace. This is for those who want to fell love, coziness and also a reminder of someone or something from the past. It lingers around you, it’s clean and transparent. It’s for those we’ve lost and those we adore. It brings peace, happiness and warmth. It’s ethereal, real and meaningful. This is art in fragrance form. Never again but always there. I’m located in NJ, US.

  • Sybelle16 says:

    The Composition of Reunion is distinctive to Nicoleta; although it is a white floral, it doesn’t open like white florals usually do; instead, its floral notes bloom inward with the lily of the valley opening with a vividly cold and sharp aspect. And instead of the usual clean, soapy, fresh laundry profile, instead, a live-in linen with warmth is utilized; Iso E super gives it texture, radiance, and longevity. From the opening to the drydown, it evolves as a smooth, gentle and pure and comforting scent.
    CA USA

  • What an excellent review! I appreciate reviews that attempt to convey the mood, story, and impression of a perfume beyond its notes. I often find well-made florals can spark a kind of melancholy or nostalgia already so I’m very curious to try one as deliberately reflective as this! I live in Indiana, USA

  • The perfume sounds amazing but the bit that really caught me in the review most was about love not as a losing of oneself in another person but of living as your best self with another because of it. Truly a true and wonderful thing to see stated clearly and out loud. As Love should be!!! I live on the West Coast of the US.

  • jennapark says:

    That bottle is so unique and beautiful. I’m excited for a unique white floral with a twist. I think the inspiration behind a fragrance and how the perfumer tells the story is so special. It gives the fragrance a meaning and a life of its own. What better inspiration but love and all its layers and promises. I’m really intrigued by Reunions aesthetic as well as the notes. I would be very interested in trying this. I’m in Pennsylvania USA

  • Introspective white floral? Cinematic and dreamy? Nicola triggered all of my favorite things in a spring scent! Need this scent moment in the bustle of NYC!

  • The way Nicoleta describes Reunion as a spiral rather than a traditional white floral really captured my imagination. I love the idea of a fragrance that doesn’t project outward for attention but folds inward — something introspective, emotional, and cinematic rather than conventionally romantic. The imagery of cool mineral ripples, warm linen, and wisteria under a quiet canopy sounds incredibly moving, like wearing a memory instead of just a perfume. I’m especially intrigued by the balance between tenderness and restraint — love as peace rather than longing.

    I live in Colorado, USA.

  • crownroyale47 says:

    What really lands for me is Reunion. I like that it challenges what a white floral is supposed to be. Instead of blooming outward, it folds inward — quieter, more introspective. That whole “cold, mineral, linen-warmed-by-skin” feeling? That’s my kind of scent storytelling. It’s not trying to seduce you in the obvious way — it’s pulling you into something more reflective, almost spiritual.
    And honestly, that’s what I connect with most about this review and the fragrance: it’s not about romance in the traditional sense. It’s about evolution, alignment, and emotional clarity. That’s rare.
    I live in New Jersey, USA

  • Springtime bliss is what I gather from this introduction. The houses’ owner with the right perfumer bringing something with a new age vibe to the world. Dope packaging and the color contrasting is unique. This is appealing for anyone but the young professionals and progressive minded enthusiast would enjoy this. I envision a fresh tee shirt, jeans, and a confident person wearing this regardless of environment. Fresh and enduring. From USA

  • Mario Gonzalez says:

    What a great review! Out of all the fragrances in their line up reunion is the one that speaks to me the most. I have had the opportunity to smell it through their discovery set. I am blow away by the emotion this fragrance invokes. I live in Texas and would love to own this fragrance.

  • Well, Reunion sounds absolutely gorgeous. I love the linen note combined with the white florals. Iso E super is one of my favorite notes and I love how Nicoleta describes it as a soft focus effect. It sounds lovely combined with the gentle florals and linen. I’m intrigued by the additions of patchouli and rosewood and would love to get my nose on this one to see all of these at work together.

    IN, US

  • What immediately sparks my interest is the way Reunion is described as both cinematic and spiritual, that quiet shift from pain to peace captured in scent form. The idea of a white floral that doesn’t bloom outward but folds inward, like a Möbius strip, fascinates me. I love when a composition explores emotion abstractly rather than romantically, and the collaboration between Daniel Liatowitsch’s storytelling and Andreas Wilhelm’s precision feels like a perfect meeting of worlds. This sounds like a perfume born from introspection, something you don’t just wear, but experience.

    – USA –

  • My interest was sparked when reading of the clean linen note paired with the patchouli note. US

  • First, beautiful bottles. I particularly too note on how this perfume feels different from a typical white floral. Instead of being bright and attention-grabbing, it feels quiet and more personal. At the same time, there’s a soft warmth underneath of clean but lived-in sheets, not overly soapy or artificial. I would be very curious to wear this perfume. I’m in the US.

  • snowflake15 says:

    Wow! Lily of the valley and wisteria and wet bark in the garden. Sounds fantastic. I used to have a wisteria outside my childhood window and the smell was fabulous.Thank you for the draw. NY State USA

  • This strikes me as a cozy scent of a different kind. Less warmth and more meditation retreat. Being cozy and content within your own mind. Nicoleta sparked that kind of mood for me with this review.

    I’m in WA, USA.

  • Perfume as memory is such an interesting concept because it’s so widely interpretable and abstract . Reunion sounds like a scent of regret, love and optimism. There’s a subtle delicacy to the fragrance with its emphasis on feminine florals like lotv and wisteria. The transparency of the warm linen note and earthiness of the patchouli make for a. ice counterpoint. Lovely. MD, USA

  • NVRNAGN is a new-to-me house. As a lover of fragrance and film, I am really intrigued by Daniel Liatowitsch’s venture into perfumery. I’ve tried some of Andreas Wilhelm’s creations, with Soap Bubble (Ylem) being a favorite. After reading about all of NVRNAGN’s fragrances, I am extremely interested in the entire line. Deluge sounds right up my alley; Reunion sounds just beautiful, especially for spring. The description of Reunion is incredibly evocative. Wisteria is a favorite flower of mine, and I greatly enjoy linen in fragrance. Nicoleta’s comment, “The first time I sprayed it on my skin, I sensed the kinetic vibration of a stone thrown into water. Cold, wet, white, mineral, transparent, restless”, is beautiful. Her closing remarks about Reunion being one of the most unique meditations on the idea of love in olfactory form solidifies my interest. What a beautiful concept and new fragrance house!

    Thank you, Nicoleta, for your detailed review, and thank you to NVRNAGN for the generous giveaway. I am located in the USA.

  • I loved the description- stone thrown into water. I’m always a fan of fragrances that test my senses. The wisteria note piques my curiosity because I have smelled blooming wisteria in my life and their scent is intoxicating. Thanks for a fabulous article and draw. MI USA

  • It’s been quite a while since I’ve been captivated by a fragrance with such beautiful notes. Purity was the word that was immediately invoked when I read about this scent. And I find lily of the valley to be such a romantic, nostalgic note. And the copy absolutely conveys that.
    I’m in Pennsylvania.

  • I’ve read about a few of Andreas’ projects here on ÇaFleureBon and he’s bringing a strong creative vision to his work. Combined with Daniel’s visual eye, the NVRNAGN lineup is visually striking, as are the fragrances. Intriguing how they handled the white floral genre with Reunion; not just beauty and romance, but also that uniquely Iso E Super haze and contracting progression, made more unusual by a bit of earthiness (wet moss patchouli, “salty mineral undercurrent”, green-stemmed flowers). Love the vision and the execution, plus the wonderful packaging and bottle design.

    I’m in WI, USA.

  • i am always in so much awe of nicoleta’s writing. truly. i am walking through a maze of people at my daughter’s volleyball tournament, unable to put my phone down for even a milli-second to find out where i need to go, or, what i am even doing because i am in a trance that is her review. the white haze moving inward, the realms aligned, the detailed review of each notes, the image, the feeling, the emotion… all of it. she makes sure you are able to feel the fragrances down to their very core. i love that this an ideation of love- i love how the fragrances are said to make you turn your head & see the actual image of nostalgia in what the perfumer & brand owner are trying to recreate in the fragrances. there is nothing that doesn’t spark my interest here. as all of these fragrances are absolute dreams- i quite literally have a list the length of of a football field just from reading cafleurebon reviews… :). that being said, this fragrance is not different- definitely adding it. i was very invested in the beautiful article, thank you! i am in the United States.

  • Nicoleta’s review of Reunion and the NVRNGN brand is deeply powerful, painting a picture of perfumery that functions more like a cinematic experience or a piece of literary fiction than a mere commercial product. The collaboration between a filmmaker and a perfumer like Andreas Wilhelm suggests a narrative depth that is rare to find. The idea of a filmmaker switching mediums to tell stories through scent is compelling. It suggests that the fragrances aren’t just scents, but cathartic episodes or chapters of a life story, moving beyond simple aesthetics into the realm of emotional storytelling.

    The description of Reunion as a white floral that “folds inward” rather than blooming expansively is a fascinating subversion of the genre. Most white florals are known for their volume and projection, so the concept of a “continuous Möbius strip” that contracts around a center suggests a much more intimate, introspective experience. The technical descriptions, specifically the “kinetic vibration of a stone thrown into water”, and the use of Iso E Super for a “soft-focus effect”, make the perfume sound like it has actual visual and tactile dimensions. The blend of cold, wet, mineral notes with the warmth of “texturized” linen sheets creates a sensory contrast that feels both modern and deeply nostalgic.

    It’s clear from Nicoleta’s perspective that this brand isn’t just making perfume; they are creating “invisible, but oh-so-powerful” art installations for the skin.

    My gratitude to NVRNAGN. I reside in the Northwest USA.

  • What a poignant muse for a perfume. A little biter sweet and very hopeful. The spiral is a fantastic analogy. White florals that aren’t so dramatic. I’m in. From Maryland.

  • foreverscents says:

    I love the idea of building perfumes around things we can’t leave behind. Solitaire and Deluge sound like true works of art. But I am glad Reunion is what Nicoleta reviewed. I love what she wrote about reuniting with someone : “[an] alignment that snaps you back in contact with truth.” I am very curious about the thoughts and emotions I might have when wearing Reunion. I love lily of the valley and wisteria notes. The clean lines accord surely adds warmth, indeed like a sleeping body.
    I live in the USA.

  • Oooh what a review! Water thrown onto rocks, this sounds amazing, I love a cold refreshing fragrance that doesn’t resort to the sweet blue calone notes. I haven’t tried this house but this sounds like an easy wear. I am in the U.S.

  • wallygator88 says:

    Thanks for such a mesmerizing review, Nicoleta! What sparks my interest most is the paradox you describe — a white floral that folds inward instead of reaching outward, contracting around its center like a Möbius strip rather than blooming for attention. That image of the kinetic vibration of a stone thrown into water, then the camera pulling back to replay the same impact across parallel routes, gives Reunion a quality that feels less like perfumery and more like watching a Terrence Malick film in slow dissolve. The lily of the valley opening cold and green in pre-dawn shadow, meeting linen that carries the warmth of a sleeping body rather than a laundry-fresh blankness, is such a specific and human kind of beauty. Andreas Wilhelm’s ability to make Iso E Super feel like an intentional soft-focus lens rather than a crutch is remarkable. I’d love to experience this one on skin. Cheers from WI, USA