Laboratorio Olfattivo In_Carnation (Jean-Claude Ellena) 2026 + flower of the gods giveaway

Laboratorio Olfattivo In_Carnation

Laboratorio Olfattivo In_Carnation via the brand

“To the Elysian shades dismiss my soul, where no carnation fades.” ~ Alexander Pope

Jean-Claude Ellena

Jean-Claude Ellena Courtesy of the brand

Hurrah for the carnation! Maître Parfumeur Jean-Claude Ellena extols its loveliness in his recent celebration of fragrant Italian blossoms, the Fioriture Collection for Laboratorio Olfattivo: In_Carnation. I first learned of this fragrance from Ermano Picco’s reports from  Diffusioni Olfattive and Esxence 2026, (he contacted me and assured me that it was spectacular. And on his  recommendation, I ordered a bottle for myself, blind. Suffice it to say that I’m thrilled that I did.)

It’s no coincidence that the carnation was first named by Greek botanist Theophrastus in approximately 300 BCE: dianthus, derived from dios (divine, of Zeus) and anthos (flower): Flower of the Gods.

“Without any particular reason he remembered the Mexican name for carnations. They called them Clavos de Amor—nails of love.” ~ John Steinbeck, East of Eden, 1952.

botanical illustration of carnation

Botanical illustration in the style of Pierre Redoute AI Michelyn

Steinbeck was correct – but he didn’t elaborate. The Spanish word clavos (from the Latin clavus) does indeed translate as ‘nail’ – but it also refers to the clove bud, as cloves resemble that particular shape – and their unique aroma is often evoked by the employment of clove (or its isolates). Carnations may be recognized by several other names: oeillet (French), clavel (Spanish), Nelke (German), and Garofano (Italian), to list but a few. Lovers of the carnation may have come across these appellations in their search for the perfect fragrance – and perfumers in many countries have shared their adoration for centuries. It appears that carnation is experiencing a bit of a renaissance lately, and this eugenol-intense flower has been more visible in fragrances these days. I personally welcome this trend, as I staunchly believe that no flower falls from grace simply because it isn’t overtly in the public eye or nose.

Laboratorio Olfattivo In_Carnation by Jean-Claude Ellena

Laboratorio Olfattivo In_Carnation image courtesy of the brand

Trends and fashion are capricious. Each year, there is a specific color which appears repeatedly (think Pantone©) – and fragrances predicated upon a particular flower: they pop up everywhere. While the carnation has never completely disappeared from perfumery, it has often assumed a supporting role, providing welcome warm, spicy, peppery, and sometimes smoky facets. Carnation has suffered the fate of many flowers – its association with the bygone eras by an upcoming generation. Many of the great perfumes of yesteryear are/were worn by their parents and grandparents – which translates to them as dated. Carnations are also burdened with correlations: funerals, dandies, its rarity and cost, IFRA restrictions of its usage due to the presence of isoeugenol and eugenol (an important part of the flower’s scent profile). They have come to symbolize an amazing array of affiliations: with May Day and Women’s Day in socialist countries and the labor movement; in Korea, they are worn for both Parent’s and Teacher’s Day; green carnations and homosexuality, thanks to Oscar Wilde (and green carnations!); funerals (particularly in France); and weddings in China.  Carnations come in nearly every hue in the rainbow, and each has its own meaning; they are too numerous to elaborate upon here. The very first recognized carnation-forward fragrance to garner acclaim is believed to be François Coty’s beloved L’Origan, in 1905. Jacques Guerlain’s glorious L’Heure Bleue later appeared upon the scented scene in 1912.

In Fioriture trilogy Rose Me Twice, Jasminade, In_Carnation

The Fioriture Collection courtesy of the brand

With the exception of earlier work (Van Cleef & A rpels First is a stunning example!) and the rare instance (such as Essence Rare for Houbigant in 2018), we have come to view Jean-Claude Ellena’s overall body of compositions as the zenith of how-to-create-more-with-less perfumery at its finest. My initial introduction to the master’s work was in 1974. I have not yet sampled Monsieur Ellena’s other two newest releases for Laboratorio Olfattivo Jasminade and Rose Me Twice each has been beautifully reviewed by my colleagues Senior Editors J WeareScentient and Nicoleta and I look forward to them eagerly. Carnation has always figured prominently in my perfumed pantheon, as I am a devotee of so many vintage fragrances which embrace it – in particular, the original Patous – and is why I magnetically gravitated towards In_Carnation (and yes, I adore roses and jasmine, too).

best carnation perfumes

via Unsplash

Only three notes are cited, carnation, rose, and vanilla (surely there are more). I was ensnared immediately upon contact. In_Carnation haunts us with its intimacy, its smoldering delicate tendrils and profoundly carnal + spiritual duality. Because this eau de parfum is diaphanous, it can be sprayed quite liberally without overpowering one’s personal orbit. I view this as a positive attribute, because it can be a pleasure to be able to control the throw and volume of one’s perfume. I happen to possess a strong personality, but that doesn’t necessarily augur a desire to encroach upon another’s space. With Laboratorio Olfattivo In_Carnation, we are given a choice regarding our fragrant dosage – and that may be a rarity in this era of often high-pitched, long lasting scents. I perceive this composition as a wonderful representative of per fumum – through smoke. I wish that I could imbibe it, roll in it, bathe in it. I want it everywhere. I am besotted. If I gush or wax poetic, there is good reason: In_Carnation is among the most exquisite fragrances I have experienced thus far in 2026. There are many gorgeous perfumes out there, and I appreciate them – but this particular one is extraordinary in its ability to communicate with so few olfactory materials. For that to occur, one requires the hands of a master. Arcibravo, Monsieur Ellena.

Notes: carnation, rose, vanilla

 I purchased my bottle. My nose is my own…

 ~Ida Meister, Deputy and Natural Perfumery Editor

Laboratorio Olfattivo In_Carnation

Courtesy of the brand

Thanks to the generosity of Laboratorio Olfattivo we have a100 ml tester bottle of Laboratorio Olfattivo In_Carnation for one registered reader in the EU or USA. You must register or your entry will not count. To be eligible, please leave a comment saying what sparked your interest Ida’s review, and where you live. Draw closes 7/10/2026

Follow us on Instagram @cafleurebonofficial @idameister @laboratorioolfattivo @danielacaon @robertodrago1

This is our Privacy Policy

We announce the winners only on our site and on our Facebook page, so like ÇaFleureBon and use our blog feed… or your dream prize will be just spilled perfume.

Like our Facebook page: Çafleurebon and use our blog feed for new updates and articles.

 

Leave a Reply

Your email address will not be published. Required fields are marked *


64 comments

  • Ida’s review was captivating, especially her statement about In_Carnation being able to be so mesmerizing and communicate so much with so few notes. I’ve always admired Jean-Claude Ellena’s unique and extremely personal style, and the combination of carnation, rose and vanilla sounds delicate, but powerful. Many, if not most masterpieces, in perfumery and all the other arts, are characterized by simplicity. Therefore, I imagine this fragrance as delicate, spicy and intimate, something you could spray generously and enjoy the aura, without invading anyone. I also loved the introduction about the words defining carnation in different languages.
    Greetings from the EU!

  • ericwaynebiscuit says:

    I was hoping y’all would have all three from this new line on here, and I’m excited for that to be the case! Carnation is a note that has eluded me so far in my fragrance exploration. Ida’s evocative review makes me buzz with anticipation to sniff Ellena’s carnation creation and hopefully get a better handle on the note. Also, so curious to see how Ellena’s sheer, focused approach translates to the carnation flower.

    I’m located in VA, USA.

  • redwheelbarrow says:

    What a glowing review! I really love carnation but have very few fragrances with that note. Nice to hear it’s having a bit of a renaissance. I also loved reading the etymology. From the US.

  • Sybelle16 says:

    To blind buy just off a recommendation is proof egough that a scent is a must try.And however many names it goes by, the carnation flower is having its moment. Often maligned as dated, drab and antiquated, something older generations would wear, modern compositons are embracing the rich vibrant warmth the flower embues. In Carnation obviously highlights the note of carnation but it is a bouquet of rose, vanilla and spices creating a profile that is soft yet spicy; modern and equally elegant; simple yet evocative.
    CA USA

  • NIKOLAY STOYCHEV says:

    Few things about the fragrance are intriguing to me. 1) The “More-with-Less” – a minimalist scent considered a high craftsmanship, using only three, at least 3 officially listed notes (carnations, rose and vanilla) ; 2)
    An Antidote to “Beast Mode” Scent Trends. In an era dominated by loud, synthetic, 12+ hour sillage monsters, this fragrance is described as diaphanous and intimate. It offers an elegant, translucent personal bubble that lets the wearer control the volume

    I live in the US California

  • Of the three scents in this series this is the one that interested me the most. Carnation as a note is sorely underrepresented in my collection and after reading it’s association with funerals and dandies and it’s carnal and spiritual duality I’m finding myself that much more interested in it. I’m in the USA

  • I absolutely love the scent of carnations. My mother grew them in her lovely garden. If Ida finds it exquisite, on my wishlist it goes! Thank you for your thoughts Ms Ida. MI USA

  • SusieReynolds says:

    “its smoldering delicate tendrils and profoundly carnal + spiritual duality.” sparked my interest.
    The only carnation perfume I have is a small decant of Caron Poivre. Knowing that its Ellena means it’s more modern, which is my taste.
    USA

  • shiva-woman says:

    I have always loved carnation and rose with their spicy freshness. Carnation can be bold and fearless, shoring up a rose with more thorns, or creating warmth in a perfume like Coco. I’m most intrigued how Jean-Claude Ellena, who creates a sheer wash of “color scent” handles this profile. Ida Meister’s comment, that it communicates “through smoke” (per fumum), and its “diaphonous” character sounds lovely!

  • shiva-woman says:

    I commented earlier but forgot to add: I’m in California, USA. I’m a fan of carnations, and this “diaphanous” scent sounds lovely!

  • Wanting to smell the combination of carnation, rose, and vanilla. Would love to experience the ‘spiritual duality’ described in the review. (USA)

  • Sorohan Adriana says:

    Nicoleta’s review is fascinating, as always, highlighting the nostalgia of a fragrance with an old-school patina.

  • I love that only 3 notes are cited – carnation rose and vanilla. These are three of my favorites and I’d love to try this. I live in Pennsylvania USA

  • BerlinNose says:

    What a great review! I’m German and I really love to gift my girlfriend flowers. Carnation or in German “Nelke” are one of my favourite flowers as accents in the flower boucé. They are just beutiful! I noticed that the usage of carnation in perfumery has gone up in recent years but I’ve never smelled Carnation in Parfum (yet). As soon as I read Jean-Claude Ellena did In_Carnation I knew I had to take a shot at this one hehe. Sounds beauuutiful! I’d love to own my first bottle of the brand and my third J-C E fragrance.

    I’m from Germany, EU.

  • Ida’s poetic description of its “smoldering delicate tendrils and profoundly carnal + spiritual duality,” plus the masterful minimalism (carnation, rose, vanilla) that feels intimate and diaphanous yet deeply evocative. Ellena’s “more with less” approach always draws me in. I live in Poland, EU

  • Well I learned a lot from this! First off, oeillet being the same thing as carnation and what besotted means hah! Carnations are my favorite flower and I love sticking my nose in one when they grace any floral arrangements. I recently fell in love with Ofresia by Diptyque and now I can’t wait to smell this!! – USA

  • I have a very strong suspicion I will adore this, and if dear Ida is besotted, this only seals it for me. Carnation needs a solid comeback!

  • Ramses Perez says:

    This new collection I am a fan of because it showcases each “star note” which happens to be a different flower for each bottle. I am from Cuba, a socialist country, and there’s a movement there named Las Damas De Blanco which use claveles when they protest in the street. That smell is sure very particular and although I came when I was very young, it’s one of those things that never escapes you. I do have to agree with Ida that there are probably more notes here but the perfumer/house want to only give these 3 so that you can really concentrate and fixate on the experience. Sure it’s a simple and straightforward fragrance but that’s exactly what this collection set out to do. I cannot wait and see what other flowers are re-interpreted. I’m located in the USA.

  • I also love carnation and appreciate being able to wear a fragrance that doesn’t knock small birds from the air with it’s power. I’m also a huge fan of Ellena’s work and this sounds right up my alley all around. I didn’t know that differnt colored carnations have different meanings, ala the language of flowers. I knew roses did, but this was new data to me. Love to learn!! I live in the US.

  • TheScentedPage says:

    The ability to control the throw of a perfume is so important. I too prefer to be discovered rather than announce my presence.

    Carnations have long been a favorite flower of mine. Often overlooked they are beautifully present. It sounds like Laboratorio Olfattivo has captured the carnation’s ability to be beautifully present.

  • I’d trust Jean Claude Ellena with my life, and I salivate at the thought of a carnation fragrance crafted by his wonderful mind. The spareness of the note breakdown is so interesting, and I can only hope that this marks the beginning of a carnation revival/newfound appreciation in the industry. Thanks for the insightful review, I’d love to get my nose on this! Hello from NYC 🙂

  • Ida Pavlichenko says:

    How is this Carnation in comparison with Etro’s hyperrealistic Dianthus?

  • Ida’s review is beautiful. The remarks toward the duality of carnal and spiritual have me as enthralled as the simple beauty of the note listing. Much love from Michigan USA.

  • StealthECat says:

    Of the three JCE scents coming out from Laboratorio Olfattivo, I’m most curious about In_Carnation. It’s neither a favored flower nor favored scent profile, and also not particularly well-explored in modern perfumery. I’m surprised to see it called carnal here, when my interpretation of the note tends toward the other direction (more shy and unassuming)… and that’s why I’m curious. If muguet can occasionally be naughty, and jasmine occasionally demure, is it possible carnation can be sexy? Live in PNW, USA

  • Ensorceler says:

    What drew me into Ida’s review wasn’t just the fragrance, it was how she made carnation feel like a story rather than a note. From the opening line to the echoes of clavos de amor and flower of the gods, she gave it history, emotion, and quiet depth. She framed it as something nostalgic yet still alive, and that contrast sparked my curiosity. The idea of Ellena’s more with less, paired with that intimate, controlled projection, made subtlety feel irresistible, and that’s what stayed with me most.

    – USA –

  • Elizabeth G says:

    Ida is right, carnation is often not a main character, especially in modern perfumes. I love the smell of the flower and I know Ellena will work his magic, very very excited to smell this one.

    Located in USA, Virginia

  • I am a carnation lover, both in scents and in nature. It’s an exquisite flower, often, if not always, overlooked – due to all the reasons Ida listed in the review.
    And it’s such a pity – the carnation centered perfumes are absolutely beautiful – I should know, I own(ed) a few – under at least 3 of the names carnations are encountered in perfumery but not only.
    If a carnation lover – Ida – says that In_Carnation is like no other carnation, I absolutely believe her. And being a scent signed by monsieur Ellena, I’m sure it’s a dream. Sooner or later, I shall have you, In_Carnation , that’s a promise.
    Thank you for the review & the giveaway, from EU.

  • Southirina says:

    Carnation is one of my favorite floral notes, and I’m so happy to see it celebrated instead of overlooked. I absolutely love the name In_Carnation. It feels poetic, with a lovely play on words that invites you into the very heart of the flower. Ida’s passionate review has made this fragrance an absolute must-try for me. Romania, EU.

  • This review truly spoke to me. I’ve loved the scent of carnations for years, and I believe they’re one of perfumery’s most underrated flowers. In_Carnation is such a clever and meaningful name. It feels like an invitation to experience carnation from within, in all its warmth and elegance. Thank you for sharing such a passionate and inspiring review. EU based

  • samozain1 says:

    What sparked my interest: Ida Meister’s passionate, poetic review of Laboratorio Olfattivo In Carnation completely drew me in — especially her description of its “smoldering delicate tendrils,” its intimate, diaphanous quality that still feels profoundly carnal and spiritual, and the way Jean-Claude Ellena captures the divine, clove-spiced soul of the carnation with masterful minimalism. The historical and cultural context (from Theophrastus to Steinbeck, its renaissance despite IFRA challenges) made it even more compelling. As someone who loves classic carnation fragrances but appreciates modern transparency and wearability, this sounds like an instant must-try. I’m genuinely excited by how it’s presented as both elegant and approachable.

    USA
    thank you for the opportunity and for sharing such a wonderful review!

  • I collect carnation fragrances so of course this has climbed up to the top of my want list. How can you not love that spice? The cold almost waxy nature, and the pop of sweetness but enough green freshness to keep it from being a hyper-floral. And of course the clove that warms it back up again. I love carnation so much! I am in the us. Thank you for the generous giveaway.

  • flyingfox says:

    Just like you, Ida, I have been taken by the previous reviews and mentions of this fragrance here on the blog, and almost ordered a bottle blind. The only reason I held back was that I waited to see if after the two other releases had giveaways on the blog, maybe maybe hopefully this one was going to have one too. And lo and behold… fingers crossed luck is on my side :)) I am rather sure I would love this one, I generally love carnation, but find lot of the carnation-centered scents, like Hiram Green’s Philtre a bit too dense and spicy. This one with it’s lightness and adjustablility is probably right what I need.

    I am from the EU

  • Belladonna Took says:

    Well there you go, Ida – now I need this! Was wondering if I do and then you nailed it down : ) with your description of per fumum.

  • I am also a fan of carnation and hope for the pendulum to swing it back in trend. However, I do mostly associate it with heavier, maximalist vintage perfumes and/or clove and spices so I am very intrigued to see it represented by Ellena’s transparent style. I live in Indiana

  • Three ingredients!? Magic. I’ve been longing for a new carnation scent since I ran out of SMN’s lovely Garofano, and learned they no longer produce it. This one sounds lovely.

  • sillage4ever says:

    Carnations are so pretty and ruffled and coloful it’s hard to think they ever fell out of popular favor. I only wish the large pom poms in the shops had the spicy Dianthus smell the ones in my garden have but I suppose something must be sacrificed. I’m in the USA, thanks for the drawing.

  • Loved this one. Ellena getting so much out of just three notes is the real magic trick here, and the etymology detour (dianthus, clavos/clove, that Steinbeck line) was a fun surprise.

    I’m in the US.

  • foreverscents says:

    If Ida is besotted by In_Caranation, it surely must be an amazing fragrance. I am not too familiar with carnations in fragrance, except for Anais Anais by Cacheral and Tabac Blonde from Caron. I do adore this flower. I just love carnations worn as a boutonniere–this should come back in fashion. The simplicity of In_Carnation appeals to me. Jean-Claude Ellena is a genius to produce something so diaphanous with just 3 listed ingredients.
    I live in the USA.

  • Great review. We need more perfumes that aren’t nuclear extraits that fill up an entire room and more. I know a lot of people feel it’s a waste of a scent needs to be over sprayed, but how often are we burning through bottles? This sounds like a very personal scent that is meant for the wearer and not for the people around, but then again all perfumes should be that way.

    USA

  • AromaAdventurer says:

    Ida’s review of In_Carnation made me feel like I was discovering carnation for the first time. What sparked my interest most is her observation that “carnation is experiencing a bit of a renaissance lately” and that “no flower falls from grace simply because it isn’t overtly in the public eye or nose.” The historical depth she brings—from Theophrastus naming it “dianthus” meaning “Flower of the Gods” in 300 BCE, to its various names across languages, to its symbolism in different cultures—adds such richness. Her admission that she ordered a bottle blind based on Ermano’s recommendation and was “thrilled” she did is the most compelling endorsement. The description of In_Carnation as “haunting us with its intimacy, its smoldering delicate tendrils and profoundly carnal + spiritual duality” and the note that it is “diaphanous” and can be “sprayed quite liberally without overpowering one’s personal orbit” is exactly what I look for in a fragrance.
    I am from the EU

  • Lastochka says:

    What sparked my interest most in Ida’s review is her reference to “per fumum – through smoke.” The idea that In_Carnation embodies this ancient concept of fragrance as an offering, as something that rises and transforms, is beautiful. Her description of the composition as “extraordinary in its ability to communicate with so few olfactory materials” and requiring “the hands of a master” is high praise from someone with her decades of experience. I love that she describes the fragrance as “diaphanous” – delicate, light, almost translucent – rather than heavy or cloying. Her enthusiasm is infectious: “I wish that I could imbibe it, roll in it, bathe in it. I want it everywhere. I am besotted.” The fact that she purchased her own bottle, rather than reviewing a sample, speaks volumes about the quality of this creation. With only three notes listed—carnation, rose, and vanilla—yet describing such depth and complexity, this sounds like Ellena’s mastery of minimalism at its finest. EU based.

  • FragranceFrenzyS says:

    Ida’s mention of François Coty’s L’Origan from 1905 and Jacques Guerlain’s L’Heure Bleue from 1912 as early carnation-forward masterpieces immediately sparked my interest. As someone who loves vintage perfumery, the idea of Jean-Claude Ellena creating a contemporary carnation that honours this heritage while feeling modern is incredibly appealing. Ida’s description of In_Carnation as having “profoundly carnal + spiritual duality” and “smoldering delicate tendrils” suggests a fragrance of real depth and complexity, despite its minimal note list. The fact that she describes it as “among the most exquisite fragrances I have experienced thus far in 2026” is remarkable given the sheer volume of releases she reviews each year. The image of the carnation as “clavos de amor – nails of love” from Steinbeck’s East of Eden adds such a poetic layer.

    EU

  • Ida’s description of In_Carnation as “the zenith of how-to-create-more-with-less perfumery at its finest” is what sparks my interest most. Jean-Claude Ellena’s ability to communicate profoundly with “so few olfactory materials” is legendary, and Ida confirms that this fragrance is “extraordinary in its ability to communicate” in exactly that way. The decision to list only three notes—carnation, rose, vanilla—while the fragrance clearly offers so much more, is classic Ellena. Her observation that the fragrance is “diaphanous” and allows the wearer to “control the throw and volume” is a rare quality in an era of “high-pitched, long lasting scents.” The fact that she describes it as “a wonderful representative of per fumum – through smoke” and that she “wants it everywhere” shows that this is a fragrance of genuine obsession. After reading about Ermano’s recommendation and Ida’s blind buy success, I trust this is something truly special. I am a registered reader in Germany and would be honoured to win In_Carnation.

  • Jorge Collado says:

    ​I’m really curious to try a In_carnation fragrance that smells clean and spicy instead of too heavy or sweet. It sounds like a great, simple scent to wear every day.
    ​Miami, USA.

  • goknitintheocean says:

    Hi there,

    Ida is once again so enthusiastic about a scent and we’re so lucky to be able to experience it through her writing. Carnations are so…Pedestrian. But a drill-down into the use of this note over time in fragrances is so perfect for this era I’m in, of wanting the history and imagining a different perspective. “Carnal + Spiritual duality” is a wonderful way of putting it, and I think this sounds like a wonderful addition to the Laboratorio Olfattivo house. Thank you so much for bringing us this beauty.

    -Deborah
    NYC/USA

  • Amanda32828 says:

    I really enjoyed reading this review. Your description made In_Carnation sound both refined and comforting, with a fresh take on carnation that I’d love to experience. Thanks for sharing such a vivid and engaging review! Commenting from Orlando, Fl USA.

  • Wow. I love the historic ones best and you caught the essence of that here very nicely. Your enthusiasm for the scent also shines through. Sounds amazing that only three notes can produce such depth and diversity but that’s perfumery! USA

  • I gravitate towards vintage and vintage type perfumes and welcome the resurgence of carnation. I adore L’Heure Bleue and have sampled vintage L’Origan. I appreciated Ida’s discussion of the carnation as a symbol in different cultures throughout history. I also appreciate Laboratorio Olfattivo’s ability to communicate its intent with this fragrance with only three notes. MD, USA

  • Ida’s gorgeous review made something click for me, sparking a deep anticipation for how this scent will feel. The thought of Jean-Claude Ellena using his more-with-less minimalism to transform a heavy, vintage carnation into something beautifully diaphanous and airy is incredibly alluring. In a landscape full of loud, room-filling fragrances, the expectation of a translucent blossom that settles with a delicate, skin-like intimacy and honors my personal orbit makes In_Carnation feel like the exact kind of effortless luxury I’m craving to experience.

    I reside in the United States.

  • Jeffrey F says:

    Jean-Claude Ellena has an unmatched ability to make restraint feel expressive, and In_Carnation sounds like another beautiful example of that approach. I love the idea of focusing on carnation’s spicy, clove-like facets while softening them with vanilla and a whisper of rose, rather than overwhelming the flower with complexity. It seems like a thoughtful return to a classic floral that deserves more attention. Thanks for the review—and I’d love to experience this elegant take on carnation for myself. Live in USA

  • wallygator88 says:

    What sparked my interest most about Ida’s review is her admission that she ordered a bottle blind on Ermano’s recommendation alone and was thrilled she did, because that kind of trust between two editors who have collectively spent decades evaluating fragrances tells you more about In_Carnation’s quality than any note breakdown could. The Steinbeck detail about clavos de amor connecting the Spanish word for nails to the shape of clove buds, and from there to the eugenol that gives carnation its distinctive spicy warmth, is the kind of etymological thread that makes you realize how deeply language, botany, and perfumery have always been intertwined. Ida’s description of the composition as “per fumum, through smoke” and possessing a “profoundly carnal and spiritual duality” elevates In_Carnation far beyond a simple soliflore exercise into something more ritualistic and alive. And her observation that only three notes are listed while she clearly perceives far more complexity within them is the purest testament to Ellena’s mastery of creating abundance through subtraction. Having now followed the entire Fioriture trilogy through J’s review of Jasminade, Nicoleta’s review of Rose me Twice, and Ermano’s Esxence reports where he called In_Carnation “the revelation” of the three, this feels like the final piece of a collection that deserves to be experienced as a whole. That Ida declares it among the most exquisite fragrances she has experienced in 2026, given the sheer volume and caliber of what she evaluates each year, carries enormous weight. Cheers from WI, USA

  • Laurentiu says:

    Hmm… carnation! That is an interesting flower and I think it is quite overlooked when it comes to perfumery, the spotlight being shone on rose or jasmine. Always a nice experience to get to try these kind of fragrances that are based on notes that often punch well above their weights! Thanks!
    EU

  • Gladys Catalina Rivera Marietti says:

    This scent intrigues me immensely. I have enjoyed fragrances since my early childhood (63). Carnation is a flower that has not been popular in perfumery for quite some time and is part of many fragrance formulations I have enjoyed through the years. It will be a pleasure to experience this perfume.

  • crownroyale47 says:

    I love that this review doesn’t just praise the fragrance—it teaches the history of carnation in perfumery. Jean-Claude Ellena’s minimalist approach, paired with a simple trio of carnation, rose, and vanilla, makes me believe this is proof that true artistry doesn’t need dozens of notes to create something unforgettable. I live in New Jersey, USA

  • RaePerfumeSoul says:

    Such glowing review. Knowing you all must be trying so many perfumes, yet this is mentioned as one of the best of 2026.
    Carnation to me smell a bit like floral clove,odd but nice.

    In UK.

  • You know you’re in for a treat when it comes to fragrances bearing the signature of Monsieur Ellena. Looking forward into trying this one! EU
    Thank you!

  • roxhas1cat says:

    So happy that Ida had a successful blind buy. I rarely do that, but am usually pleased. That last paragraph of what Ida wants to do with this fragrance says it all. I do love the note of carnation and it is not used enough. Maybe this scent will start a carnation revolution. Thanks for the chance. USA.

  • What touched me most is the way Jean-Claude Ellena transforms such a classic flower into something intimate and timeless. The combination of carnation, rose, and vanilla sounds elegant, refined, and deeply emotional. Michelyn’s review made me fall in love with In_Carnation before even smelling it, and I would be delighted to experience this beautiful tribute to the “Flower of the Gods.”

    I live in Italy.

  • That’s a crash course on carnation I didn’t know I need until I read it! Can’t wait to explore more of this scent.
    Greetings from Greece.

  • Nice review Ida! I did not know the origin of the name and its etimology: flower of God. As spanish, clavel (carnation) is part of our culture. With geranium the most popular, in women hair as hairpin, in Madrid patron saint in buttonhole. With personality but without being overpowering, Mr.Ellena, has brought back to life in your unmistakable minimalist style, a flower in such modern and evocative way that transcends generations. I live in Spain, UE.

  • I fell for carnations after starting to wear DSH’s Oeillets Rouges, which wears peppery on my skin. In_Carnation sounds a little more straightforward and poetic with its “diaphanous” quality, and adds in some rose to the bouquet, though I’m curious if the vanilla is an obvious part of the blend. Regardless, the rave reviews here on ÇaFleureBon make it sounds wonderful. Love the stately bottle, too.

    I’m in WI, USA.

  • bustednose says:

    Ida’s review truly captures the intrigue of this release! I am fascinated by the idea of Jean-Claude Ellena creating such a complex, carnal, and spiritual experience using only three listed materials. The concept of a scent that is diaphanous yet hauntingly intimate, allowing the wearer to control their own ‘fragrant dosage,’ sounds like a rare and masterful achievement in a world of over-saturated perfumes. I am so glad to see the carnation getting this kind of attention and renaissance. I’m in Texas USA

  • Regis Monkton says:

    I can like Ellena’s use of just a few notes, e.g. Terre d’Hermes Parfum, and I can like his more complex fragrances, e.g. Bel Ami Vetiver. Laboratorio Olfattivo In_Carnation seems like one with a few notes, but I would like it. I can like carnation in fragrances, and I would like to see a very modern use of it by a perfumer like Ellena. I live in MD, USA.

  • Ok, so, Ida’s effusive praise for this as one of the most exquisite so far of 2026 is hard to ignore, as we’ve made it all the way to July now and there’s a lot of competition. Sometimes a simple and well-executed take on a flower is all you need, especially if you can spritz it on in abundance. I quite enjoy carnations, both as a cheerful cut flower and in perfumery. And well, I trust JCE for well executed minimalism. I’m in the USA, thank you for the draw!