Ataraxia Perfumery DEITY (Sy Truong) 2025 + Divine Honey Giveaway

Ataraxia Perfumery Deity by Sy Truong

Ataraxia Perfumery DEITY, image via the brand 

A little bit of context first. Ataraxia (from Greek a– “without” + taraxis “disturbance”) refers to a state of serene tranquility, free from any mental turmoil, anxiety, or emotional perturbation.

Ataraxia was said to be the preferred mental state of a soldier before battle – but, looking around, I think our philosophical journeys have made most of us more WORR-iers than WARR-iors. And before life’s great bundle of never-ending, ever-surprising anxieties, my own path to something resembling ataraxia has always run through music. In (way too) early childhood, I was taken (far too often) to philharmonic concerts, where I got spectacularly bored for (seemingly infinite) hours. Then, at some point, my mind found a workaround: I began using them as self-regulating-stoic therapy sessions, think a mental version of a defragmentation protocol (getting flashes of ancient Norton SpeedDisk, with its satisfying color-coded blocks rearranging themselves into order). I would process everything between concerts with live music running in the background, including, memorably, a particularly unsettling documentary about the inevitable death of the Sun, information that felt extremely urgent and personal at age seven, with Dvořák’s Stabat Mater unfolding dramatically as I came to terms with our collective mortality. Unfortunately (and fortunately), as time passed, I began enjoying classical music so much that I became fully present in it, and lost access to my own ataraxia-induced background processing. The effect had consumed the cure.

Heilung concerts

Collage with images from Heilung concerts, fairuse

To my surprise, I was able to reach this variety of outside-induced-inner-peace, much, much later, and from a completely unexpected direction. The effect was so powerful I turned it into a full-fledged pilgrimage, following the band on tour as the end result, after each concert, every single time, was the most quiet my mind had ever been. A peace that lasted for days, weeks, even months after. Heilung means healing in German and they make the kind of music that is genuinely impossible to grasp without the full live experience – part performance art, part shamanic ritual, and all about connection to nature, each other and the primal energy within. Instruments that have been available since the Iron Age: drums, bones, spears. Ancient texts chanted in Old High German, Latin, Proto-Norse, Icelandic, costumes that are historically correct reproductions of Nordic Bronze Age clothing. The music, poetry and spoken word are mixed together into something alive, irreparable and – for me -impossible to compare to anything else as level of transferred energy and the sensation of connection that is established after each live session. Every concert ends the same way, with Hamrer Hippyer, an ancient healing chant that builds into something close to paroxysm, as the dancer-warriors return to the stage, a banner is raised, and the horned figure Kai sits high holding a torque – the divine masculine – with only one position above him occupied: the archetypal goddess. A crown made of local flowers is hurled into the crowd, marking the final offering being returned, and the healing ritual complete. I’ve yet to connect a smellscape to this particular ATARAXIA.

Well, until now, that is.

Ataraxia Perfumery Deity

Ataraxia Perfumery DEITY image via the brand 

The copy for Ataraxia DEITY reads like an Ari Aster movie pitch: “You wake to a heavy sound in the night. The village gathers and follows it into the forest, where you find it: a massive body, crowned, with too many arms. The god your people have worshipped for years now lies still. It should smell of death, but it doesn’t. Instead, it is warm, sweet, and hypnotic, like honey, resin, and every offering it has ever consumed. No one speaks. As if guided by something beyond thought, you move closer and begin to eat. This is DEITY.”

Until not so long ago, almost my entire heavy-rotation perfume collection revolved around the spiritual: incense-forward, meditative, and rooted in the classical, let’s call it Abrahamic -connected -tradition of sacred ingredients and ritual perfumery. Sacred smoke, resins, and holy-space associations shaped the scents I reached for most often. The pandemic years rewrote many of my assumptions, including the way I approached the art of perfumery, and I became a full-fledged convert of a category I had once (snobbishly) dismissed as shallow: the gourmand genre.

There is something about a gourmand done right: that unapologetic sensuality, the way it lives entirely in the body, all triggers that I, as a self-declared post-Epicurean neo-hedonist (working title, not printed on my cards yet), cannot really argue with. The only thing missing, for me, was the sacred layer – the sense that something older and deeper was stirring beneath the Pavlovian first response of the reptilian brain. And while there has been much recent talk of the neo-gourmands, why not put on our hyper-analytical glasses and push further into the niche within the niche, the subgenre within the subgenre and coin the term we’ve been missing: the mystical gourmand.  And Ataraxia Perfumery DEITY is a proud specimen of exactly that. The honey primordial version, in all its glory.

Ataraxia Deity

Ataraxia Perfumery DEITY, image via the brand

What can be more ancestrally hedonistic yet spiritual than honey? From the promised lands of milk and honey, through the ambrosia and nectar of the gods, to the golden teardrops of the gods of the sun, flowing in the roots of Yggdrasil, honey appears again and again as a substance of abundance, blessing, and divine proximity. Across all these places, geographical and temporal, it is a shapeshifter, moving between earth and heaven, body and spirit, human labor and divine gift. Honey is one of the oldest metaphors for how the divine becomes sensorially available to human beings – as something that can be shared, remembered, and devoured. Honey as the divine made flesh. Quite literally.

DEITY feels like a colour-saturated palette where every shade of gold has been layered, blended, and pushed past recognition, then drenched in honey. Rewinding the clock, we begin to separate the colours again, zooming in and sifting through the listed notes of the offering. From the dark, deep reds and crimsons emerge contours of the fruits: the mouthwatering, carnal sweetness of sticky plums, dates, apricots, and the jammy richness of overripe black cherries. These are softened by a creamy pastel register of milk, fluffy creams, and cocoa butter before a vegetal spring-like brightness cuts through with the honeycomb surrounded by pale green heads of lily of the valley, and a white floral haze. Then darkness creeps in, painted in inky resinous tones, all earthy roots and dimmed greens: vanilla, tonka, leather, benzoin, elemi, myrrh, labdanum, olibanum, and patchouli.  The full altar, overflowing – as above, bearing fruit, so below, in the thick and resinous flow of its roots.

Rotating between the dark side, sensual, fetishized, sometimes feral, and honey-trapped-sweet, at other times abundantly overflowing and expansive in its solar, ripe excess,  DEITY comes full circle. The feeling of having consumed the offering and, in doing so, having been consumed by it. A journey that begins and ends in honey, turning the sands of time to liquid molasses pouring through an inverted hourglass. From ancient wild honey, to the kind spun by golden mechanical bees programmed to impossible perfection by a smarter artificial hive mind, to the wax of the hive itself and back again, through smoke, and roots, and gold, and the weight of everything that has ever been offered up and accepted. And somewhere at the bottom of it all, the red embers of tobacco, the reward center of the brain lighting up like a dearly missed cigar, finally lit, finally inhaled, the smoke curling upward. Per-fumum –  the final offering.

Perfumer Sy Truong and Creative Director Tudor Ristea for Altaraxia

Perfumer Sy Truong and Creative Director Tudor Ristea

Ataraxia Perfumery is part of the new wave of Romanian niche fragrances renaissance phenomenon that I have begun to touch on in this article. Founded by Tudor Ristea, a Gen Z creative director, musician, and influencer, the brand has recently worked with award-winning perfumer Sy Truong, and their collaboration, DEITY, has recently drawn global recognition, being selected as a finalist in the prestigious Art and Olfaction Awards 2026 in the Independent category.

I always love tracing the synesthetic qualities of an artist’s work, so to get a sneak peek into the style of the composition, go visit Sy’s Instagram, where he publishes his collages, and you will instantly understand his aesthetic universe: gilded darkness twisted into something sensual, decadent, and faintly unsettling. And speaking of compatible artistic sensibilities, Tudor and Sy have more in common than you’d expect: creative industries as background – fashion design for Sy, music for Tudor, both remarkably young, both from countries with no particular tradition in the perfumery world, until now, that is (Vietnam and Romania), and both with their favourite ingredient tattooed on them: Sy with IsoButyl Quinoline, and Tudor with iris.

In a nutshell, DEITY is a resinous honey tobacco scent that wears thick, round, and beautifully decadent, with a darkness coiling beneath its sweetness. For those eager to venture deeper into the mystical language of scent, beyond cathedral stone walls and onto more pagan ground, this is your offering.

Editor’s note (no spoilers): The presentation is indeed worthy of the name, featuring a sturdy magnetic collector’s box, cohesive artwork, a naturally resinous wood plaque embossed through pyrography, as well as various other knick-knacks that add depth to the lore.

Top: Honey, Japanese Plum, Cherry Jam, Chantilly Cream, Golden Berry; Heart: Condensed Milk, Tobacco Absolute, Tobacco Blonde, Cocoa Butter, Beeswax Absolute, Snowdrops; Base: Olibanum Absolute, Labdanum Absolute, Dark Cocoa, Vanilla, Tonka, Amber, Benzoin, Elemi, Myrrh, Gold, Patchouli, Dates, Nectar

Nicoleta Tomsa, Senior Editor

Disclosure: Perfume kindly gifted by the brand, as always, opinions are my own.

Deity by Altaraxia Art and Olfaction Finalist 2026

Ataraxia Perfumery DEITY, image via the brand 

Thanks to the generosity of Ataraxia Perfumery, we have a bottle of  DEITY for one registered reader from the EU, US and UK. You must register or your entry will not count. To be eligible, please leave a comment saying what sparks your interest based on Nicoleta’s review and where you live. Draw closes 5/13/2026

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53 comments

  • This is one of the most deeply personal articles I’ve read here. You manage to evoke so many emotions and connections in the course of the disertation that it makes the scent seem so much more than a segment of an experience, but rather an entire encompassing experience in each sniff. Well done.
    US.

  • This was such a complex article. I loved the references to mythology and it was such a nice surprised to find out the creative director is Romanian (I am Romanian too, and I like to keep an eye on the fragrance industry from my country).
    I had a similar experience with classical music, at first I found it so boring. Then I started to go to concerts almost every week, on Fridays, and I discovered the power of it. It gets me into an amazing state of mind, it’s a musical meditation. It gives me such peace. I live in Europe.

  • The mystical gourmand angle sparks my interest most – that rich, primordial honey layered with dark resins, tobacco, and fruits, blending hedonistic sweetness with pagan/spiritual depth. It feels like devouring a divine offering, thick, decadent, and transformative. I live in Poland, EU.

  • Ramses Perez says:

    Oh man, that last picture with the Holden hue light is exactly what I picture this fragrance to be: a heavenly honeyed gourmand done right. My mouth was watering reading the notes as I could just eat up every single one I saw. Ataraxia is a hell of a name and Deity takes it to high heavens, literally. My mind kinda went to a Manuka honey type but the more I kept reading, the more I realized this is a creamy honey scent with enough substance in the base notes to turn it into the deity (beast) I imagine this scent to be. Talk about long lasting and amber-ful scent that even though it’s springtime now where I am, I’d rock this any time of the year and feel the deity taking over. I’m located in NJ, USA.

  • I don’t know about the mythology here, but in my head Deity smells like someone spilled dessert on a purple velvet smoking jacket during an oompa loompa séance at Willy Wonka’s mansion. That’s the Gene Wilder WIlly Wonka’s mansion.

    Honey, cherry jam, condensed milk, tobacco, cocoa, amber, dates, nectar, oh my! At this point I don’t want to wear it, I want to spread it on my Sunday morning toast today and make deeply questionable life decisions by dusk tonight. I never get randomly selected, but this one in particular would be a perfume treat. I’m in the Colorado, US.

  • Sybelle16 says:

    From a heady opening that announces its presence with a thick, plumy syrupy cherry jam and realistic honey accords, as it transitions, creamy tobacco absolute notes temper the sweetness. Along with delicate white florals, milky notes, beeswax, and dark cocoa giving it more depth. It never veers on the cloying side of sweet, shifting beyond something gourmand. In its base, it evolves again with slight resinous notes, amber, dark chocolate, dark patchouli, and dates giving it a richness. Deity is a contrast that is addictive and nuanced, a well-crafted, hyper-realistic scent that is majestic and graceful from beginning to end.
    CA USA

  • Mario Gonzalez says:

    The mythology and the complex notes that build this fragrance are what intrigues me the most! I am a fan of sy’s work and of the house of ataraxia. This would be amazing to wear!

  • Honey-tobacco perfumes are among my favorites but it’s also tricky to strike the right balance. This ones sounds very interesting and I would be delighted to try it!
    Greetings from Germany.

  • AromaAdventurer says:

    Nicoleta’s review completely reframed how I think about gourmand perfumes. Her concept of the “mystical gourmand” a subgenre that combines the unapologetic sensuality of honey and fruit with something “older and deeper” is exactly what I’ve been searching for without having the words to name it. What sparks my interest most is her description of Deity as a fragrance where “the sacred layer” is present beneath the “Pavlovian first response of the reptilian brain.” This isn’t just a sweet perfume; it’s “honey as the divine made flesh.” The journey she traces from “ancient wild honey” through “roots and gold and the weight of everything that has ever been offered up and accepted” to the final “per fumum through smoke” is breathtaking. The combination of “dark, deep reds and crimsons” from plums, dates, apricots, and black cherries with “creamy pastel” milk and cocoa butter, then “inky resinous tones” of vanilla, tonka, benzoin, elemi, myrrh, labdanum and patchouli sounds like a fragrance of extraordinary depth and complexity.

    EU

  • Lastochka says:

    Nicoleta’s personal journey in this review from classical spiritual incense perfumery to embracing gourmands as a “full-fledged convert” mirrors my own evolution in fragrance. What sparks my interest most is how she finds the missing link between these two worlds in Deity a “resinous honey tobacco scent that wears thick, round, and beautifully decadent, with a darkness coiling beneath its sweetness.” The Ari Aster style pitch that opens the review you wake to a heavy sound, follow it into the forest, find a massive crowned body that should smell of death but instead is “warm, sweet, and hypnotic, like honey, resin, and every offering it has ever consumed” is the most compelling fragrance story I’ve ever read. I love that Deity was a finalist for the Art and Olfaction Awards 2026, and that the perfumer Sy Truong has IsoButyl Quinoline tattooed on him a detail that tells me he is deeply, personally committed to his craft. The presentation with the “naturally resinous wood plaque embossed through pyrography” sounds worthy of such a primal, ritualistic scent. I am from the EU.

  • FragranceFrenzyS says:

    Nicoleta’s exploration of honey as “one of the oldest metaphors for how the divine becomes sensorially available to human beings” is what sparks my interest most. From “the promised lands of milk and honey” to “ambrosia and nectar of the gods” to “the golden teardrops of the gods of the sun flowing in the roots of Yggdrasil,” honey appears across cultures as “a substance of abundance, blessing, and divine proximity.” Deity sounds like the ultimate expression of this idea: “honey as the divine made flesh.” The way Nicoleta describes the fragrance as a “colour-saturated palette where every shade of gold has been layered, blended, and pushed past recognition, then drenched in honey” makes me imagine something almost overwhelming in its richness yet somehow balanced. The journey “from ancient wild honey, to the kind spun by golden mechanical bees programmed to impossible perfection, to the wax of the hive and back again, through smoke, and roots, and gold” suggests a fragrance that honors the primal origins of honey while pushing toward something futuristic and transcendent. EU, Germany.

  • When Nicoleta started describing her experience with the band Heilung, I felt an immediate jolt of recognition. I’ve been to their rituals, and she captures perfectly that indescribable state of “outside-induced-inner-peace” where “the most quiet my mind had ever been” lasts for days and weeks after. Her search for a “smellscape” to match that particular ataraxia has finally found its answer in Deity. What sparks my interest most is how she connects the primal, pre-Christian energy of Heilung’s performance to the “mystical gourmand” concept of Deity. This isn’t cathedral incense or Abrahamic sacred smoke; this is something “older and deeper,” something “pagan” that lives “entirely in the body” while still reaching toward the divine. The image of honey as “the divine made flesh” something that can be “shared, remembered, and devoured” is the perfect translation of Heilung’s healing ritual into scent. A fragrance that ends with “the red embers of tobacco, the reward center of the brain lighting up like a dearly missed cigar, finally lit, finally inhaled” while “per fumum the final offering” curls upward resonates deeply with my own post-concert peace.

    EU

  • My interest was sparked about the cherry jam note, a note I haven’t experienced before. US

  • Jolene Brown says:

    What drew me to Deity is the concept of the mystical gourmand and how honey becomes the bridge between the sacred and the sensory. The idea that honey appears across cultures and centuries as a divine substance, from promised lands to Norse mythology to ancient ritual offerings, speaks to something I find deeply compelling in fragrance: the ability of scent to collapse time and carry meaning that words alone cannot. The presentation sounds extraordinary too, with the wood plaque and collector’s box creating a full sensory experience before the fragrance even touches skin. I live in the US.

  • Angelika1 says:

    For me, the most interesting part of Nicoleta’s review is how she describes Ataraxia Perfumery Deity as a “mystical gourmand.” She highlights its rich blend of honey, tobacco, cherry, and resins, creating a scent that feels both indulgent and spiritual. According to her, Deity is not just sweet—it is dark, sensual, and almost sacred.

    Really intrigued by this review and for the fragrance! Nicoleta’s makes a great job. From USA.

  • The likening of the scent to the color of gold really emphasizes the fitting of the name and the scent description showing it all ties sort of hand in hand. Really peaked the interest.

    Live in the US

  • Trinity33 says:

    Ataraxia sounds like a fragrance designed to appeal to a warrior goddess, albeit one with a sweet tooth. The emphasis on golden shades incorporating honey and the warmth of tobacco, cocoa, stone fruits, amber and sticky dates are tempered by the creaminess of milk, chantilly and cocoa butter. Bolstering the interplay of sweet and bream is a dark resinous blend including patchouli, myrrh and labdanum. MD, USA

  • In a nutshell, Deity is a resinous honey tobacco scent that wears thick, round, and beautifully decadent, with a darkness coiling beneath its sweetness. For those eager to venture deeper into the mystical language of scent, beyond cathedral stone walls and onto more pagan ground, this is your offering. A beautiful piece by Nicoleta really intrigued by the notes especially Honey, Dates, Tobacco and Patchouli. Thanks a million from the UK

  • In a nutshell, DEITY is a resinous honey tobacco scent that wears thick, round, and beautifully decadent, with a darkness coiling beneath its sweetness. For those eager to venture deeper into the mystical language of scent, beyond cathedral stone walls and onto more pagan ground, this is your offering. The cacophony of notes just feels like a gourmand lovers dream. Thanks a lot from the UK

  • samozain1 says:

    I find the review to be excellent and the fragrance to be complex and of high quali. i enjoyed reading about the house and the perfumer. I never heard of them. But reading the interview made me go check their offerings. Deity with honey, fruits and tobacco in this context sounds like a dream!

    USA

  • Taleofarose says:

    “Mystic gourmand”, “honey as divine made flesh“, an altar with fruits and honey on top made on a bed of resins- Deity is a perfume of rituals for achieving immortality.

    The Geto-Dacians ( the Thracian- speaking tribes who inhabited the region of modern-day Romania) most likely used honey, honey foam, and bee venom in sacred rituals to achieve shamanic trances, in medical treatments and in funeral rites to ensure the soul’s safe passage to their god, Zamolxis. They had a strong belief in immortality.

    Thank you, Nicoleta for igniting the interest in our region, our beliefs, our ancient rituals and our contemporary creators through a very well written essay inspired by Deity. (I’m Romanian, as well.)

    I live in Portugal.

  • I mean, this article is simply amazing, cannot remember the last time I enjoyed reading about a single perfume so much!

    What got me interested in it is how DEITY is a resinous honey tobacco scent that wears thick, round, and beautifully decadent, with a darkness coiling beneath its sweetness. Rotating between the dark side, sensual, fetishized, sometimes feral, and honey-trapped-sweet, at other times abundantly overflowing and expansive in its solar, ripe excess, DEITY comes full circle.

    That sounds absolutely beautiful!

    I’m from EU. ❤️

  • Ensorceler says:

    What sparks my interest most is Nicoleta’s idea of a mystical gourmand the way she ties honey, resin, tobacco, and sacred ritual together instead of treating the fragrance as just a sweet indulgence. I’m especially drawn to how she frames DEITY as something both decadent and spiritual, with that offering-like atmosphere and the sense of being pulled into a rite rather than just wearing a perfume, and that mix of lush sweetness, incense-like depth, and mythic imagery is exactly the kind of scent story that feels memorable to me.

    – USA –

  • PetaloDiCera says:

    I really love how this review feel more like reading someone’s memory, obsession, and spiritual experience all blended together. The part about Heilung especially stayed with me: that idea of leaving a concert with complete mental silence for days afterwards is such a powerful image, and it made me understand the perfume emotionally before even understanding the notes themselves.
    What interested me most is how Deity is described as both comforting and unsettling at the same time: sweet honey, smoke, resins, overripe fruit, but also something ritualistic and almost pagan underneath. It made the fragrance sound less like a “nice scent” and more like an atmosphere or altered state of mind.
    Would love to try it on.
    Lots of smiles from Italy, EU

  • wonderscent.mari says:

    What a fascinating review! Everything about DEITY sparks my interest, all the ways you described the scent and personal references, from the etymology of Ataraxia, the Heilung concerts (I have never experienced that kind of concert before, sounds so interesting! ) to the vivid imagery of a sacred altar that this mystical gourmand evokes. I find fascinating that this mystical blend seems to bridge two different words of the ancient and the modern, a perfume that reflects the carnal and the spiritual so wonderfully and unexpectedly with its beautifully decadent dark resinous notes and sweet mouthwatering fruits in a golden veil of honey, fluffy creams, white florals and smokey tobacco. I’ve never been more curious to smell something so different. The execution and uniqueness of this blend is like stepping into a hypnotic pagan ritual with all its majesty. I am looking forward to getting my nose on this!
    Thank you for this fabulous review Nicoleta and Ataraxia Perfumery for this generous giveaway!
    Many Greetings
    From Germany

  • Southirina says:

    Reading this felt less like a perfume review and more like stepping into someone’s private mythology. The way you described silence after music, honey as something sacred, and scent as ritual touched something very old and tender in me. DEITY sounds less like a fragrance and more like a memory from a life I can’t fully remember.
    Greetings from EU

  • cindy.fragrance says:

    Dear Nicoleta,
    this is my absolute favourite review by you so far this year!
    Thank you for so much passion and love.
    “Rotating between the dark side, sensual, fetishized, sometimes feral, and honey-trapped-sweet, at other times abundantly overflowing and expansive in its solar, ripe excess, DEITY comes full circle.”
    I love Sy Truong’s work and this neo-gourmand sounds exactly like something my collection is (still) missing.
    Best wishes from Germany
    Cindy

  • Sucha great review! I am also a big Heilung fan and was excited to see them show up here. Gourmands were always a tricky category for me as well, but I have found honey to be one of the exceptions: it combines naturally with resins and tobacco and some of favorite perfumes use strong honey notes. This sounds like a wonderful new entrant to this subgenre, and I would be delighted to try it! I live in Indiana

  • Wow Nicoleta (the post-Epicurean neo-hedonist editor-evaluator), what a review… not just about the perfume but also about the etymology of Ataraxia and your journey in search of that inner peace. The connection with the talented Ari Aster and this possible pitch for a new film is great (btw I love Midsommar and Hereditary). Maybe a Gourmand/gourmet film next like this Deity scent? This mistical tobacco honey centered scent is a creation by Mr. Truong (amazing collages he does too) but as you say it contains a wide palette of colors, in our case otherwordly raw materials: fruity, milky, jammy, green floral and all the resins and ambers. Amazing! I live in Spain, EU.

  • TheScentedPage says:

    The combination of Honey, Cherry Jam, and Chantilly Cream sounds utterly decadent, while Dark Cocoa and Vanilla add velvety depth. Grounding resins steady the sweetness. A blend that manages to be both decadent and grounding. Divine indeed.

    Alabama, USA

  • goknitintheocean says:

    Hi there,

    This article is definitely asking me to consider the spiritual in my collection and even to think back to scents I loved years ago that hit all of these chords. I’m thinking Magie Noire, Opium, and even Shalimar. Fruits and honey notes are better together, I’d agree! And the packaging of DEITY sounds creative and fun…Worldbuilding! Thank you so much for giving us a peek.

    Deborah
    NYC/USA

  • What strikes me most about this review is the coinage of “mystical gourmand” — a term that immediately made me think: of course, that’s what’s been missing. I’ve always found pure gourmands slightly unresolved, all that sensory richness with nowhere to go spiritually. The idea that honey specifically bridges that gap makes perfect sense: it’s one of the few substances that appears across virtually every sacred tradition simultaneously, never quite belonging to the profane world.
    The Heilung connection resonated deeply too — I know exactly that post-concert silence Nicoleta describes, that particular quality of mental stillness that feels earned rather than forced. The idea of finally finding a smellscape for it in something this dark and decadent, this rooted in offering and consumption, feels entirely right.
    The note list reads like an altar that got slightly out of hand in the best possible way. Tobacco absolute alongside beeswax and olibanum, dates and cherry jam grounded by myrrh and elemi — it sounds less like a perfume and more like something that’s been accumulating meaning for centuries.
    I live in the Netherlands, EU.

  • bustednose says:

    What a journey! I am getting my nose on this one ASAP. The brief is amazing as is Nicoleta’s review. The blend of the divine and the visceral in an elevated honey gourmand has my mind spinning. Thank you, Ataraxia and Nicoleta! I am in Texas USA.

  • What also stood out to me is how unapologetically strange and artistic this release seems to be. So much fragrance discourse online revolves around wearability, compliments, or “mass appeal,” and this feels like the opposite: scent as mood, memory, discomfort, symbolism. Even the mixed reactions make it more interesting to me.

    I’m in the US.

  • What a convergence of creativity! The review really has conjured this fragrance to be something beautifully dark and special! The notes sound intoxicating, the presentation looks like a major art display, and now I have a whole new musical appreciation I get to go tracking down. Hopefully the fates smile on me and the Norns weave me a way to win this! In NJ USA

  • A resinous honey tobacco! This sounds delightful and more akin to what I was hoping Xerjoff Naxos would smell like back in the day when I first tried it. I’m in the USA.

  • Marques M Burgess says:

    Ummmmm, spectacular maybe…… this review made the fragrance feel less like perfume and more like some ancient ritual in a bottle. I love how it tied honey, smoke, resins, tobacco, and dark fruits into something sensual but still spiritual. The whole mystical gourmand idea is what really hooked me because it sounds rich, decadent, and almost dangerous without losing depth. Honestly, the way they described DEITY made it feel alive, like you wear it and it slowly takes over the room and your mind. I Need This!!!!
    I live in New Jersey, USA

  • I love a great gourmand when it’s a rich extrait de parfum concentration that has depth and layers. The use of absolutes and overall use of labdanum, benzoin, elemi, and myrrh gives this an ambery, resinous persona that is done right. Sy’s backstory is interesting and an artists muse and inspiration behind their work makes for a great read and shines light on those who take their craft and passion seriously. The creation of a tobacco laden, rich, honeyed gourmand is a great option. I have Badar Estelle and I have time and time again that I smell like a cookie or a sweet dessert. They can’t quite place it but the honey and labdanum is a winning combo. Would love to own, from USA.

  • On my wishlist it goes – immediately! I loved the inspiration for this honey based perfume. In addition to honey, I would love to experience the snowdrops, Japanese Plum, Cherry Jam and Golden Berry notes. MI USA

  • Laurentiu says:

    Great to see that Romanian perfumery is on an ascending trend with more and more people (creators and perfumers alike) are getting involved in collaborations that explore our culture, traditions and heritage – and blend all these together in liquid form! And not only that, but they do discover other parts of the world all while giving it a Romanian final touch! Thanks for the read and for the giveaway!

    I am based in Romania. Thank you!

  • I’m fascinated by etymology and the concept of Ataraxia, and loved the weaving of different mythologies and the sacred place that honey has held in our collective. Everything from the notes to the presentation sounds like wearing this perfume would be a sacred experience. I’m in the USA.

  • roxhas1cat says:

    I love the meaning of the name of this company. I love beeswax in a fragrance. All the descriptions of the honey are truly a reminder of how much this scent is in the human experience from our beginning. I’d love to experience the layers of gold. Thanks for a chance to win this. USA.

  • What a fascinating dive into the mystical gourmand. Nicoleta’s review of Ataraxia Perfumery’s DEITY strikes a chord because it frames fragrance not just as a pleasant accessory, but as a visceral, shamanic bridge between the physical and the spiritual.

    The concept of Ataraxia as a state of serene tranquility is beautiful, but it’s the transition from the Abrahamic incense tradition to this more pagan, honey drenched hedonism that really sparks my interest. There is something incredibly compelling about the idea of a scent that captures the weight of an ancient offering, that heavy sound in the night and the massive, crowned body in the forest. It moves past the sterile or the purely pretty and enters the territory of the primal.

    I reside in the United States.

  • Heilung is new to me—those performances sound like a trip. And what an interesting perfume Ataraxia DEITY is, with its whiffs of the sacred, complex use of gourmand notes, and oscillation between dark, feral honey and “solar, ripe excess”. While the jammy fruit notes and light floral overtones sound lovely, I’m more interested in the “inky resinous tones, all earthy roots and dimmed greens”, including that lit cigar note. Love the concept and points of distinction here.

    I’m in WI, USA.

  • Oh goodness this sounds stunning. The way this started I didn’t see a gourmand coming. But this sounds like the kind of gourmand I could enjoy also. Plum, beeswax, myrrh, dark cocoa and basalmic resins… oh yes I’d love to have this one!! I am located in the U.S. staying hopeful!

  • The notes… Oh, wow, the notes, I can’t stop imagining what this would smell like…

    What captured me in Nicoleta’s review is the description of honey note, one of my favorites; DEITY feels like a colour-saturated palette where every shade of gold has been layered, blended, and pushed past recognition, then drenched in honey. A journey that begins and ends in honey, turning the sands of time to liquid molasses pouring through an inverted hourglass.

    EU

  • ElenaChiss says:

    The notes are incredible! I am mouthwatering already! This sounds like an incredible fragrance! Thank you very much! Best wishes from Europe!

  • foreverscents says:

    What an interesting and contemplative review/essay from Nicoleta. I had never heard of the group Heilung before this review. I headed straight to Youtube and enjoyed watching their videos/performances. What a powerful band! Yet I felt a sense of peace listening to their very primal music. I guess I was in a state of Ataraxia.
    I have only recently begun to appreciate gourmand fragrances. I think I was like Nicoleta, always drawn to incense-forward fragrances. Deity has the spiritual and resinous notes I love, but the honey and cherry jam add a decadent and dark sweetness. I am definitely drawn to this fragrance.
    I live in the USA.

  • wallygator88 says:

    What sparks my interest most is Nicoleta’s coining of the “mystical gourmand” — a term that instantly clarifies something I’ve sensed but couldn’t articulate about why certain honey-and-resin compositions feel fundamentally different from the broader gourmand genre. The personal journey she traces from those childhood philharmonic concerts through Heilung’s healing rituals to this fragrance isn’t decorative autobiography, it’s the actual argument: that the gap between sacred incense perfumery and bodily gourmand indulgence was never as wide as purists assumed, and honey has been bridging it for millennia. The image of DEITY as a colour-saturated palette where every shade of gold has been layered and pushed past recognition, then drenched in honey, is extraordinary writing — and the way she follows that through to the final tobacco note curling upward as per-fumum, the last offering, closes the entire essay like a liturgy completing its circle. The detail about both Sy and Tudor having their favourite ingredients tattooed on their bodies — IsoButyl Quinoline and iris respectively — says everything about the level of personal commitment driving this collaboration. And the Art and Olfaction finalist nod feels entirely earned for something this uncompromising. Cheers from WI, USA

  • I actually had the wonderful opportunity to meet Tudor in person—he is such a great and kind guy, which makes me root for and appreciate Ataraxia Perfumery even more!

    Based on Nicoleta’s wonderful review, what sparks my interest the most about DEITY is how beautifully the brand bridges art and olfaction, creating something truly divine and unique. It sounds like a masterpiece, and being an Art and Olfaction Finalist for 2026 absolutely proves it!
    live in Romania, Europe.

  • I was truly impressed by the article, especially by the beautiful details and the way the fragrance was described. It genuinely made me curious to discover Ataraxia Deity and experience this perfume myself.
    All the best, from România

  • Ataraxia feels less like silence and more like finally hearing yourself clearly through the noise. A rare kind of peace that doesn’t erase chaos, but makes you untouchable by it.i really like this article about them .Romania Bucuresti